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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B641D it is the complementary color #849BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B641D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B641D shade: #806418, #91762B, #A2883E, #B39A51 and #C4AC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B641D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B641D shade: #7B641D, #6A520A, #594000, #482E00 and #371C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B641D shade: #7B641D, #7B4B1D, #7B311D and #7B1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B641D shade: #7B641D, #797B1D, #5F7B1D, #467B1D and #2C7B1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B641D shade matches the following richer shades: #7B641D, #886B10 and #947104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B641D shade: #7B641D, #6F5E29, #635835, #565142 and #4A4B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B641D shade: #7B311D, #7B4A1D, #7B641D, #7A7B1D and #617B1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B641D shade: #392E0D, #5A4915, #7B641D, #9D7F24 and #BE9B2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B641D shade: #7B641D, #217B1D and #3E1D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B641D shade: #7B641D, #1D7B64 and #641D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B641D shade: #7B641D, #217B1D, #1D347B and #771D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B641D shade: #7B641D, #1D7B34, #1D347B and #7B1D64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

Complementary color

CMYK 42 / 31 / 0 / 11

HEX #849BE2

RGB 132 155 226

HSL 225.32, 0.62%, 0.7%

LAB 64.83, 9.84, -38.54

 

CMYK 0 / 22 / 81 / 50

HEX #806418

RGB 128 100 24

HSL 43.85, 0.68%, 0.3%

LAB 43.9, 3.48, 44.22

 

CMYK 0 / 19 / 70 / 43

HEX #91762B

RGB 145 118 43

HSL 44.12, 0.54%, 0.37%

LAB 50.86, 2.04, 43.65

 

CMYK 0 / 16 / 62 / 36

HEX #A2883E

RGB 162 136 62

HSL 44.4, 0.45%, 0.44%

LAB 57.69, 0.89, 42.56

 

CMYK 0 / 14 / 55 / 30

HEX #B39A51

RGB 179 154 81

HSL 44.69, 0.39%, 0.51%

LAB 64.39, -0.03, 41.3

 

CMYK 0 / 12 / 49 / 23

HEX #C4AC64

RGB 196 172 100

HSL 45, 0.45%, 0.58%

LAB 70.98, -0.8, 40.01

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 0 / 23 / 91 / 58

HEX #6A520A

RGB 106 82 10

HSL 45, 0.83%, 0.23%

LAB 36.22, 2.96, 41.32

 

CMYK 0 / 28 / 100 / 65

HEX #594000

RGB 89 64 0

HSL 43.15, 1%, 0.17%

LAB 28.88, 5.13, 38.29

 

CMYK 0 / 36 / 100 / 72

HEX #482E00

RGB 72 46 0

HSL 38.33, 1%, 0.14%

LAB 21.33, 7.79, 30.32

 

CMYK 0 / 49 / 100 / 78

HEX #371C00

RGB 55 28 0

HSL 30.55, 1%, 0.11%

LAB 13.49, 10.72, 20.22

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 0 / 39 / 76 / 52

HEX #7B4B1D

RGB 123 75 29

HSL 29.36, 0.62%, 0.3%

LAB 36.62, 16.18, 34.73

 

CMYK 0 / 60 / 76 / 52

HEX #7B311D

RGB 123 49 29

HSL 12.77, 0.62%, 0.3%

LAB 30.63, 30.95, 28.38

 

CMYK 0 / 76 / 76 / 52

HEX #7B1D1D

RGB 123 29 29

HSL 0, 0.62%, 0.3%

LAB 27.24, 40.08, 24.59

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 2 / 0 / 76 / 52

HEX #797B1D

RGB 121 123 29

HSL 61.28, 0.62%, 0.3%

LAB 49.88, -12.63, 47.67

 

CMYK 23 / 0 / 76 / 52

HEX #5F7B1D

RGB 95 123 29

HSL 77.87, 0.62%, 0.3%

LAB 47.86, -24.28, 45.04

 

CMYK 43 / 0 / 76 / 52

HEX #467B1D

RGB 70 123 29

HSL 93.83, 0.62%, 0.3%

LAB 46.39, -34.21, 43.09

 

CMYK 64 / 0 / 76 / 52

HEX #2C7B1D

RGB 44 123 29

HSL 110.43, 0.62%, 0.3%

LAB 45.35, -42.21, 41.71

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 0 / 21 / 88 / 47

HEX #886B10

RGB 136 107 16

HSL 45.5, 0.79%, 0.3%

LAB 46.69, 2.97, 49.63

 

CMYK 0 / 24 / 97 / 42

HEX #947104

RGB 148 113 4

HSL 45.42, 0.95%, 0.3%

LAB 49.64, 4.96, 55.17

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 0 / 15 / 63 / 56

HEX #6F5E29

RGB 111 94 41

HSL 45.43, 0.46%, 0.3%

LAB 40.48, -0.11, 32.32

 

CMYK 0 / 11 / 46 / 61

HEX #635835

RGB 99 88 53

HSL 45.65, 0.3%, 0.3%

LAB 37.64, -1, 21.89

 

CMYK 0 / 6 / 23 / 66

HEX #565142

RGB 86 81 66

HSL 45, 0.13%, 0.3%

LAB 34.51, -0.78, 9.58

 

CMYK 5 / 4 / 0 / 69

HEX #4A4B4E

RGB 74 75 78

HSL 225, 0.03%, 0.3%

LAB 31.89, 0.27, -1.93

 

CMYK 0 / 60 / 76 / 52

HEX #7B311D

RGB 123 49 29

HSL 12.77, 0.62%, 0.3%

LAB 30.63, 30.95, 28.38

 

CMYK 0 / 40 / 76 / 52

HEX #7B4A1D

RGB 123 74 29

HSL 28.72, 0.62%, 0.3%

LAB 36.36, 16.77, 34.46

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 1 / 0 / 76 / 52

HEX #7A7B1D

RGB 122 123 29

HSL 60.64, 0.62%, 0.3%

LAB 49.97, -12.17, 47.79

 

CMYK 21 / 0 / 76 / 52

HEX #617B1D

RGB 97 123 29

HSL 76.6, 0.62%, 0.3%

LAB 48, -23.41, 45.22

 

CMYK 0 / 19 / 77 / 78

HEX #392E0D

RGB 57 46 13

HSL 45, 0.63%, 0.14%

LAB 19.44, 0.48, 22.27

 

CMYK 0 / 19 / 77 / 65

HEX #5A4915

RGB 90 73 21

HSL 45.22, 0.62%, 0.22%

LAB 31.79, 0.9, 32.37

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 0 / 19 / 77 / 38

HEX #9D7F24

RGB 157 127 36

HSL 45.12, 0.63%, 0.38%

LAB 54.53, 2.13, 50.67

 

CMYK 0 / 18 / 77 / 25

HEX #BE9B2C

RGB 190 155 44

HSL 45.62, 0.62%, 0.46%

LAB 65.41, 1.95, 59.14

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 73 / 0 / 76 / 52

HEX #217B1D

RGB 33 123 29

HSL 117.45, 0.62%, 0.3%

LAB 45.05, -44.65, 41.32

 

CMYK 50 / 76 / 0 / 52

HEX #3E1D7B

RGB 62 29 123

HSL 261.06, 0.62%, 0.3%

LAB 21.33, 38.19, -47.53

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 76 / 0 / 19 / 52

HEX #1D7B64

RGB 29 123 100

HSL 165.32, 0.62%, 0.3%

LAB 46.11, -32.53, 4.95

 

CMYK 19 / 76 / 0 / 52

HEX #641D7B

RGB 100 29 123

HSL 285.32, 0.62%, 0.3%

LAB 26.79, 45.73, -38.42

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 73 / 0 / 76 / 52

HEX #217B1D

RGB 33 123 29

HSL 117.45, 0.62%, 0.3%

LAB 45.05, -44.65, 41.32

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 3 / 76 / 0 / 52

HEX #771D7B

RGB 119 29 123

HSL 297.45, 0.62%, 0.3%

LAB 29.99, 49.95, -33.12

 

CMYK 0 / 19 / 76 / 52

HEX #7B641D

RGB 123 100 29

HSL 45.32, 0.62%, 0.3%

LAB 43.38, 1.32, 41.51

 

CMYK 76 / 0 / 58 / 52

HEX #1D7B34

RGB 29 123 52

HSL 134.68, 0.62%, 0.3%

LAB 45.19, -42.71, 30.9

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 0 / 76 / 19 / 52

HEX #7B1D64

RGB 123 29 100

HSL 314.68, 0.62%, 0.3%

LAB 29.44, 47.13, -19.23

 

Description

Color code: HEX #7B641D | qconv.com Color code: HEX #7B641D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 100 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 100 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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