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Color name
HEX #7B981A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B981A it is the complementary color #8467E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B981A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B981A shade: #809815, #91AA28, #A2BC3B, #B3CE4E and #C4E061

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B981A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B981A shade: #7B981A, #6A8607, #597400, #486200 and #375000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B981A shade: #7B9819, #989319, #987119, #984F19 and #982D19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B981A shade: #7B9819, #599819, #379819, #19981E and #199841

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B981A shade matches the following richer shades: #7B9819 and #83A70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B981A shade: #7B9819, #738A28, #6B7B36, #646D45 and #5C5E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B981A shade: #987019, #989219, #7D9819, #5B9819 and #399819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B981A shade: #42520D, #5E7513, #7B9819, #97BB1F and #B2DA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B981A shade: #7B981A, #19984E and #811998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B981A shade: #7B981A, #197D98 and #98197D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B981A shade: #7B981A, #19984E, #351998 and #981963

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B981A shade: #7B981A, #199874, #351998 and #98193D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

Complementary color

CMYK 42 / 55 / 0 / 10

HEX #8467E5

RGB 132 103 229

HSL 253.81, 0.71%, 0.65%

LAB 52.13, 41.02, -60.36

 

CMYK 16 / 0 / 86 / 40

HEX #809815

RGB 128 152 21

HSL 70.99, 0.76%, 0.34%

LAB 59.07, -24.86, 58.42

 

CMYK 15 / 0 / 76 / 33

HEX #91AA28

RGB 145 170 40

HSL 71.54, 0.62%, 0.41%

LAB 65.69, -25.73, 59.39

 

CMYK 14 / 0 / 69 / 26

HEX #A2BC3B

RGB 162 188 59

HSL 72.09, 0.52%, 0.48%

LAB 72.2, -26.4, 59.36

 

CMYK 13 / 0 / 62 / 19

HEX #B3CE4E

RGB 179 206 78

HSL 72.66, 0.57%, 0.56%

LAB 78.62, -26.91, 58.78

 

CMYK 13 / 0 / 57 / 12

HEX #C4E061

RGB 196 224 97

HSL 73.23, 0.67%, 0.63%

LAB 84.95, -27.3, 57.93

 

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

CMYK 21 / 0 / 95 / 47

HEX #6A8607

RGB 106 134 7

HSL 73.23, 0.9%, 0.28%

LAB 51.98, -25.82, 54.72

 

CMYK 23 / 0 / 100 / 55

HEX #597400

RGB 89 116 0

HSL 73.97, 1%, 0.23%

LAB 45.1, -24.49, 50.27

 

CMYK 27 / 0 / 100 / 62

HEX #486200

RGB 72 98 0

HSL 75.92, 1%, 0.19%

LAB 38.04, -22.97, 44.39

 

CMYK 31 / 0 / 100 / 69

HEX #375000

RGB 55 80 0

HSL 78.75, 1%, 0.16%

LAB 30.76, -21.41, 38.32

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 0 / 3 / 84 / 40

HEX #989319

RGB 152 147 25

HSL 57.64, 0.72%, 0.35%

LAB 59.54, -11.51, 58.58

 

CMYK 0 / 26 / 84 / 40

HEX #987119

RGB 152 113 25

HSL 41.57, 0.72%, 0.35%

LAB 50.16, 7.32, 50.49

 

CMYK 0 / 48 / 84 / 40

HEX #984F19

RGB 152 79 25

HSL 25.51, 0.72%, 0.35%

LAB 41.75, 26.71, 43.01

 

CMYK 0 / 70 / 84 / 40

HEX #982D19

RGB 152 45 25

HSL 9.45, 0.72%, 0.35%

LAB 35.25, 43.56, 37.01

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 41 / 0 / 84 / 40

HEX #599819

RGB 89 152 25

HSL 89.76, 0.72%, 0.35%

LAB 56.73, -40.2, 54.46

 

CMYK 64 / 0 / 84 / 40

HEX #379819

RGB 55 152 25

HSL 105.83, 0.72%, 0.35%

LAB 55.42, -50.37, 52.78

 

CMYK 84 / 0 / 80 / 40

HEX #19981E

RGB 25 152 30

HSL 122.36, 0.72%, 0.35%

LAB 54.82, -55.39, 50.51

 

CMYK 84 / 0 / 57 / 40

HEX #199841

RGB 25 152 65

HSL 138.9, 0.72%, 0.35%

LAB 55.12, -51.71, 36.19

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 22 / 0 / 93 / 35

HEX #83A70B

RGB 131 167 11

HSL 73.85, 0.88%, 0.35%

LAB 63.74, -31.07, 64.18

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 17 / 0 / 71 / 46

HEX #738A28

RGB 115 138 40

HSL 74.08, 0.55%, 0.35%

LAB 54, -22.57, 47.31

 

CMYK 13 / 0 / 56 / 52

HEX #6B7B36

RGB 107 123 54

HSL 73.91, 0.39%, 0.35%

LAB 48.96, -17.11, 35.25

 

CMYK 8 / 0 / 37 / 57

HEX #646D45

RGB 100 109 69

HSL 73.5, 0.22%, 0.35%

LAB 44.34, -10.68, 21.24

 

CMYK 2 / 0 / 12 / 63

HEX #5C5E53

RGB 92 94 83

HSL 70.91, 0.06%, 0.35%

LAB 39.42, -3.01, 6.04

 

CMYK 0 / 26 / 84 / 40

HEX #987019

RGB 152 112 25

HSL 41.1, 0.72%, 0.35%

LAB 49.9, 7.89, 50.26

 

CMYK 0 / 4 / 84 / 40

HEX #989219

RGB 152 146 25

HSL 57.17, 0.72%, 0.35%

LAB 59.25, -10.98, 58.34

 

CMYK 18 / 0 / 84 / 40

HEX #7D9819

RGB 125 152 25

HSL 72.76, 0.72%, 0.35%

LAB 58.87, -26.01, 57.17

 

CMYK 40 / 0 / 84 / 40

HEX #5B9819

RGB 91 152 25

HSL 88.82, 0.72%, 0.35%

LAB 56.83, -39.48, 54.58

 

CMYK 63 / 0 / 84 / 40

HEX #399819

RGB 57 152 25

HSL 104.88, 0.72%, 0.35%

LAB 55.48, -49.88, 52.85

 

CMYK 20 / 0 / 84 / 68

HEX #42520D

RGB 66 82 13

HSL 73.91, 0.73%, 0.19%

LAB 32.31, -16.76, 35.41

 

CMYK 20 / 0 / 84 / 54

HEX #5E7513

RGB 94 117 19

HSL 74.08, 0.72%, 0.27%

LAB 45.84, -22.18, 46.51

 

CMYK 19 / 0 / 84 / 40

HEX #7B9819

RGB 123 152 25

HSL 73.7, 0.72%, 0.35%

LAB 58.73, -26.86, 56.99

 

CMYK 19 / 0 / 83 / 27

HEX #97BB1F

RGB 151 187 31

HSL 73.85, 0.72%, 0.43%

LAB 71.02, -31.73, 66.89

 

CMYK 18 / 0 / 81 / 15

HEX #B2DA2A

RGB 178 218 42

HSL 73.64, 0.7%, 0.51%

LAB 81.72, -34.84, 74.16

 

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

CMYK 84 / 0 / 49 / 40

HEX #19984E

RGB 25 152 78

HSL 145.04, 0.72%, 0.35%

LAB 55.29, -49.65, 29.76

 

CMYK 15 / 84 / 0 / 40

HEX #811998

RGB 129 25 152

HSL 289.13, 0.72%, 0.35%

LAB 33.2, 58.55, -45.87

 

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

CMYK 84 / 18 / 0 / 40

HEX #197D98

RGB 25 125 152

HSL 192.76, 0.72%, 0.35%

LAB 48.44, -17.5, -22.3

 

CMYK 0 / 84 / 18 / 40

HEX #98197D

RGB 152 25 125

HSL 312.76, 0.72%, 0.35%

LAB 35.7, 58.87, -24.96

 

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

CMYK 84 / 0 / 49 / 40

HEX #19984E

RGB 25 152 78

HSL 145.04, 0.72%, 0.35%

LAB 55.29, -49.65, 29.76

 

CMYK 65 / 84 / 0 / 40

HEX #351998

RGB 53 25 152

HSL 253.23, 0.72%, 0.35%

LAB 22.72, 47.4, -63.42

 

CMYK 0 / 84 / 35 / 40

HEX #981963

RGB 152 25 99

HSL 325.04, 0.72%, 0.35%

LAB 34.54, 55.6, -10.27

 

CMYK 19 / 0 / 83 / 40

HEX #7B981A

RGB 123 152 26

HSL 73.81, 0.71%, 0.35%

LAB 58.73, -26.82, 56.73

 

CMYK 84 / 0 / 24 / 40

HEX #199874

RGB 25 152 116

HSL 162.99, 0.72%, 0.35%

LAB 56.01, -41.51, 9.79

 

CMYK 65 / 84 / 0 / 40

HEX #351998

RGB 53 25 152

HSL 253.23, 0.72%, 0.35%

LAB 22.72, 47.4, -63.42

 

CMYK 0 / 84 / 60 / 40

HEX #98193D

RGB 152 25 61

HSL 342.99, 0.72%, 0.35%

LAB 33.37, 52.14, 12.75

 

Description

Color code: HEX #7B981A | qconv.com Color code: HEX #7B981A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 152 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 152 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 83 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 83% 40% C M Y K

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Provide designers and agencies with accurate color values.

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