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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B71CA it is the complementary color #848E35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B71CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B71CA shade: #8071C5, #9183D8, #A295EB, #B3A7FE and #C4B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B71CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B71CA shade: #7B71CA, #6A5FB7, #594DA4, #483B91 and #37297E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B71CA shade: #7B71CA, #9371CA, #AB71CA, #C371CA and #CA71B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B71CA shade: #7B71CA and #7171CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B71CA shade matches the following richer shades: #7B71CA, #6F61DA, #6352EA and #5742F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B71CA shade: #7B71CA, #8781BA, #9390AB, #A0A09B and #ACB08B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B71CA shade: #7198CA, #7180CA, #7A71CA, #9271CA and #A971CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B71CA shade: #4B3FAA, #5F53BF, #7B71CA, #978FD5 and #B3ADE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B71CA shade: #7B71CA, #CA71AF and #8CCA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B71CA shade: #7B71CA, #CA7A71 and #71CA7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B71CA shade: #7B71CA, #CA71AF, #C1CA71 and #71CA8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B71CA shade: #7B71CA, #CA7195, #C1CA71 and #71CAA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

Complementary color

CMYK 7 / 0 / 63 / 44

HEX #848E35

RGB 132 142 53

HSL 66.74, 0.46%, 0.38%

LAB 56.59, -16.35, 44.84

 

CMYK 35 / 43 / 0 / 23

HEX #8071C5

RGB 128 113 197

HSL 250.71, 0.42%, 0.61%

LAB 52.32, 25.38, -41.93

 

CMYK 33 / 39 / 0 / 15

HEX #9183D8

RGB 145 131 216

HSL 249.88, 0.52%, 0.68%

LAB 59.17, 24.51, -41.79

 

CMYK 31 / 37 / 0 / 8

HEX #A295EB

RGB 162 149 235

HSL 249.07, 0.68%, 0.75%

LAB 65.88, 23.74, -41.7

 

CMYK 30 / 34 / 0 / 0

HEX #B3A7FE

RGB 179 167 254

HSL 248.28, 0.98%, 0.83%

LAB 72.48, 23.05, -41.65

 

CMYK 23 / 27 / 0 / 0

HEX #C4B9FF

RGB 196 185 255

HSL 249.43, 1%, 0.86%

LAB 78.26, 18.21, -33.11

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 42 / 48 / 0 / 28

HEX #6A5FB7

RGB 106 95 183

HSL 247.5, 0.38%, 0.55%

LAB 45.18, 26.51, -45.3

 

CMYK 46 / 53 / 0 / 36

HEX #594DA4

RGB 89 77 164

HSL 248.28, 0.36%, 0.47%

LAB 38.04, 27.77, -45.58

 

CMYK 50 / 59 / 0 / 43

HEX #483B91

RGB 72 59 145

HSL 249.07, 0.42%, 0.4%

LAB 30.76, 29.24, -45.89

 

CMYK 56 / 67 / 0 / 51

HEX #37297E

RGB 55 41 126

HSL 249.88, 0.51%, 0.33%

LAB 23.35, 30.94, -46.16

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 27 / 44 / 0 / 21

HEX #9371CA

RGB 147 113 202

HSL 262.92, 0.46%, 0.62%

LAB 54.32, 31.94, -41.51

 

CMYK 15 / 44 / 0 / 21

HEX #AB71CA

RGB 171 113 202

HSL 279.1, 0.46%, 0.62%

LAB 56.81, 38.84, -37.41

 

CMYK 3 / 44 / 0 / 21

HEX #C371CA

RGB 195 113 202

HSL 295.28, 0.46%, 0.62%

LAB 59.6, 45.93, -32.86

 

CMYK 0 / 44 / 8 / 21

HEX #CA71B9

RGB 202 113 185

HSL 311.46, 0.46%, 0.62%

LAB 59.77, 45.01, -22.86

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 44 / 44 / 0 / 21

HEX #7171CA

RGB 113 113 202

HSL 240, 0.46%, 0.62%

LAB 51.36, 22.9, -46.37

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 49 / 56 / 0 / 15

HEX #6F61DA

RGB 111 97 218

HSL 246.94, 0.62%, 0.62%

LAB 48.25, 36.82, -60.49

 

CMYK 58 / 65 / 0 / 8

HEX #6352EA

RGB 99 82 234

HSL 246.71, 0.78%, 0.62%

LAB 45.12, 48.19, -74.68

 

CMYK 65 / 73 / 0 / 2

HEX #5742F9

RGB 87 66 249

HSL 246.89, 0.94%, 0.62%

LAB 42.4, 59.74, -87.61

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 27 / 31 / 0 / 27

HEX #8781BA

RGB 135 129 186

HSL 246.32, 0.29%, 0.62%

LAB 56.48, 15.06, -29.08

 

CMYK 14 / 16 / 0 / 33

HEX #9390AB

RGB 147 144 171

HSL 246.67, 0.14%, 0.62%

LAB 60.86, 6.68, -13.75

 

CMYK 0 / 0 / 3 / 37

HEX #A0A09B

RGB 160 160 155

HSL 60, 0.03%, 0.62%

LAB 65.73, -0.94, 2.59

 

CMYK 2 / 0 / 21 / 31

HEX #ACB08B

RGB 172 176 139

HSL 66.49, 0.19%, 0.62%

LAB 70.65, -7.77, 18.53

 

CMYK 44 / 25 / 0 / 21

HEX #7198CA

RGB 113 152 202

HSL 213.71, 0.46%, 0.62%

LAB 61.85, -0.14, -29.92

 

CMYK 44 / 37 / 0 / 21

HEX #7180CA

RGB 113 128 202

HSL 229.89, 0.46%, 0.62%

LAB 55.29, 13.88, -40.16

 

CMYK 40 / 44 / 0 / 21

HEX #7A71CA

RGB 122 113 202

HSL 246.07, 0.46%, 0.62%

LAB 52.08, 25.17, -45.2

 

CMYK 28 / 44 / 0 / 21

HEX #9271CA

RGB 146 113 202

HSL 262.25, 0.46%, 0.62%

LAB 54.22, 31.66, -41.67

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 56 / 63 / 0 / 33

HEX #4B3FAA

RGB 75 63 170

HSL 246.73, 0.46%, 0.46%

LAB 33.89, 35.36, -55.95

 

CMYK 50 / 57 / 0 / 25

HEX #5F53BF

RGB 95 83 191

HSL 246.67, 0.46%, 0.54%

LAB 41.82, 33.7, -55.41

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 29 / 33 / 0 / 16

HEX #978FD5

RGB 151 143 213

HSL 246.86, 0.45%, 0.7%

LAB 62.53, 18.5, -34.81

 

CMYK 20 / 23 / 0 / 12

HEX #B3ADE0

RGB 179 173 224

HSL 247.06, 0.45%, 0.78%

LAB 72.79, 12.62, -24.86

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 0 / 44 / 13 / 21

HEX #CA71AF

RGB 202 113 175

HSL 318.2, 0.46%, 0.62%

LAB 59.4, 43.34, -17.7

 

CMYK 31 / 0 / 44 / 21

HEX #8CCA71

RGB 140 202 113

HSL 101.8, 0.46%, 0.62%

LAB 75.46, -36.11, 38.16

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 0 / 40 / 44 / 21

HEX #CA7A71

RGB 202 122 113

HSL 6.07, 0.46%, 0.62%

LAB 59.59, 30.16, 18.26

 

CMYK 44 / 0 / 40 / 21

HEX #71CA7A

RGB 113 202 122

HSL 126.07, 0.46%, 0.62%

LAB 74.29, -43.37, 31.82

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 0 / 44 / 13 / 21

HEX #CA71AF

RGB 202 113 175

HSL 318.2, 0.46%, 0.62%

LAB 59.4, 43.34, -17.7

 

CMYK 4 / 0 / 44 / 21

HEX #C1CA71

RGB 193 202 113

HSL 66.07, 0.46%, 0.62%

LAB 78.91, -16.26, 43.22

 

CMYK 44 / 0 / 31 / 21

HEX #71CA8C

RGB 113 202 140

HSL 138.2, 0.46%, 0.62%

LAB 74.6, -40.29, 22.84

 

CMYK 39 / 44 / 0 / 21

HEX #7B71CA

RGB 123 113 202

HSL 246.74, 0.46%, 0.62%

LAB 52.16, 25.43, -45.07

 

CMYK 0 / 44 / 26 / 21

HEX #CA7195

RGB 202 113 149

HSL 335.73, 0.46%, 0.62%

LAB 58.54, 39.41, -4

 

CMYK 4 / 0 / 44 / 21

HEX #C1CA71

RGB 193 202 113

HSL 66.07, 0.46%, 0.62%

LAB 78.91, -16.26, 43.22

 

CMYK 44 / 0 / 17 / 21

HEX #71CAA7

RGB 113 202 167

HSL 156.4, 0.46%, 0.62%

LAB 75.17, -34.89, 9.22

 

Description

Color code: HEX #7B71CA | qconv.com Color code: HEX #7B71CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 113 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 113 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 44 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 44% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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