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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B26BA it is the complementary color #84D945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B26BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B26BA shade: #8026B5, #9138C8, #A24ADB, #B35CEE and #C46EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B26BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B26BA shade: #7B26BA, #6A14A7, #590294, #480081 and #37006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B26BA shade: #7B26BA, #A326BA, #BA26A9, #BA2681 and #BA2659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B26BA shade: #7B26BA, #5326BA, #2B26BA and #2626BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B26BA shade matches the following richer shades: #7B26BA, #7D13CC and #8001DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B26BA shade: #7B26BA, #7838A8, #754A95, #735C83 and #706E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B26BA shade: #2B26BA, #5226BA, #7A26BA, #A126BA and #BA26AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B26BA shade: #4D1875, #641F98, #7B26BA, #9034D5 and #A356DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B26BA shade: #7B26BA, #BA2648 and #26BA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B26BA shade: #7B26BA, #BA7A26 and #26BA7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B26BA shade: #7B26BA, #BA2648, #66BA26 and #26BA97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B26BA shade: #7B26BA, #BA3026, #66BA26 and #26B0BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

Complementary color

CMYK 39 / 0 / 68 / 15

HEX #84D945

RGB 132 217 69

HSL 94.46, 0.66%, 0.56%

LAB 79.02, -49.81, 61.99

 

CMYK 29 / 79 / 0 / 29

HEX #8026B5

RGB 128 38 181

HSL 277.76, 0.65%, 0.43%

LAB 36.58, 60.16, -57.85

 

CMYK 28 / 72 / 0 / 22

HEX #9138C8

RGB 145 56 200

HSL 277.08, 0.57%, 0.5%

LAB 42.79, 60.48, -58.8

 

CMYK 26 / 66 / 0 / 14

HEX #A24ADB

RGB 162 74 219

HSL 276.41, 0.67%, 0.57%

LAB 49.12, 60.24, -59.38

 

CMYK 25 / 61 / 0 / 7

HEX #B35CEE

RGB 179 92 238

HSL 275.75, 0.81%, 0.65%

LAB 55.49, 59.7, -59.74

 

CMYK 23 / 57 / 0 / 0

HEX #C46EFF

RGB 196 110 255

HSL 275.59, 1%, 0.72%

LAB 61.75, 58.56, -59.04

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 37 / 88 / 0 / 35

HEX #6A14A7

RGB 106 20 167

HSL 275.1, 0.79%, 0.37%

LAB 30.29, 59.2, -59.87

 

CMYK 40 / 99 / 0 / 42

HEX #590294

RGB 89 2 148

HSL 275.75, 0.97%, 0.29%

LAB 24.66, 56.69, -57.61

 

CMYK 44 / 100 / 0 / 49

HEX #480081

RGB 72 0 129

HSL 273.49, 1%, 0.25%

LAB 19.89, 51.16, -53.65

 

CMYK 50 / 100 / 0 / 57

HEX #37006E

RGB 55 0 110

HSL 270, 1%, 0.22%

LAB 15.16, 45.09, -49.33

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 12 / 80 / 0 / 27

HEX #A326BA

RGB 163 38 186

HSL 290.68, 0.66%, 0.44%

LAB 42.34, 67.46, -51.22

 

CMYK 0 / 80 / 9 / 27

HEX #BA26A9

RGB 186 38 169

HSL 306.89, 0.66%, 0.44%

LAB 45.21, 69.28, -36.37

 

CMYK 0 / 80 / 31 / 27

HEX #BA2681

RGB 186 38 129

HSL 323.11, 0.66%, 0.44%

LAB 43.38, 64.03, -15.07

 

CMYK 0 / 80 / 52 / 27

HEX #BA2659

RGB 186 38 89

HSL 339.32, 0.66%, 0.44%

LAB 42.07, 60.12, 7.91

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 55 / 80 / 0 / 27

HEX #5326BA

RGB 83 38 186

HSL 258.24, 0.66%, 0.44%

LAB 31.28, 54.64, -69.71

 

CMYK 77 / 80 / 0 / 27

HEX #2B26BA

RGB 43 38 186

HSL 242.03, 0.66%, 0.44%

LAB 27.97, 50.8, -75.29

 

CMYK 80 / 80 / 0 / 27

HEX #2626BA

RGB 38 38 186

HSL 240, 0.66%, 0.44%

LAB 27.69, 50.48, -75.76

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 39 / 91 / 0 / 20

HEX #7D13CC

RGB 125 19 204

HSL 274.38, 0.83%, 0.44%

LAB 36.34, 69.75, -71.76

 

CMYK 42 / 100 / 0 / 13

HEX #8001DE

RGB 128 1 222

HSL 274.48, 0.99%, 0.44%

LAB 37.63, 76.26, -80.02

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 29 / 67 / 0 / 34

HEX #7838A8

RGB 120 56 168

HSL 274.29, 0.5%, 0.44%

LAB 37.2, 48.05, -49.15

 

CMYK 21 / 50 / 0 / 42

HEX #754A95

RGB 117 74 149

HSL 274.4, 0.34%, 0.44%

LAB 39.33, 32.98, -34.36

 

CMYK 12 / 30 / 0 / 49

HEX #735C83

RGB 115 92 131

HSL 275.38, 0.17%, 0.44%

LAB 42.67, 17.28, -18.27

 

CMYK 1 / 3 / 0 / 56

HEX #706E71

RGB 112 110 113

HSL 280, 0.01%, 0.44%

LAB 46.7, 1.38, -1.4

 

CMYK 77 / 80 / 0 / 27

HEX #2B26BA

RGB 43 38 186

HSL 242.03, 0.66%, 0.44%

LAB 27.97, 50.8, -75.29

 

CMYK 56 / 80 / 0 / 27

HEX #5226BA

RGB 82 38 186

HSL 257.84, 0.66%, 0.44%

LAB 31.17, 54.52, -69.89

 

CMYK 34 / 80 / 0 / 27

HEX #7A26BA

RGB 122 38 186

HSL 274.05, 0.66%, 0.44%

LAB 36.12, 60.25, -61.59

 

CMYK 13 / 80 / 0 / 27

HEX #A126BA

RGB 161 38 186

HSL 289.86, 0.66%, 0.44%

LAB 42.01, 67.08, -51.76

 

CMYK 0 / 80 / 8 / 27

HEX #BA26AB

RGB 186 38 171

HSL 306.08, 0.66%, 0.44%

LAB 45.31, 69.58, -37.4

 

CMYK 34 / 79 / 0 / 54

HEX #4D1875

RGB 77 24 117

HSL 274.19, 0.66%, 0.28%

LAB 22, 41.7, -42.51

 

CMYK 34 / 80 / 0 / 40

HEX #641F98

RGB 100 31 152

HSL 274.21, 0.66%, 0.36%

LAB 29.3, 51.41, -52.4

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 32 / 76 / 0 / 16

HEX #9034D5

RGB 144 52 213

HSL 274.29, 0.66%, 0.52%

LAB 43.05, 64.73, -65.9

 

CMYK 26 / 61 / 0 / 14

HEX #A356DC

RGB 163 86 220

HSL 274.48, 0.66%, 0.6%

LAB 51.39, 54.98, -56.29

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 0 / 80 / 61 / 27

HEX #BA2648

RGB 186 38 72

HSL 346.22, 0.66%, 0.44%

LAB 41.68, 58.9, 18.05

 

CMYK 80 / 0 / 67 / 27

HEX #26BA3E

RGB 38 186 62

HSL 129.73, 0.66%, 0.44%

LAB 66.43, -61.77, 50.49

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 0 / 34 / 80 / 27

HEX #BA7A26

RGB 186 122 38

HSL 34.05, 0.66%, 0.44%

LAB 56.58, 18.08, 53

 

CMYK 80 / 0 / 34 / 27

HEX #26BA7A

RGB 38 186 122

HSL 154.05, 0.66%, 0.44%

LAB 67.23, -52.35, 22.04

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 0 / 80 / 61 / 27

HEX #BA2648

RGB 186 38 72

HSL 346.22, 0.66%, 0.44%

LAB 41.68, 58.9, 18.05

 

CMYK 45 / 0 / 80 / 27

HEX #66BA26

RGB 102 186 38

HSL 94.05, 0.66%, 0.44%

LAB 68.08, -49.1, 61.37

 

CMYK 80 / 0 / 19 / 27

HEX #26BA97

RGB 38 186 151

HSL 165.81, 0.66%, 0.44%

LAB 67.85, -45.62, 7.16

 

CMYK 34 / 80 / 0 / 27

HEX #7B26BA

RGB 123 38 186

HSL 274.46, 0.66%, 0.44%

LAB 36.26, 60.41, -61.36

 

CMYK 0 / 74 / 80 / 27

HEX #BA3026

RGB 186 48 38

HSL 4.05, 0.66%, 0.44%

LAB 42.3, 54.11, 39.17

 

CMYK 45 / 0 / 80 / 27

HEX #66BA26

RGB 102 186 38

HSL 94.05, 0.66%, 0.44%

LAB 68.08, -49.1, 61.37

 

CMYK 80 / 5 / 0 / 27

HEX #26B0BA

RGB 38 176 186

HSL 184.05, 0.66%, 0.44%

LAB 65.75, -31.23, -15.26

 

Description

Color code: HEX #7B26BA | qconv.com Color code: HEX #7B26BA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 38 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 38 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 80 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 80% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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