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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2AA1 it is the complementary color #84D55E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2AA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2AA1 shade: #802A9C, #913CAF, #A24EC2, #B360D5 and #C472E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2AA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2AA1 shade: #7B2AA1, #6A188E, #59067B, #480068 and #370055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2AA1 shade: #7B29A2, #9C29A2, #A22987, #A22967 and #A22946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2AA1 shade: #7B29A2, #5B29A2, #3A29A2 and #2929A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2AA1 shade matches the following richer shades: #7B29A2, #8119B2 and #8708C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2AA1 shade: #7B29A2, #753A91, #6F4A81, #695B70 and #636B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2AA1 shade: #3929A2, #5929A2, #7A29A2, #9A29A2 and #A2298A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2AA1 shade: #491860, #622181, #7B29A2, #9432C2 and #A74DD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2AA1 shade: #7B2AA1, #A22939 and #29A249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2AA1 shade: #7B2AA1, #A27A29 and #29A27A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2AA1 shade: #7B2AA1, #A22939, #51A229 and #29A292

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2AA1 shade: #7B2AA1, #A23D29, #51A229 and #298EA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

Complementary color

CMYK 38 / 0 / 56 / 16

HEX #84D55E

RGB 132 213 94

HSL 100.84, 0.59%, 0.6%

LAB 78.05, -45.89, 50.37

 

CMYK 18 / 73 / 0 / 39

HEX #802A9C

RGB 128 42 156

HSL 285.26, 0.58%, 0.39%

LAB 35.29, 53.43, -44.94

 

CMYK 17 / 66 / 0 / 31

HEX #913CAF

RGB 145 60 175

HSL 284.35, 0.49%, 0.46%

LAB 41.76, 53.45, -45.8

 

CMYK 16 / 60 / 0 / 24

HEX #A24EC2

RGB 162 78 194

HSL 283.45, 0.49%, 0.53%

LAB 48.29, 53.03, -46.36

 

CMYK 16 / 55 / 0 / 16

HEX #B360D5

RGB 179 96 213

HSL 282.56, 0.58%, 0.61%

LAB 54.82, 52.39, -46.74

 

CMYK 16 / 51 / 0 / 9

HEX #C472E8

RGB 196 114 232

HSL 281.69, 0.72%, 0.68%

LAB 61.3, 51.66, -47.02

 

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

CMYK 25 / 83 / 0 / 44

HEX #6A188E

RGB 106 24 142

HSL 281.69, 0.71%, 0.33%

LAB 28.57, 52.69, -47.4

 

CMYK 28 / 95 / 0 / 52

HEX #59067B

RGB 89 6 123

HSL 282.56, 0.91%, 0.25%

LAB 22.6, 50.54, -45.29

 

CMYK 31 / 100 / 0 / 59

HEX #480068

RGB 72 0 104

HSL 281.54, 1%, 0.2%

LAB 17.35, 45.69, -41.69

 

CMYK 35 / 100 / 0 / 67

HEX #370055

RGB 55 0 85

HSL 278.82, 1%, 0.17%

LAB 12.4, 39.28, -37.2

 

CMYK 24 / 75 / 0 / 36

HEX #7B29A2

RGB 123 41 162

HSL 280.66, 0.6%, 0.4%

LAB 34.81, 54.05, -49.38

 

CMYK 4 / 75 / 0 / 36

HEX #9C29A2

RGB 156 41 162

HSL 297.02, 0.6%, 0.4%

LAB 40.02, 60.93, -40.74

 

CMYK 0 / 75 / 17 / 36

HEX #A22987

RGB 162 41 135

HSL 313.39, 0.6%, 0.4%

LAB 39.61, 58.03, -24.92

 

CMYK 0 / 75 / 36 / 36

HEX #A22967

RGB 162 41 103

HSL 329.26, 0.6%, 0.4%

LAB 38.28, 53.91, -7

 

CMYK 0 / 75 / 57 / 36

HEX #A22946

RGB 162 41 70

HSL 345.62, 0.6%, 0.4%

LAB 37.32, 50.79, 12.64

 

CMYK 24 / 75 / 0 / 36

HEX #7B29A2

RGB 123 41 162

HSL 280.66, 0.6%, 0.4%

LAB 34.81, 54.05, -49.38

 

CMYK 44 / 75 / 0 / 36

HEX #5B29A2

RGB 91 41 162

HSL 264.79, 0.6%, 0.4%

LAB 30.45, 48.03, -56.68

 

CMYK 64 / 75 / 0 / 36

HEX #3A29A2

RGB 58 41 162

HSL 248.43, 0.6%, 0.4%

LAB 27, 43.05, -62.46

 

CMYK 75 / 75 / 0 / 36

HEX #2929A2

RGB 41 41 162

HSL 240, 0.6%, 0.4%

LAB 25.76, 41.19, -64.54

 

CMYK 24 / 75 / 0 / 36

HEX #7B29A2

RGB 123 41 162

HSL 280.66, 0.6%, 0.4%

LAB 34.81, 54.05, -49.38

 

CMYK 28 / 86 / 0 / 30

HEX #8119B2

RGB 129 25 178

HSL 280.78, 0.75%, 0.4%

LAB 35.16, 63.6, -58.37

 

CMYK 31 / 96 / 0 / 24

HEX #8708C3

RGB 135 8 195

HSL 280.75, 0.92%, 0.4%

LAB 36.49, 70.8, -66.2

 

CMYK 24 / 75 / 0 / 36

HEX #7B29A2

RGB 123 41 162

HSL 280.66, 0.6%, 0.4%

LAB 34.81, 54.05, -49.38

 

CMYK 19 / 60 / 0 / 43

HEX #753A91

RGB 117 58 145

HSL 280.69, 0.43%, 0.4%

LAB 35.7, 40.97, -37.68

 

CMYK 14 / 43 / 0 / 49

HEX #6F4A81

RGB 111 74 129

HSL 280.36, 0.27%, 0.4%

LAB 37.59, 26.39, -24.94

 

CMYK 6 / 19 / 0 / 56

HEX #695B70

RGB 105 91 112

HSL 280, 0.1%, 0.4%

LAB 40.66, 9.97, -9.83

 

CMYK 7 / 0 / 10 / 58

HEX #636B60

RGB 99 107 96

HSL 103.64, 0.05%, 0.4%

LAB 44.25, -5.33, 5.12

 

CMYK 65 / 75 / 0 / 36

HEX #3929A2

RGB 57 41 162

HSL 247.93, 0.6%, 0.4%

LAB 26.92, 42.92, -62.6

 

CMYK 45 / 75 / 0 / 36

HEX #5929A2

RGB 89 41 162

HSL 263.8, 0.6%, 0.4%

LAB 30.2, 47.68, -57.08

 

CMYK 25 / 75 / 0 / 36

HEX #7A29A2

RGB 122 41 162

HSL 280.17, 0.6%, 0.4%

LAB 34.67, 53.85, -49.63

 

CMYK 5 / 75 / 0 / 36

HEX #9A29A2

RGB 154 41 162

HSL 296.03, 0.6%, 0.4%

LAB 39.69, 60.5, -41.29

 

CMYK 0 / 75 / 15 / 36

HEX #A2298A

RGB 162 41 138

HSL 311.9, 0.6%, 0.4%

LAB 39.75, 58.47, -26.54

 

CMYK 24 / 75 / 0 / 62

HEX #491860

RGB 73 24 96

HSL 280.83, 0.6%, 0.24%

LAB 19.7, 35.77, -32.59

 

CMYK 24 / 74 / 0 / 49

HEX #622181

RGB 98 33 129

HSL 280.63, 0.59%, 0.32%

LAB 27.49, 44.94, -41.09

 

CMYK 24 / 75 / 0 / 36

HEX #7B29A2

RGB 123 41 162

HSL 280.66, 0.6%, 0.4%

LAB 34.81, 54.05, -49.38

 

CMYK 24 / 74 / 0 / 24

HEX #9432C2

RGB 148 50 194

HSL 280.83, 0.59%, 0.48%

LAB 41.96, 62.17, -56.63

 

CMYK 20 / 63 / 0 / 18

HEX #A74DD1

RGB 167 77 209

HSL 280.91, 0.59%, 0.56%

LAB 49.65, 57.83, -52.79

 

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

CMYK 0 / 75 / 65 / 36

HEX #A22939

RGB 162 41 57

HSL 352.07, 0.6%, 0.4%

LAB 37.05, 49.89, 20.56

 

CMYK 75 / 0 / 55 / 36

HEX #29A249

RGB 41 162 73

HSL 135.87, 0.6%, 0.4%

LAB 58.78, -51.91, 36.69

 

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

CMYK 0 / 25 / 75 / 36

HEX #A27A29

RGB 162 122 41

HSL 40.17, 0.6%, 0.4%

LAB 53.77, 7.46, 48.09

 

CMYK 75 / 0 / 25 / 36

HEX #29A27A

RGB 41 162 122

HSL 160.17, 0.6%, 0.4%

LAB 59.63, -42.38, 11.55

 

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

CMYK 0 / 75 / 65 / 36

HEX #A22939

RGB 162 41 57

HSL 352.07, 0.6%, 0.4%

LAB 37.05, 49.89, 20.56

 

CMYK 50 / 0 / 75 / 36

HEX #51A229

RGB 81 162 41

HSL 100.17, 0.6%, 0.4%

LAB 59.66, -46.01, 51.99

 

CMYK 75 / 0 / 10 / 36

HEX #29A292

RGB 41 162 146

HSL 172.07, 0.6%, 0.4%

LAB 60.24, -36.14, -1.07

 

CMYK 24 / 74 / 0 / 37

HEX #7B2AA1

RGB 123 42 161

HSL 280.84, 0.59%, 0.4%

LAB 34.88, 53.43, -48.66

 

CMYK 0 / 62 / 75 / 36

HEX #A23D29

RGB 162 61 41

HSL 9.92, 0.6%, 0.4%

LAB 39.88, 40.68, 33.61

 

CMYK 50 / 0 / 75 / 36

HEX #51A229

RGB 81 162 41

HSL 100.17, 0.6%, 0.4%

LAB 59.66, -46.01, 51.99

 

CMYK 75 / 12 / 0 / 36

HEX #298EA2

RGB 41 142 162

HSL 189.92, 0.6%, 0.4%

LAB 54.48, -21.46, -18.82

 

Description

Color code: HEX #7B2AA1 | qconv.com Color code: HEX #7B2AA1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 42 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 42 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 74 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 74% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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