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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B6B9D it is the complementary color #849462. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B6B9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B6B9D shade: #806B98, #917DAB, #A28FBE, #B3A1D1 and #C4B3E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B6B9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B6B9D shade: #7B6B9D, #6A598A, #594777, #483564 and #372351

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B6B9D shade: #7B6C9D, #886C9D, #966C9D, #9D6C96 and #9D6C89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B6B9D shade: #7B6C9D, #6E6C9D and #6C6C9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B6B9D shade matches the following richer shades: #7B6C9D, #7458B0, #6D44C4, #6630D8 and #5F1CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B6B9D shade: #7B6C9D, #827F89, #8A9375, #91A761 and #98BB4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B6B9D shade: #6C769D, #6E6C9D, #7B6C9D, #886C9D and #956C9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B6B9D shade: #54496D, #675986, #7B6C9D, #9184AD and #A89DBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B6B9D shade: #7B6B9D, #9D6C83 and #709D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B6B9D shade: #7B6B9D, #9D7B6C and #6C9D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B6B9D shade: #7B6B9D, #9D6C83, #8D9D6C and #6C9D85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B6B9D shade: #7B6B9D, #9D6C75, #8D9D6C and #6C9D94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

Complementary color

CMYK 11 / 0 / 34 / 42

HEX #849462

RGB 132 148 98

HSL 79.2, 0.2%, 0.48%

LAB 58.94, -14.6, 24.6

 

CMYK 16 / 30 / 0 / 40

HEX #806B98

RGB 128 107 152

HSL 268, 0.18%, 0.51%

LAB 48.72, 17.55, -21.4

 

CMYK 15 / 27 / 0 / 33

HEX #917DAB

RGB 145 125 171

HSL 266.09, 0.21%, 0.58%

LAB 55.71, 16.97, -21.6

 

CMYK 15 / 25 / 0 / 25

HEX #A28FBE

RGB 162 143 190

HSL 264.26, 0.27%, 0.65%

LAB 62.54, 16.44, -21.82

 

CMYK 14 / 23 / 0 / 18

HEX #B3A1D1

RGB 179 161 209

HSL 262.5, 0.34%, 0.73%

LAB 69.24, 15.96, -22.06

 

CMYK 14 / 21 / 0 / 11

HEX #C4B3E4

RGB 196 179 228

HSL 260.82, 0.48%, 0.8%

LAB 75.81, 15.53, -22.31

 

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

CMYK 23 / 36 / 0 / 46

HEX #6A598A

RGB 106 89 138

HSL 260.82, 0.22%, 0.45%

LAB 41.29, 17.79, -24.71

 

CMYK 25 / 40 / 0 / 53

HEX #594777

RGB 89 71 119

HSL 262.5, 0.25%, 0.37%

LAB 33.9, 18.58, -24.69

 

CMYK 28 / 47 / 0 / 61

HEX #483564

RGB 72 53 100

HSL 264.26, 0.31%, 0.3%

LAB 26.29, 19.5, -24.72

 

CMYK 32 / 57 / 0 / 68

HEX #372351

RGB 55 35 81

HSL 266.09, 0.4%, 0.23%

LAB 18.4, 20.59, -24.78

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 13 / 31 / 0 / 38

HEX #886C9D

RGB 136 108 157

HSL 274.29, 0.2%, 0.52%

LAB 49.97, 20.78, -22.36

 

CMYK 4 / 31 / 0 / 38

HEX #966C9D

RGB 150 108 157

HSL 291.43, 0.2%, 0.52%

LAB 51.43, 25.49, -19.99

 

CMYK 0 / 31 / 4 / 38

HEX #9D6C96

RGB 157 108 150

HSL 308.57, 0.2%, 0.52%

LAB 51.94, 26.52, -15.03

 

CMYK 0 / 31 / 13 / 38

HEX #9D6C89

RGB 157 108 137

HSL 324.49, 0.2%, 0.52%

LAB 51.5, 24.14, -8.05

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 30 / 31 / 0 / 38

HEX #6E6C9D

RGB 110 108 157

HSL 242.45, 0.2%, 0.52%

LAB 47.59, 12.39, -26.23

 

CMYK 31 / 31 / 0 / 38

HEX #6C6C9D

RGB 108 108 157

HSL 240, 0.2%, 0.52%

LAB 47.43, 11.77, -26.49

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 34 / 50 / 0 / 31

HEX #7458B0

RGB 116 88 176

HSL 259.09, 0.36%, 0.52%

LAB 43.98, 31.36, -43.05

 

CMYK 44 / 65 / 0 / 23

HEX #6D44C4

RGB 109 68 196

HSL 259.22, 0.52%, 0.52%

LAB 40.2, 46.68, -60.88

 

CMYK 53 / 78 / 0 / 15

HEX #6630D8

RGB 102 48 216

HSL 259.29, 0.68%, 0.52%

LAB 37.66, 60.72, -76.65

 

CMYK 60 / 88 / 0 / 7

HEX #5F1CEC

RGB 95 28 236

HSL 259.33, 0.85%, 0.52%

LAB 36.59, 72.06, -89.86

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 5 / 7 / 0 / 46

HEX #827F89

RGB 130 127 137

HSL 258, 0.04%, 0.52%

LAB 53.74, 3.15, -5

 

CMYK 6 / 0 / 20 / 42

HEX #8A9375

RGB 138 147 117

HSL 78, 0.12%, 0.52%

LAB 59.48, -8.78, 14.82

 

CMYK 13 / 0 / 42 / 35

HEX #91A761

RGB 145 167 97

HSL 78.86, 0.28%, 0.52%

LAB 65.37, -19.43, 33.64

 

CMYK 19 / 0 / 59 / 27

HEX #98BB4D

RGB 152 187 77

HSL 79.09, 0.45%, 0.52%

LAB 71.39, -28.62, 50.73

 

CMYK 31 / 25 / 0 / 38

HEX #6C769D

RGB 108 118 157

HSL 227.76, 0.2%, 0.52%

LAB 50.19, 5.75, -22.22

 

CMYK 30 / 31 / 0 / 38

HEX #6E6C9D

RGB 110 108 157

HSL 242.45, 0.2%, 0.52%

LAB 47.59, 12.39, -26.23

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 13 / 31 / 0 / 38

HEX #886C9D

RGB 136 108 157

HSL 274.29, 0.2%, 0.52%

LAB 49.97, 20.78, -22.36

 

CMYK 5 / 31 / 0 / 38

HEX #956C9D

RGB 149 108 157

HSL 290.2, 0.2%, 0.52%

LAB 51.32, 25.15, -20.16

 

CMYK 23 / 33 / 0 / 57

HEX #54496D

RGB 84 73 109

HSL 258.33, 0.2%, 0.36%

LAB 33.47, 12.98, -19.15

 

CMYK 23 / 34 / 0 / 47

HEX #675986

RGB 103 89 134

HSL 258.67, 0.2%, 0.44%

LAB 40.82, 15.78, -23.04

 

CMYK 22 / 31 / 0 / 38

HEX #7B6C9D

RGB 123 108 157

HSL 258.37, 0.2%, 0.52%

LAB 48.72, 16.5, -24.38

 

CMYK 16 / 24 / 0 / 32

HEX #9184AD

RGB 145 132 173

HSL 259.02, 0.2%, 0.6%

LAB 57.6, 13.36, -19.86

 

CMYK 12 / 17 / 0 / 25

HEX #A89DBE

RGB 168 157 190

HSL 260, 0.2%, 0.68%

LAB 66.64, 10.51, -15.55

 

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

CMYK 0 / 31 / 17 / 38

HEX #9D6C83

RGB 157 108 131

HSL 331.84, 0.2%, 0.52%

LAB 51.3, 23.11, -4.79

 

CMYK 29 / 0 / 31 / 38

HEX #709D6C

RGB 112 157 108

HSL 115.1, 0.2%, 0.52%

LAB 60.46, -25.19, 20.89

 

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

CMYK 0 / 22 / 31 / 38

HEX #9D7B6C

RGB 157 123 108

HSL 18.37, 0.2%, 0.52%

LAB 54.47, 10.95, 13.24

 

CMYK 31 / 0 / 22 / 38

HEX #6C9D7B

RGB 108 157 123

HSL 138.37, 0.2%, 0.52%

LAB 60.54, -23.79, 12.63

 

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

CMYK 0 / 31 / 17 / 38

HEX #9D6C83

RGB 157 108 131

HSL 331.84, 0.2%, 0.52%

LAB 51.3, 23.11, -4.79

 

CMYK 10 / 0 / 31 / 38

HEX #8D9D6C

RGB 141 157 108

HSL 79.59, 0.2%, 0.52%

LAB 62.39, -14.36, 23.81

 

CMYK 31 / 0 / 15 / 38

HEX #6C9D85

RGB 108 157 133

HSL 150.61, 0.2%, 0.52%

LAB 60.78, -21.75, 7.34

 

CMYK 22 / 32 / 0 / 38

HEX #7B6B9D

RGB 123 107 157

HSL 259.2, 0.2%, 0.52%

LAB 48.46, 17.1, -24.79

 

CMYK 0 / 31 / 25 / 38

HEX #9D6C75

RGB 157 108 117

HSL 348.98, 0.2%, 0.52%

LAB 50.89, 20.87, 2.9

 

CMYK 10 / 0 / 31 / 38

HEX #8D9D6C

RGB 141 157 108

HSL 79.59, 0.2%, 0.52%

LAB 62.39, -14.36, 23.81

 

CMYK 31 / 0 / 6 / 38

HEX #6C9D94

RGB 108 157 148

HSL 168.98, 0.2%, 0.52%

LAB 61.17, -18.42, -0.55

 

Description

Color code: HEX #7B6B9D | qconv.com Color code: HEX #7B6B9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 107 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 107 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 32 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 32% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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