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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B65B8 it is the complementary color #849A47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B65B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B65B8 shade: #8065B3, #9177C6, #A289D9, #B39BEC and #C4ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B65B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B65B8 shade: #7B65B8, #6A53A5, #594192, #482F7F and #371D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B65B8 shade: #7B65B8, #9165B8, #A865B8, #B865B2 and #B8659B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B65B8 shade: #7B65B8 and #6565B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B65B8 shade matches the following richer shades: #7B65B8, #7253CA, #6A40DC and #612EEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B65B8 shade: #7B65B8, #8377A6, #8C8994, #949B81 and #9DAD6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B65B8 shade: #657CB8, #6566B8, #7A65B8, #9065B8 and #A665B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B65B8 shade: #533F8B, #644CA7, #7B65B8, #9381C5 and #AB9DD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B65B8 shade: #7B65B8, #B86592 and #71B865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B65B8 shade: #7B65B8, #B87A65 and #65B87A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B65B8 shade: #7B65B8, #B86592, #A3B865 and #65B88A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B65B8 shade: #7B65B8, #B8657A, #A3B865 and #65B8A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

Complementary color

CMYK 14 / 0 / 54 / 40

HEX #849A47

RGB 132 154 71

HSL 75.9, 0.37%, 0.44%

LAB 60.31, -20.97, 40.48

 

CMYK 28 / 44 / 0 / 30

HEX #8065B3

RGB 128 101 179

HSL 260.77, 0.34%, 0.55%

LAB 48.45, 27.76, -37.65

 

CMYK 27 / 40 / 0 / 22

HEX #9177C6

RGB 145 119 198

HSL 259.75, 0.41%, 0.62%

LAB 55.37, 26.9, -37.59

 

CMYK 25 / 37 / 0 / 15

HEX #A289D9

RGB 162 137 217

HSL 258.75, 0.51%, 0.69%

LAB 62.15, 26.13, -37.56

 

CMYK 24 / 34 / 0 / 7

HEX #B39BEC

RGB 179 155 236

HSL 257.78, 0.68%, 0.77%

LAB 68.81, 25.43, -37.57

 

CMYK 23 / 32 / 0 / 0

HEX #C4ADFF

RGB 196 173 255

HSL 256.83, 1%, 0.84%

LAB 75.35, 24.8, -37.61

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 36 / 50 / 0 / 35

HEX #6A53A5

RGB 106 83 165

HSL 256.83, 0.33%, 0.49%

LAB 41.16, 28.69, -41.1

 

CMYK 39 / 55 / 0 / 43

HEX #594192

RGB 89 65 146

HSL 257.78, 0.38%, 0.41%

LAB 33.94, 29.86, -41.3

 

CMYK 43 / 63 / 0 / 50

HEX #482F7F

RGB 72 47 127

HSL 258.75, 0.46%, 0.34%

LAB 26.57, 31.15, -41.48

 

CMYK 49 / 73 / 0 / 58

HEX #371D6C

RGB 55 29 108

HSL 259.75, 0.58%, 0.27%

LAB 19.11, 32.45, -41.53

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 21 / 45 / 0 / 28

HEX #9165B8

RGB 145 101 184

HSL 271.81, 0.37%, 0.56%

LAB 50.44, 33.91, -37.3

 

CMYK 9 / 45 / 0 / 28

HEX #A865B8

RGB 168 101 184

HSL 288.43, 0.37%, 0.56%

LAB 53.05, 40.72, -33.02

 

CMYK 0 / 45 / 3 / 28

HEX #B865B2

RGB 184 101 178

HSL 304.34, 0.37%, 0.56%

LAB 54.77, 44.42, -26.72

 

CMYK 0 / 45 / 16 / 28

HEX #B8659B

RGB 184 101 155

HSL 320.96, 0.37%, 0.56%

LAB 53.88, 40.48, -14.71

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 45 / 45 / 0 / 28

HEX #6565B8

RGB 101 101 184

HSL 240, 0.37%, 0.56%

LAB 46.36, 21.88, -44.02

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 44 / 59 / 0 / 21

HEX #7253CA

RGB 114 83 202

HSL 255.63, 0.53%, 0.56%

LAB 44.27, 40.99, -57.73

 

CMYK 52 / 71 / 0 / 14

HEX #6A40DC

RGB 106 64 220

HSL 256.15, 0.69%, 0.56%

LAB 41.05, 54.88, -73.35

 

CMYK 59 / 81 / 0 / 7

HEX #612EEE

RGB 97 46 238

HSL 255.94, 0.85%, 0.56%

LAB 39.02, 66.75, -86.98

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 21 / 28 / 0 / 35

HEX #8377A6

RGB 131 119 166

HSL 255.32, 0.21%, 0.56%

LAB 52.7, 14.74, -23.45

 

CMYK 5 / 7 / 0 / 42

HEX #8C8994

RGB 140 137 148

HSL 256.36, 0.05%, 0.56%

LAB 57.66, 3.31, -5.47

 

CMYK 5 / 0 / 17 / 39

HEX #949B81

RGB 148 155 129

HSL 76.15, 0.12%, 0.56%

LAB 62.78, -7.29, 12.8

 

CMYK 9 / 0 / 36 / 32

HEX #9DAD6F

RGB 157 173 111

HSL 75.48, 0.27%, 0.56%

LAB 68.17, -15.99, 30.04

 

CMYK 45 / 33 / 0 / 28

HEX #657CB8

RGB 101 124 184

HSL 223.37, 0.37%, 0.56%

LAB 52.56, 7.85, -34.24

 

CMYK 45 / 45 / 0 / 28

HEX #6566B8

RGB 101 102 184

HSL 239.28, 0.37%, 0.56%

LAB 46.62, 21.26, -43.61

 

CMYK 34 / 45 / 0 / 28

HEX #7A65B8

RGB 122 101 184

HSL 255.18, 0.37%, 0.56%

LAB 48.14, 27.38, -41.08

 

CMYK 22 / 45 / 0 / 28

HEX #9065B8

RGB 144 101 184

HSL 271.08, 0.37%, 0.56%

LAB 50.33, 33.62, -37.48

 

CMYK 10 / 45 / 0 / 28

HEX #A665B8

RGB 166 101 184

HSL 286.99, 0.37%, 0.56%

LAB 52.81, 40.12, -33.41

 

CMYK 40 / 55 / 0 / 45

HEX #533F8B

RGB 83 63 139

HSL 255.79, 0.38%, 0.4%

LAB 32.39, 27.52, -39.53

 

CMYK 40 / 54 / 0 / 35

HEX #644CA7

RGB 100 76 167

HSL 255.82, 0.37%, 0.48%

LAB 39.02, 31.95, -45.76

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 25 / 35 / 0 / 23

HEX #9381C5

RGB 147 129 197

HSL 255.88, 0.37%, 0.64%

LAB 57.98, 21.43, -32.94

 

CMYK 19 / 25 / 0 / 18

HEX #AB9DD2

RGB 171 157 210

HSL 255.85, 0.37%, 0.72%

LAB 67.59, 15.88, -25.19

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 0 / 45 / 21 / 28

HEX #B86592

RGB 184 101 146

HSL 327.47, 0.37%, 0.56%

LAB 53.57, 39.07, -9.9

 

CMYK 39 / 0 / 45 / 28

HEX #71B865

RGB 113 184 101

HSL 111.33, 0.37%, 0.56%

LAB 68.56, -38.65, 35.21

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 0 / 34 / 45 / 28

HEX #B87A65

RGB 184 122 101

HSL 15.18, 0.37%, 0.56%

LAB 57.12, 21.71, 21.39

 

CMYK 45 / 0 / 34 / 28

HEX #65B87A

RGB 101 184 122

HSL 135.18, 0.37%, 0.56%

LAB 68.35, -38.93, 23.85

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 0 / 45 / 21 / 28

HEX #B86592

RGB 184 101 146

HSL 327.47, 0.37%, 0.56%

LAB 53.57, 39.07, -9.9

 

CMYK 11 / 0 / 45 / 28

HEX #A3B865

RGB 163 184 101

HSL 75.18, 0.37%, 0.56%

LAB 71.56, -20.42, 39.62

 

CMYK 45 / 0 / 25 / 28

HEX #65B88A

RGB 101 184 138

HSL 146.75, 0.37%, 0.56%

LAB 68.67, -35.87, 15.66

 

CMYK 33 / 45 / 0 / 28

HEX #7B65B8

RGB 123 101 184

HSL 255.9, 0.37%, 0.56%

LAB 48.23, 27.66, -40.93

 

CMYK 0 / 45 / 34 / 28

HEX #B8657A

RGB 184 101 122

HSL 344.82, 0.37%, 0.56%

LAB 52.84, 35.69, 3.19

 

CMYK 11 / 0 / 45 / 28

HEX #A3B865

RGB 163 184 101

HSL 75.18, 0.37%, 0.56%

LAB 71.56, -20.42, 39.62

 

CMYK 45 / 0 / 11 / 28

HEX #65B8A3

RGB 101 184 163

HSL 164.82, 0.37%, 0.56%

LAB 69.25, -30.39, 2.82

 

Description

Color code: HEX #7B65B8 | qconv.com Color code: HEX #7B65B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 101 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 101 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 45 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 45% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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