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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B4027 it is the complementary color #84BFD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B4027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B4027 shade: #804022, #915235, #A26448, #B3765B and #C4886E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B4027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B4027 shade: #7B4027, #6A2E14, #591C01, #480A00 and #370000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B4027 shade: #7C4027, #7C2927 and #7C2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B4027 shade: #7C4027, #7C5727, #7C6E27, #727C27 and #5C7C27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B4027 shade matches the following richer shades: #7C4027, #893B19 and #96350C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B4027 shade: #7C4027, #6E4534, #614B41, #54504E and #47555B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B4027 shade: #7C273C, #7C2827, #7C3F27, #7C5527 and #7C6C27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B4027 shade: #3D1F13, #5C301D, #7C4027, #9B5031 and #BA613A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B4027 shade: #7B4027, #537C27 and #27317C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B4027 shade: #7B4027, #277C3F and #3F277C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B4027 shade: #7B4027, #537C27, #27637C and #50277C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B4027 shade: #7B4027, #397C27, #27637C and #69277C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

Complementary color

CMYK 39 / 12 / 0 / 15

HEX #84BFD8

RGB 132 191 216

HSL 197.86, 0.52%, 0.68%

LAB 74.27, -12.72, -18.54

 

CMYK 0 / 50 / 73 / 50

HEX #804022

RGB 128 64 34

HSL 19.15, 0.58%, 0.32%

LAB 34.74, 25.11, 30.28

 

CMYK 0 / 43 / 63 / 43

HEX #915235

RGB 145 82 53

HSL 18.91, 0.46%, 0.39%

LAB 41.71, 23.47, 28.18

 

CMYK 0 / 38 / 56 / 36

HEX #A26448

RGB 162 100 72

HSL 18.67, 0.38%, 0.46%

LAB 48.59, 22.06, 26.3

 

CMYK 0 / 34 / 49 / 30

HEX #B3765B

RGB 179 118 91

HSL 18.41, 0.37%, 0.53%

LAB 55.38, 20.86, 24.65

 

CMYK 0 / 31 / 44 / 23

HEX #C4886E

RGB 196 136 110

HSL 18.14, 0.42%, 0.6%

LAB 62.06, 19.81, 23.17

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 0 / 57 / 81 / 58

HEX #6A2E14

RGB 106 46 20

HSL 18.14, 0.68%, 0.25%

LAB 26.93, 25.01, 28.67

 

CMYK 0 / 69 / 99 / 65

HEX #591C01

RGB 89 28 1

HSL 18.41, 0.98%, 0.18%

LAB 19.87, 26.82, 29.11

 

CMYK 0 / 86 / 100 / 72

HEX #480A00

RGB 72 10 0

HSL 8.33, 1%, 0.14%

LAB 13.2, 28.22, 20.45

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 48 / 69 / 51

HEX #7C4027

RGB 124 64 39

HSL 17.65, 0.52%, 0.32%

LAB 34.19, 23.68, 26.61

 

CMYK 0 / 67 / 69 / 51

HEX #7C2927

RGB 124 41 39

HSL 1.41, 0.52%, 0.32%

LAB 29.46, 35.87, 20.92

 

CMYK 0 / 69 / 69 / 51

HEX #7C2727

RGB 124 39 39

HSL 0, 0.52%, 0.32%

LAB 29.11, 36.8, 20.49

 

CMYK 0 / 48 / 69 / 51

HEX #7C4027

RGB 124 64 39

HSL 17.65, 0.52%, 0.32%

LAB 34.19, 23.68, 26.61

 

CMYK 0 / 30 / 69 / 51

HEX #7C5727

RGB 124 87 39

HSL 33.88, 0.52%, 0.32%

LAB 39.99, 10.08, 33.23

 

CMYK 0 / 11 / 69 / 51

HEX #7C6E27

RGB 124 110 39

HSL 50.12, 0.52%, 0.32%

LAB 46.42, -3.42, 40.18

 

CMYK 8 / 0 / 69 / 51

HEX #727C27

RGB 114 124 39

HSL 67.06, 0.52%, 0.32%

LAB 49.66, -15.79, 43.28

 

CMYK 26 / 0 / 69 / 51

HEX #5C7C27

RGB 92 124 39

HSL 82.59, 0.52%, 0.32%

LAB 48.05, -25.35, 41.1

 

CMYK 0 / 48 / 69 / 51

HEX #7C4027

RGB 124 64 39

HSL 17.65, 0.52%, 0.32%

LAB 34.19, 23.68, 26.61

 

CMYK 0 / 57 / 82 / 46

HEX #893B19

RGB 137 59 25

HSL 18.21, 0.69%, 0.32%

LAB 35.04, 31.24, 35.86

 

CMYK 0 / 65 / 92 / 41

HEX #96350C

RGB 150 53 12

HSL 17.83, 0.85%, 0.32%

LAB 36.09, 39, 43.38

 

CMYK 0 / 48 / 69 / 51

HEX #7C4027

RGB 124 64 39

HSL 17.65, 0.52%, 0.32%

LAB 34.19, 23.68, 26.61

 

CMYK 0 / 37 / 53 / 57

HEX #6E4534

RGB 110 69 52

HSL 17.59, 0.36%, 0.32%

LAB 33.6, 15.58, 17.55

 

CMYK 0 / 23 / 33 / 62

HEX #614B41

RGB 97 75 65

HSL 18.75, 0.2%, 0.32%

LAB 33.89, 7.67, 9.51

 

CMYK 0 / 5 / 7 / 67

HEX #54504E

RGB 84 80 78

HSL 20, 0.04%, 0.32%

LAB 34.34, 1.23, 1.76

 

CMYK 22 / 7 / 0 / 64

HEX #47555B

RGB 71 85 91

HSL 198, 0.12%, 0.32%

LAB 35.19, -3.95, -5.31

 

CMYK 0 / 69 / 52 / 51

HEX #7C273C

RGB 124 39 60

HSL 345.18, 0.52%, 0.32%

LAB 29.57, 38.46, 7.3

 

CMYK 0 / 68 / 69 / 51

HEX #7C2827

RGB 124 40 39

HSL 0.71, 0.52%, 0.32%

LAB 29.28, 36.34, 20.7

 

CMYK 0 / 49 / 69 / 51

HEX #7C3F27

RGB 124 63 39

HSL 16.94, 0.52%, 0.32%

LAB 33.95, 24.25, 26.33

 

CMYK 0 / 31 / 69 / 51

HEX #7C5527

RGB 124 85 39

HSL 32.47, 0.52%, 0.32%

LAB 39.46, 11.27, 32.64

 

CMYK 0 / 13 / 69 / 51

HEX #7C6C27

RGB 124 108 39

HSL 48.71, 0.52%, 0.32%

LAB 45.85, -2.27, 39.57

 

CMYK 0 / 49 / 69 / 76

HEX #3D1F13

RGB 61 31 19

HSL 17.14, 0.53%, 0.16%

LAB 15.59, 13.18, 14.4

 

CMYK 0 / 48 / 68 / 64

HEX #5C301D

RGB 92 48 29

HSL 18.1, 0.52%, 0.24%

LAB 25.19, 18.07, 20.77

 

CMYK 0 / 48 / 69 / 51

HEX #7C4027

RGB 124 64 39

HSL 17.65, 0.52%, 0.32%

LAB 34.19, 23.68, 26.61

 

CMYK 0 / 48 / 68 / 39

HEX #9B5031

RGB 155 80 49

HSL 17.55, 0.52%, 0.4%

LAB 42.65, 28.57, 31.94

 

CMYK 0 / 48 / 69 / 27

HEX #BA613A

RGB 186 97 58

HSL 18.28, 0.52%, 0.48%

LAB 51.03, 32.67, 37.83

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 33 / 0 / 69 / 51

HEX #537C27

RGB 83 124 39

HSL 88.94, 0.52%, 0.32%

LAB 47.5, -28.99, 40.34

 

CMYK 69 / 60 / 0 / 51

HEX #27317C

RGB 39 49 124

HSL 232.94, 0.52%, 0.32%

LAB 23.94, 22.07, -43.99

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 69 / 0 / 49 / 51

HEX #277C3F

RGB 39 124 63

HSL 136.94, 0.52%, 0.32%

LAB 45.91, -39.47, 26

 

CMYK 49 / 69 / 0 / 51

HEX #3F277C

RGB 63 39 124

HSL 256.94, 0.52%, 0.32%

LAB 23.55, 33.09, -44.54

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 33 / 0 / 69 / 51

HEX #537C27

RGB 83 124 39

HSL 88.94, 0.52%, 0.32%

LAB 47.5, -28.99, 40.34

 

CMYK 69 / 20 / 0 / 51

HEX #27637C

RGB 39 99 124

HSL 197.65, 0.52%, 0.32%

LAB 39.26, -10.82, -19.7

 

CMYK 35 / 69 / 0 / 51

HEX #50277C

RGB 80 39 124

HSL 268.94, 0.52%, 0.32%

LAB 25.6, 36.78, -41.12

 

CMYK 0 / 48 / 68 / 52

HEX #7B4027

RGB 123 64 39

HSL 17.86, 0.52%, 0.32%

LAB 34.03, 23.24, 26.39

 

CMYK 54 / 0 / 69 / 51

HEX #397C27

RGB 57 124 39

HSL 107.29, 0.52%, 0.32%

LAB 46.22, -38.11, 38.59

 

CMYK 69 / 20 / 0 / 51

HEX #27637C

RGB 39 99 124

HSL 197.65, 0.52%, 0.32%

LAB 39.26, -10.82, -19.7

 

CMYK 15 / 69 / 0 / 51

HEX #69277C

RGB 105 39 124

HSL 286.59, 0.52%, 0.32%

LAB 29.18, 42.77, -35.16

 

Description

Color code: HEX #7B4027 | qconv.com Color code: HEX #7B4027 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 64 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 64 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 68 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 68% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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