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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B6A24 it is the complementary color #8495DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B6A24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B6A24 shade: #806A1F, #917C32, #A28E45, #B3A058 and #C4B26B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B6A24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B6A24 shade: #7B6A24, #6A5811, #594600, #483400 and #372200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B6A24 shade: #7A6923, #7A5223, #7A3A23 and #7A2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B6A24 shade: #7A6923, #747A23, #5C7A23, #457A23 and #2D7A23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B6A24 shade matches the following richer shades: #7A6923, #877116 and #947909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B6A24 shade: #7A6923, #6D6130, #60593D, #545249 and #474A56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B6A24 shade: #7A3A23, #7A5123, #7A6923, #747A23 and #5D7A23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B6A24 shade: #3A3211, #5A4D1A, #7A6923, #9A852C and #BAA036

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B6A24 shade: #7B6A24, #237A23 and #46237A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B6A24 shade: #7B6A24, #237A69 and #69237A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B6A24 shade: #7B6A24, #237A23, #23347A and #7A237A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B6A24 shade: #7B6A24, #237A3D, #23347A and #7A2360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

Complementary color

CMYK 40 / 32 / 0 / 14

HEX #8495DB

RGB 132 149 219

HSL 228.28, 0.55%, 0.69%

LAB 62.94, 11.34, -37.62

 

CMYK 0 / 17 / 76 / 50

HEX #806A1F

RGB 128 106 31

HSL 46.39, 0.61%, 0.31%

LAB 45.63, 0.31, 43.05

 

CMYK 0 / 14 / 66 / 43

HEX #917C32

RGB 145 124 50

HSL 46.74, 0.49%, 0.38%

LAB 52.58, -0.91, 42.22

 

CMYK 0 / 12 / 57 / 36

HEX #A28E45

RGB 162 142 69

HSL 47.1, 0.4%, 0.45%

LAB 59.4, -1.88, 41.04

 

CMYK 0 / 11 / 51 / 30

HEX #B3A058

RGB 179 160 88

HSL 47.47, 0.37%, 0.52%

LAB 66.08, -2.65, 39.77

 

CMYK 0 / 9 / 45 / 23

HEX #C4B26B

RGB 196 178 107

HSL 47.87, 0.43%, 0.59%

LAB 72.65, -3.29, 38.51

 

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

CMYK 0 / 17 / 84 / 58

HEX #6A5811

RGB 106 88 17

HSL 47.87, 0.72%, 0.24%

LAB 37.99, -0.4, 40.55

 

CMYK 0 / 21 / 100 / 65

HEX #594600

RGB 89 70 0

HSL 47.19, 1%, 0.17%

LAB 30.65, 1.38, 39.65

 

CMYK 0 / 28 / 100 / 72

HEX #483400

RGB 72 52 0

HSL 43.33, 1%, 0.14%

LAB 23.11, 3.87, 32.21

 

CMYK 0 / 38 / 100 / 78

HEX #372200

RGB 55 34 0

HSL 37.09, 1%, 0.11%

LAB 15.26, 6.63, 22.52

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 0 / 33 / 71 / 52

HEX #7A5223

RGB 122 82 35

HSL 32.41, 0.55%, 0.31%

LAB 38.36, 11.87, 33.47

 

CMYK 0 / 52 / 71 / 52

HEX #7A3A23

RGB 122 58 35

HSL 15.86, 0.55%, 0.31%

LAB 32.45, 25.97, 26.86

 

CMYK 0 / 71 / 71 / 52

HEX #7A2323

RGB 122 35 35

HSL 0, 0.55%, 0.31%

LAB 28.01, 37.61, 21.63

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 5 / 0 / 71 / 52

HEX #747A23

RGB 116 122 35

HSL 64.14, 0.55%, 0.31%

LAB 49.2, -14.06, 44.54

 

CMYK 25 / 0 / 71 / 52

HEX #5C7A23

RGB 92 122 35

HSL 80.69, 0.55%, 0.31%

LAB 47.39, -24.66, 42.12

 

CMYK 43 / 0 / 71 / 52

HEX #457A23

RGB 69 122 35

HSL 96.55, 0.55%, 0.31%

LAB 46.05, -33.66, 40.32

 

CMYK 63 / 0 / 71 / 52

HEX #2D7A23

RGB 45 122 35

HSL 113.1, 0.55%, 0.31%

LAB 45.08, -41.04, 39

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 0 / 16 / 84 / 47

HEX #877116

RGB 135 113 22

HSL 48.32, 0.72%, 0.31%

LAB 48.28, -0.77, 49.12

 

CMYK 0 / 18 / 94 / 42

HEX #947909

RGB 148 121 9

HSL 48.35, 0.89%, 0.31%

LAB 51.83, 0.51, 55.8

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 0 / 11 / 56 / 57

HEX #6D6130

RGB 109 97 48

HSL 48.2, 0.39%, 0.31%

LAB 41.24, -2.21, 29.39

 

CMYK 0 / 7 / 36 / 62

HEX #60593D

RGB 96 89 61

HSL 48, 0.22%, 0.31%

LAB 37.79, -1.94, 17.26

 

CMYK 0 / 2 / 13 / 67

HEX #545249

RGB 84 82 73

HSL 49.09, 0.07%, 0.31%

LAB 34.8, -0.99, 5.57

 

CMYK 17 / 14 / 0 / 66

HEX #474A56

RGB 71 74 86

HSL 228, 0.1%, 0.31%

LAB 31.6, 1.65, -7.51

 

CMYK 0 / 52 / 71 / 52

HEX #7A3A23

RGB 122 58 35

HSL 15.86, 0.55%, 0.31%

LAB 32.45, 25.97, 26.86

 

CMYK 0 / 34 / 71 / 52

HEX #7A5123

RGB 122 81 35

HSL 31.72, 0.55%, 0.31%

LAB 38.1, 12.47, 33.18

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 5 / 0 / 71 / 52

HEX #747A23

RGB 116 122 35

HSL 64.14, 0.55%, 0.31%

LAB 49.2, -14.06, 44.54

 

CMYK 24 / 0 / 71 / 52

HEX #5D7A23

RGB 93 122 35

HSL 80, 0.55%, 0.31%

LAB 47.45, -24.23, 42.21

 

CMYK 0 / 14 / 71 / 77

HEX #3A3211

RGB 58 50 17

HSL 48.29, 0.55%, 0.15%

LAB 20.91, -1.31, 21.83

 

CMYK 0 / 14 / 71 / 65

HEX #5A4D1A

RGB 90 77 26

HSL 47.81, 0.55%, 0.23%

LAB 33.04, -1.23, 31.23

 

CMYK 0 / 14 / 71 / 52

HEX #7A6923

RGB 122 105 35

HSL 48.28, 0.55%, 0.31%

LAB 44.75, -1.74, 40.21

 

CMYK 0 / 14 / 71 / 40

HEX #9A852C

RGB 154 133 44

HSL 48.55, 0.56%, 0.39%

LAB 55.91, -2.2, 48.68

 

CMYK 0 / 14 / 71 / 27

HEX #BAA036

RGB 186 160 54

HSL 48.18, 0.55%, 0.47%

LAB 66.4, -2.05, 56.12

 

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

CMYK 71 / 0 / 71 / 52

HEX #237A23

RGB 35 122 35

HSL 120, 0.55%, 0.31%

LAB 44.8, -43.34, 38.62

 

CMYK 43 / 71 / 0 / 52

HEX #46237A

RGB 70 35 122

HSL 264.14, 0.55%, 0.31%

LAB 23.37, 36.23, -43.52

 

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

CMYK 71 / 0 / 14 / 52

HEX #237A69

RGB 35 122 105

HSL 168.28, 0.55%, 0.31%

LAB 46.04, -29.78, 1.91

 

CMYK 14 / 71 / 0 / 52

HEX #69237A

RGB 105 35 122

HSL 288.28, 0.55%, 0.31%

LAB 28.41, 44.15, -35.14

 

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

CMYK 71 / 0 / 71 / 52

HEX #237A23

RGB 35 122 35

HSL 120, 0.55%, 0.31%

LAB 44.8, -43.34, 38.62

 

CMYK 71 / 57 / 0 / 52

HEX #23347A

RGB 35 52 122

HSL 228.28, 0.55%, 0.31%

LAB 24.38, 18.56, -42.02

 

CMYK 0 / 71 / 0 / 52

HEX #7A237A

RGB 122 35 122

HSL 300, 0.55%, 0.31%

LAB 31.22, 48.28, -30.5

 

CMYK 0 / 14 / 71 / 52

HEX #7B6A24

RGB 123 106 36

HSL 48.28, 0.55%, 0.31%

LAB 45.15, -1.78, 40.2

 

CMYK 71 / 0 / 50 / 52

HEX #237A3D

RGB 35 122 61

HSL 137.93, 0.55%, 0.31%

LAB 45.1, -39.81, 26.04

 

CMYK 71 / 57 / 0 / 52

HEX #23347A

RGB 35 52 122

HSL 228.28, 0.55%, 0.31%

LAB 24.38, 18.56, -42.02

 

CMYK 0 / 71 / 21 / 52

HEX #7A2360

RGB 122 35 96

HSL 317.93, 0.55%, 0.31%

LAB 29.87, 43.99, -15.98

 

Description

Color code: HEX #7B6A24 | qconv.com Color code: HEX #7B6A24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 106 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 106 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 71 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 71% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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