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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B761F it is the complementary color #8489E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B761F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B761F shade: #80761A, #91882D, #A29A40, #B3AC53 and #C4BE66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B761F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B761F shade: #7B761F, #6A640C, #595200, #484000 and #372E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B761F shade: #7A751E, #7A5C1E, #7A431E, #7A2B1E and #7A1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B761F shade: #7A751E, #667A1E, #4D7A1E, #357A1E and #1E7A20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B761F shade matches the following richer shades: #7A751E, #868012 and #938B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B761F shade: #7A751E, #6E6A2A, #615F37, #555443 and #484950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B761F shade: #7A431E, #7A5B1E, #7A741E, #687A1E and #4F7A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B761F shade: #38360E, #595516, #7A751E, #9B9526 and #BCB42F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B761F shade: #7B761F, #1E7A2A and #4F1E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B761F shade: #7B761F, #1E7A74 and #741E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B761F shade: #7B761F, #1E7A2A, #1E247A and #7A1E6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B761F shade: #7B761F, #1E7A46, #1E247A and #7A1E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

Complementary color

CMYK 41 / 39 / 0 / 12

HEX #8489E0

RGB 132 137 224

HSL 236.74, 0.6%, 0.7%

LAB 60.05, 19.73, -44.94

 

CMYK 0 / 8 / 80 / 50

HEX #80761A

RGB 128 118 26

HSL 54.12, 0.66%, 0.3%

LAB 49.03, -6.75, 48.18

 

CMYK 0 / 6 / 69 / 43

HEX #91882D

RGB 145 136 45

HSL 54.6, 0.53%, 0.37%

LAB 55.9, -7.88, 47.97

 

CMYK 0 / 5 / 60 / 36

HEX #A29A40

RGB 162 154 64

HSL 55.1, 0.43%, 0.44%

LAB 62.64, -8.76, 47.13

 

CMYK 0 / 4 / 54 / 30

HEX #B3AC53

RGB 179 172 83

HSL 55.63, 0.39%, 0.51%

LAB 69.26, -9.47, 46.04

 

CMYK 0 / 3 / 48 / 23

HEX #C4BE66

RGB 196 190 102

HSL 56.17, 0.44%, 0.58%

LAB 75.77, -10.04, 44.86

 

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

CMYK 0 / 6 / 89 / 58

HEX #6A640C

RGB 106 100 12

HSL 56.17, 0.8%, 0.23%

LAB 41.54, -7.59, 45.18

 

CMYK 0 / 8 / 100 / 65

HEX #595200

RGB 89 82 0

HSL 55.28, 1%, 0.17%

LAB 34.31, -5.91, 42.25

 

CMYK 0 / 11 / 100 / 72

HEX #484000

RGB 72 64 0

HSL 53.33, 1%, 0.14%

LAB 26.86, -3.79, 35.78

 

CMYK 0 / 16 / 100 / 78

HEX #372E00

RGB 55 46 0

HSL 50.18, 1%, 0.11%

LAB 19.08, -1.48, 27.19

 

CMYK 0 / 4 / 75 / 52

HEX #7A751E

RGB 122 117 30

HSL 56.74, 0.61%, 0.3%

LAB 48.2, -8.82, 45.74

 

CMYK 0 / 25 / 75 / 52

HEX #7A5C1E

RGB 122 92 30

HSL 40.43, 0.61%, 0.3%

LAB 41.03, 5.61, 38.71

 

CMYK 0 / 45 / 75 / 52

HEX #7A431E

RGB 122 67 30

HSL 24.13, 0.61%, 0.3%

LAB 34.49, 20.5, 31.94

 

CMYK 0 / 65 / 75 / 52

HEX #7A2B1E

RGB 122 43 30

HSL 8.48, 0.61%, 0.3%

LAB 29.31, 33.64, 26.27

 

CMYK 0 / 75 / 75 / 52

HEX #7A1E1E

RGB 122 30 30

HSL 0, 0.61%, 0.3%

LAB 27.19, 39.4, 23.85

 

CMYK 0 / 4 / 75 / 52

HEX #7A751E

RGB 122 117 30

HSL 56.74, 0.61%, 0.3%

LAB 48.2, -8.82, 45.74

 

CMYK 16 / 0 / 75 / 52

HEX #667A1E

RGB 102 122 30

HSL 73.04, 0.61%, 0.3%

LAB 48.05, -20.66, 45.02

 

CMYK 37 / 0 / 75 / 52

HEX #4D7A1E

RGB 77 122 30

HSL 89.35, 0.61%, 0.3%

LAB 46.43, -31.08, 42.88

 

CMYK 57 / 0 / 75 / 52

HEX #357A1E

RGB 53 122 30

HSL 105, 0.61%, 0.3%

LAB 45.32, -39.29, 41.39

 

CMYK 75 / 0 / 74 / 52

HEX #1E7A20

RGB 30 122 32

HSL 121.3, 0.61%, 0.3%

LAB 44.66, -44.59, 39.7

 

CMYK 0 / 4 / 75 / 52

HEX #7A751E

RGB 122 117 30

HSL 56.74, 0.61%, 0.3%

LAB 48.2, -8.82, 45.74

 

CMYK 0 / 4 / 87 / 47

HEX #868012

RGB 134 128 18

HSL 56.9, 0.76%, 0.3%

LAB 52.45, -9.75, 53.78

 

CMYK 0 / 5 / 97 / 42

HEX #938B05

RGB 147 139 5

HSL 56.62, 0.93%, 0.3%

LAB 56.76, -9.96, 60.18

 

CMYK 0 / 4 / 75 / 52

HEX #7A751E

RGB 122 117 30

HSL 56.74, 0.61%, 0.3%

LAB 48.2, -8.82, 45.74

 

CMYK 0 / 4 / 62 / 57

HEX #6E6A2A

RGB 110 106 42

HSL 56.47, 0.45%, 0.3%

LAB 43.93, -7.47, 35.65

 

CMYK 0 / 2 / 43 / 62

HEX #615F37

RGB 97 95 55

HSL 57.14, 0.28%, 0.3%

LAB 39.58, -5.83, 23.15

 

CMYK 0 / 1 / 21 / 67

HEX #555443

RGB 85 84 67

HSL 56.67, 0.12%, 0.3%

LAB 35.36, -2.88, 10.11

 

CMYK 10 / 9 / 0 / 69

HEX #484950

RGB 72 73 80

HSL 232.5, 0.05%, 0.3%

LAB 31.17, 1.2, -4.31

 

CMYK 0 / 45 / 75 / 52

HEX #7A431E

RGB 122 67 30

HSL 24.13, 0.61%, 0.3%

LAB 34.49, 20.5, 31.94

 

CMYK 0 / 25 / 75 / 52

HEX #7A5B1E

RGB 122 91 30

HSL 39.78, 0.61%, 0.3%

LAB 40.76, 6.2, 38.43

 

CMYK 0 / 5 / 75 / 52

HEX #7A741E

RGB 122 116 30

HSL 56.09, 0.61%, 0.3%

LAB 47.91, -8.26, 45.46

 

CMYK 15 / 0 / 75 / 52

HEX #687A1E

RGB 104 122 30

HSL 71.74, 0.61%, 0.3%

LAB 48.2, -19.77, 45.22

 

CMYK 35 / 0 / 75 / 52

HEX #4F7A1E

RGB 79 122 30

HSL 88.04, 0.61%, 0.3%

LAB 46.55, -30.3, 43.03

 

CMYK 0 / 4 / 75 / 78

HEX #38360E

RGB 56 54 14

HSL 57.14, 0.6%, 0.14%

LAB 21.98, -5.19, 24.55

 

CMYK 0 / 4 / 75 / 65

HEX #595516

RGB 89 85 22

HSL 56.42, 0.6%, 0.22%

LAB 35.36, -6.79, 35.44

 

CMYK 0 / 4 / 75 / 52

HEX #7A751E

RGB 122 117 30

HSL 56.74, 0.61%, 0.3%

LAB 48.2, -8.82, 45.74

 

CMYK 0 / 4 / 75 / 39

HEX #9B9526

RGB 155 149 38

HSL 56.92, 0.61%, 0.38%

LAB 60.43, -10.73, 55.43

 

CMYK 0 / 4 / 75 / 26

HEX #BCB42F

RGB 188 180 47

HSL 56.6, 0.6%, 0.46%

LAB 71.92, -12, 64.1

 

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

CMYK 75 / 0 / 66 / 52

HEX #1E7A2A

RGB 30 122 42

HSL 127.83, 0.61%, 0.3%

LAB 44.75, -43.52, 35.36

 

CMYK 35 / 75 / 0 / 52

HEX #4F1E7A

RGB 79 30 122

HSL 271.96, 0.61%, 0.3%

LAB 23.66, 40.64, -43

 

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

CMYK 75 / 0 / 5 / 52

HEX #1E7A74

RGB 30 122 116

HSL 176.09, 0.61%, 0.3%

LAB 46.25, -27.3, -4.32

 

CMYK 5 / 75 / 0 / 52

HEX #741E7A

RGB 116 30 122

HSL 296.09, 0.61%, 0.3%

LAB 29.53, 48.73, -33.24

 

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

CMYK 75 / 0 / 66 / 52

HEX #1E7A2A

RGB 30 122 42

HSL 127.83, 0.61%, 0.3%

LAB 44.75, -43.52, 35.36

 

CMYK 75 / 70 / 0 / 52

HEX #1E247A

RGB 30 36 122

HSL 236.09, 0.61%, 0.3%

LAB 19.81, 28.88, -49.49

 

CMYK 0 / 75 / 10 / 52

HEX #7A1E6E

RGB 122 30 110

HSL 307.83, 0.61%, 0.3%

LAB 29.89, 48.08, -24.97

 

CMYK 0 / 4 / 75 / 52

HEX #7B761F

RGB 123 118 31

HSL 56.74, 0.6%, 0.3%

LAB 48.59, -8.86, 45.76

 

CMYK 75 / 0 / 43 / 52

HEX #1E7A46

RGB 30 122 70

HSL 146.09, 0.61%, 0.3%

LAB 45.13, -39.03, 21.06

 

CMYK 75 / 70 / 0 / 52

HEX #1E247A

RGB 30 36 122

HSL 236.09, 0.61%, 0.3%

LAB 19.81, 28.88, -49.49

 

CMYK 0 / 75 / 33 / 52

HEX #7A1E52

RGB 122 30 82

HSL 326.09, 0.61%, 0.3%

LAB 28.58, 44, -8.79

 

Description

Color code: HEX #7B761F | qconv.com Color code: HEX #7B761F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 118 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 118 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 75 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 75% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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