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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B581D it is the complementary color #84A7E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B581D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B581D shade: #805818, #916A2B, #A27C3E, #B38E51 and #C4A064

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B581D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B581D shade: #7B581D, #6A460A, #593400, #482200 and #371000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B581D shade: #7B581D, #7B3F1D, #7B251D and #7B1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B581D shade: #7B581D, #7B721D, #6C7B1D, #527B1D and #387B1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B581D shade matches the following richer shades: #7B581D, #885B10 and #945E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B581D shade: #7B581D, #6F5529, #635235, #564F42 and #4A4B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B581D shade: #7B241D, #7B3E1D, #7B571D, #7B701D and #6D7B1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B581D shade: #39280D, #5A4015, #7B581D, #9D7024 and #BE882C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B581D shade: #7B581D, #2E7B1D and #311D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B581D shade: #7B581D, #1D7B57 and #571D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B581D shade: #7B581D, #2E7B1D, #1D417B and #6A1D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B581D shade: #7B581D, #1D7B28, #1D417B and #7B1D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

Complementary color

CMYK 42 / 26 / 0 / 11

HEX #84A7E2

RGB 132 167 226

HSL 217.66, 0.62%, 0.7%

LAB 68.05, 3.02, -33.54

 

CMYK 0 / 31 / 81 / 50

HEX #805818

RGB 128 88 24

HSL 36.92, 0.68%, 0.3%

LAB 40.63, 10.56, 41.19

 

CMYK 0 / 27 / 70 / 43

HEX #916A2B

RGB 145 106 43

HSL 37.06, 0.54%, 0.37%

LAB 47.63, 8.93, 40.24

 

CMYK 0 / 23 / 62 / 36

HEX #A27C3E

RGB 162 124 62

HSL 37.2, 0.45%, 0.44%

LAB 54.5, 7.62, 38.91

 

CMYK 0 / 21 / 55 / 30

HEX #B38E51

RGB 179 142 81

HSL 37.35, 0.39%, 0.51%

LAB 61.24, 6.54, 37.51

 

CMYK 0 / 18 / 49 / 23

HEX #C4A064

RGB 196 160 100

HSL 37.5, 0.45%, 0.58%

LAB 67.87, 5.65, 36.14

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 34 / 91 / 58

HEX #6A460A

RGB 106 70 10

HSL 37.5, 0.83%, 0.23%

LAB 32.85, 10.29, 38.54

 

CMYK 0 / 42 / 100 / 65

HEX #593400

RGB 89 52 0

HSL 35.06, 1%, 0.17%

LAB 25.5, 12.7, 35.36

 

CMYK 0 / 53 / 100 / 72

HEX #482200

RGB 72 34 0

HSL 28.33, 1%, 0.14%

LAB 18.02, 15.57, 26.55

 

CMYK 0 / 71 / 100 / 78

HEX #371000

RGB 55 16 0

HSL 17.45, 1%, 0.11%

LAB 10.43, 18.38, 16.04

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 49 / 76 / 52

HEX #7B3F1D

RGB 123 63 29

HSL 21.7, 0.62%, 0.3%

LAB 33.68, 23.22, 31.66

 

CMYK 0 / 70 / 76 / 52

HEX #7B251D

RGB 123 37 29

HSL 5.11, 0.62%, 0.3%

LAB 28.44, 36.78, 25.95

 

CMYK 0 / 76 / 76 / 52

HEX #7B1D1D

RGB 123 29 29

HSL 0, 0.62%, 0.3%

LAB 27.24, 40.08, 24.59

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 7 / 76 / 52

HEX #7B721D

RGB 123 114 29

HSL 54.26, 0.62%, 0.3%

LAB 47.41, -6.72, 45.4

 

CMYK 12 / 0 / 76 / 52

HEX #6C7B1D

RGB 108 123 29

HSL 69.57, 0.62%, 0.3%

LAB 48.81, -18.56, 46.28

 

CMYK 33 / 0 / 76 / 52

HEX #527B1D

RGB 82 123 29

HSL 86.17, 0.62%, 0.3%

LAB 47.04, -29.66, 43.95

 

CMYK 54 / 0 / 76 / 52

HEX #387B1D

RGB 56 123 29

HSL 102.77, 0.62%, 0.3%

LAB 45.76, -38.87, 42.27

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 33 / 88 / 47

HEX #885B10

RGB 136 91 16

HSL 37.5, 0.79%, 0.3%

LAB 42.39, 12.3, 46.08

 

CMYK 0 / 36 / 97 / 42

HEX #945E04

RGB 148 94 4

HSL 37.5, 0.95%, 0.3%

LAB 44.67, 15.91, 51.66

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 23 / 63 / 56

HEX #6F5529

RGB 111 85 41

HSL 37.71, 0.46%, 0.3%

LAB 37.91, 5.28, 29.37

 

CMYK 0 / 17 / 46 / 61

HEX #635235

RGB 99 82 53

HSL 37.83, 0.3%, 0.3%

LAB 35.88, 2.64, 19.63

 

CMYK 0 / 8 / 23 / 66

HEX #564F42

RGB 86 79 66

HSL 39, 0.13%, 0.3%

LAB 33.91, 0.45, 8.73

 

CMYK 5 / 4 / 0 / 69

HEX #4A4B4E

RGB 74 75 78

HSL 225, 0.03%, 0.3%

LAB 31.89, 0.27, -1.93

 

CMYK 0 / 71 / 76 / 52

HEX #7B241D

RGB 123 36 29

HSL 4.47, 0.62%, 0.3%

LAB 28.28, 37.22, 25.77

 

CMYK 0 / 50 / 76 / 52

HEX #7B3E1D

RGB 123 62 29

HSL 21.06, 0.62%, 0.3%

LAB 33.45, 23.8, 31.41

 

CMYK 0 / 29 / 76 / 52

HEX #7B571D

RGB 123 87 29

HSL 37.02, 0.62%, 0.3%

LAB 39.78, 9.01, 37.94

 

CMYK 0 / 9 / 76 / 52

HEX #7B701D

RGB 123 112 29

HSL 52.98, 0.62%, 0.3%

LAB 46.83, -5.59, 44.84

 

CMYK 11 / 0 / 76 / 52

HEX #6D7B1D

RGB 109 123 29

HSL 68.94, 0.62%, 0.3%

LAB 48.89, -18.11, 46.39

 

CMYK 0 / 30 / 77 / 78

HEX #39280D

RGB 57 40 13

HSL 36.82, 0.63%, 0.14%

LAB 17.54, 4.51, 20.02

 

CMYK 0 / 29 / 77 / 65

HEX #5A4015

RGB 90 64 21

HSL 37.39, 0.62%, 0.22%

LAB 29.14, 6.52, 29.67

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 0 / 29 / 77 / 38

HEX #9D7024

RGB 157 112 36

HSL 37.69, 0.63%, 0.38%

LAB 50.55, 10.62, 46.85

 

CMYK 0 / 28 / 77 / 25

HEX #BE882C

RGB 190 136 44

HSL 37.81, 0.62%, 0.46%

LAB 60.55, 12.34, 54.53

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 63 / 0 / 76 / 52

HEX #2E7B1D

RGB 46 123 29

HSL 109.15, 0.62%, 0.3%

LAB 45.41, -41.7, 41.79

 

CMYK 60 / 76 / 0 / 52

HEX #311D7B

RGB 49 29 123

HSL 252.77, 0.62%, 0.3%

LAB 19.89, 36.1, -49.95

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 76 / 0 / 29 / 52

HEX #1D7B57

RGB 29 123 87

HSL 157.02, 0.62%, 0.3%

LAB 45.79, -35.86, 12.15

 

CMYK 29 / 76 / 0 / 52

HEX #571D7B

RGB 87 29 123

HSL 277.02, 0.62%, 0.3%

LAB 24.75, 42.98, -41.81

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 63 / 0 / 76 / 52

HEX #2E7B1D

RGB 46 123 29

HSL 109.15, 0.62%, 0.3%

LAB 45.41, -41.7, 41.79

 

CMYK 76 / 47 / 0 / 52

HEX #1D417B

RGB 29 65 123

HSL 217.02, 0.62%, 0.3%

LAB 28.04, 8.95, -36.77

 

CMYK 14 / 76 / 0 / 52

HEX #6A1D7B

RGB 106 29 123

HSL 289.15, 0.62%, 0.3%

LAB 27.77, 47.04, -36.78

 

CMYK 0 / 28 / 76 / 52

HEX #7B581D

RGB 123 88 29

HSL 37.66, 0.62%, 0.3%

LAB 40.05, 8.41, 38.21

 

CMYK 76 / 0 / 67 / 52

HEX #1D7B28

RGB 29 123 40

HSL 127.02, 0.62%, 0.3%

LAB 45.05, -44.29, 36.63

 

CMYK 76 / 47 / 0 / 52

HEX #1D417B

RGB 29 65 123

HSL 217.02, 0.62%, 0.3%

LAB 28.04, 8.95, -36.77

 

CMYK 0 / 76 / 9 / 52

HEX #7B1D70

RGB 123 29 112

HSL 307.02, 0.62%, 0.3%

LAB 30.06, 49.01, -25.97

 

Description

Color code: HEX #7B581D | qconv.com Color code: HEX #7B581D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 88 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 88 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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