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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B7CC4 it is the complementary color #84833B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B7CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B7CC4 shade: #807CBF, #918ED2, #A2A0E5, #B3B2F8 and #C4C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B7CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B7CC4 shade: #7B7CC4, #6A6AB1, #59589E, #48468B and #373478

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B7CC4 shade: #7C7DC4, #8F7CC4, #A27CC4, #B57CC4 and #C47CBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B7CC4 shade: #7C7DC4 and #7C7CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B7CC4 shade matches the following richer shades: #7C7DC4, #6D6ED3, #5E60E3 and #4E51F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B7CC4 shade: #7C7DC4, #8C8CB5, #9B9BA5, #AAAA96 and #B9B987

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B7CC4 shade: #7CA4C4, #7C91C4, #7C7DC4, #8E7CC4 and #A17CC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B7CC4 shade: #4A4BA4, #6061B7, #7C7DC4, #999AD1 and #B5B6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B7CC4 shade: #7B7CC4, #C47CB7 and #9AC47C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B7CC4 shade: #7B7CC4, #C47C7D and #7DC47C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B7CC4 shade: #7B7CC4, #C47CB7, #C4C37C and #7CC489

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B7CC4 shade: #7B7CC4, #C47CA1, #C4C37C and #7CC49F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

Complementary color

CMYK 0 / 1 / 55 / 48

HEX #84833B

RGB 132 131 59

HSL 59.18, 0.38%, 0.37%

LAB 53.44, -9.97, 38.45

 

CMYK 33 / 35 / 0 / 25

HEX #807CBF

RGB 128 124 191

HSL 243.58, 0.34%, 0.62%

LAB 54.83, 17.23, -34.55

 

CMYK 31 / 32 / 0 / 18

HEX #918ED2

RGB 145 142 210

HSL 242.65, 0.43%, 0.69%

LAB 61.67, 16.57, -34.51

 

CMYK 29 / 30 / 0 / 10

HEX #A2A0E5

RGB 162 160 229

HSL 241.74, 0.57%, 0.76%

LAB 68.37, 15.99, -34.52

 

CMYK 28 / 28 / 0 / 3

HEX #B3B2F8

RGB 179 178 248

HSL 240.86, 0.83%, 0.84%

LAB 74.95, 15.47, -34.56

 

CMYK 23 / 23 / 0 / 0

HEX #C4C4FF

RGB 196 196 255

HSL 240, 1%, 0.88%

LAB 80.98, 12.22, -28.93

 

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

CMYK 40 / 40 / 0 / 31

HEX #6A6AB1

RGB 106 106 177

HSL 240, 0.31%, 0.55%

LAB 47.68, 18.03, -37.82

 

CMYK 44 / 44 / 0 / 38

HEX #59589E

RGB 89 88 158

HSL 240.86, 0.28%, 0.48%

LAB 40.53, 19.02, -38.03

 

CMYK 48 / 50 / 0 / 45

HEX #48468B

RGB 72 70 139

HSL 241.74, 0.33%, 0.41%

LAB 33.18, 20.23, -38.31

 

CMYK 54 / 57 / 0 / 53

HEX #373478

RGB 55 52 120

HSL 242.65, 0.4%, 0.34%

LAB 25.64, 21.74, -38.66

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 27 / 37 / 0 / 23

HEX #8F7CC4

RGB 143 124 196

HSL 255.83, 0.38%, 0.63%

LAB 56.33, 22.9, -34.96

 

CMYK 17 / 37 / 0 / 23

HEX #A27CC4

RGB 162 124 196

HSL 271.67, 0.38%, 0.63%

LAB 58.11, 28.63, -32.04

 

CMYK 8 / 37 / 0 / 23

HEX #B57CC4

RGB 181 124 196

HSL 287.5, 0.38%, 0.63%

LAB 60.09, 34.55, -28.82

 

CMYK 0 / 37 / 3 / 23

HEX #C47CBF

RGB 196 124 191

HSL 304.17, 0.38%, 0.63%

LAB 61.58, 38.35, -23.56

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 37 / 37 / 0 / 23

HEX #7C7CC4

RGB 124 124 196

HSL 240, 0.38%, 0.63%

LAB 54.75, 17.47, -37.55

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 48 / 48 / 0 / 17

HEX #6D6ED3

RGB 109 110 211

HSL 239.41, 0.54%, 0.63%

LAB 50.81, 26.46, -52.4

 

CMYK 59 / 58 / 0 / 11

HEX #5E60E3

RGB 94 96 227

HSL 239.1, 0.7%, 0.63%

LAB 47.35, 36.97, -67.1

 

CMYK 68 / 67 / 0 / 5

HEX #4E51F2

RGB 78 81 242

HSL 238.9, 0.86%, 0.63%

LAB 44.11, 48.41, -80.89

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 23 / 23 / 0 / 29

HEX #8C8CB5

RGB 140 140 181

HSL 240, 0.22%, 0.63%

LAB 59.59, 8.99, -21.42

 

CMYK 6 / 6 / 0 / 35

HEX #9B9BA5

RGB 155 155 165

HSL 240, 0.05%, 0.63%

LAB 64.26, 1.98, -5.21

 

CMYK 0 / 0 / 12 / 33

HEX #AAAA96

RGB 170 170 150

HSL 60, 0.11%, 0.63%

LAB 69.11, -3.57, 10.32

 

CMYK 0 / 0 / 27 / 27

HEX #B9B987

RGB 185 185 135

HSL 60, 0.26%, 0.63%

LAB 74.04, -8.07, 25.46

 

CMYK 37 / 16 / 0 / 23

HEX #7CA4C4

RGB 124 164 196

HSL 206.67, 0.38%, 0.63%

LAB 65.61, -5.56, -20.75

 

CMYK 37 / 26 / 0 / 23

HEX #7C91C4

RGB 124 145 196

HSL 222.5, 0.38%, 0.63%

LAB 60.36, 5.15, -28.81

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 28 / 37 / 0 / 23

HEX #8E7CC4

RGB 142 124 196

HSL 255, 0.38%, 0.63%

LAB 56.24, 22.61, -35.11

 

CMYK 18 / 37 / 0 / 23

HEX #A17CC4

RGB 161 124 196

HSL 270.83, 0.38%, 0.63%

LAB 58.02, 28.33, -32.21

 

CMYK 55 / 54 / 0 / 36

HEX #4A4BA4

RGB 74 75 164

HSL 239.33, 0.38%, 0.47%

LAB 36.31, 25.66, -48.44

 

CMYK 48 / 47 / 0 / 28

HEX #6061B7

RGB 96 97 183

HSL 239.31, 0.38%, 0.55%

LAB 44.88, 22.83, -45.82

 

CMYK 37 / 36 / 0 / 23

HEX #7C7DC4

RGB 124 125 196

HSL 239.17, 0.38%, 0.63%

LAB 55.01, 16.87, -37.14

 

CMYK 27 / 26 / 0 / 18

HEX #999AD1

RGB 153 154 209

HSL 238.93, 0.38%, 0.71%

LAB 65.35, 11.8, -28.21

 

CMYK 18 / 18 / 0 / 13

HEX #B5B6DE

RGB 181 182 222

HSL 238.54, 0.38%, 0.79%

LAB 75.17, 7.85, -20.14

 

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

CMYK 0 / 37 / 7 / 23

HEX #C47CB7

RGB 196 124 183

HSL 310.83, 0.38%, 0.63%

LAB 61.28, 36.91, -19.47

 

CMYK 21 / 0 / 37 / 23

HEX #9AC47C

RGB 154 196 124

HSL 95, 0.38%, 0.63%

LAB 74.7, -26.85, 31.73

 

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

CMYK 0 / 37 / 36 / 23

HEX #C47C7D

RGB 196 124 125

HSL 359.17, 0.38%, 0.63%

LAB 59.55, 28.13, 11.22

 

CMYK 36 / 0 / 37 / 23

HEX #7DC47C

RGB 125 196 124

HSL 119.17, 0.38%, 0.63%

LAB 73.09, -36.75, 29.3

 

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

CMYK 0 / 37 / 7 / 23

HEX #C47CB7

RGB 196 124 183

HSL 310.83, 0.38%, 0.63%

LAB 61.28, 36.91, -19.47

 

CMYK 0 / 1 / 37 / 23

HEX #C4C37C

RGB 196 195 124

HSL 59.17, 0.38%, 0.63%

LAB 77.41, -10.31, 35.83

 

CMYK 37 / 0 / 30 / 23

HEX #7CC489

RGB 124 196 137

HSL 130.83, 0.38%, 0.63%

LAB 73.27, -34.89, 22.69

 

CMYK 37 / 37 / 0 / 23

HEX #7B7CC4

RGB 123 124 196

HSL 239.18, 0.38%, 0.63%

LAB 54.67, 17.19, -37.68

 

CMYK 0 / 37 / 18 / 23

HEX #C47CA1

RGB 196 124 161

HSL 329.17, 0.38%, 0.63%

LAB 60.54, 33.21, -8.03

 

CMYK 0 / 1 / 37 / 23

HEX #C4C37C

RGB 196 195 124

HSL 59.17, 0.38%, 0.63%

LAB 77.41, -10.31, 35.83

 

CMYK 37 / 0 / 19 / 23

HEX #7CC49F

RGB 124 196 159

HSL 149.17, 0.38%, 0.63%

LAB 73.72, -30.71, 11.54

 

Description

Color code: HEX #7B7CC4 | qconv.com Color code: HEX #7B7CC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 124 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 124 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 37 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 37% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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