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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B9DC1 it is the complementary color #84623E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B9DC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B9DC1 shade: #809DBC, #91AFCF, #A2C1E2, #B3D3F5 and #C4E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B9DC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B9DC1 shade: #7B9DC1, #6A8BAE, #59799B, #486788 and #375575

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B9DC1 shade: #7B9DC0, #7B8AC0, #7E7BC0, #917BC0 and #A47BC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B9DC1 shade: #7B9DC0, #7B8AC0 and #7B7BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B9DC1 shade matches the following richer shades: #7B9DC0, #6B9CD0, #5B9CE0 and #4C9BF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B9DC1 shade: #7B9DC0, #8A9DB1, #9A9DA1, #AA9E91 and #B99E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B9DC1 shade: #7BC0BE, #7BB0C0, #7B9EC0, #7B8BC0 and #7D7BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B9DC1 shade: #4A739E, #5F88B3, #7B9DC0, #97B1CE and #B3C6DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B9DC1 shade: #7B9DC1, #AC7BC0 and #BAC07B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B9DC1 shade: #7B9DC1, #C07B9E and #9EC07B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B9DC1 shade: #7B9DC1, #AC7BC0, #C09E7B and #90C07B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B9DC1 shade: #7B9DC1, #C07BC0, #C09E7B and #7BC07B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

Complementary color

CMYK 0 / 26 / 53 / 48

HEX #84623E

RGB 132 98 62

HSL 30.86, 0.36%, 0.38%

LAB 44.22, 9.15, 25.74

 

CMYK 32 / 16 / 0 / 26

HEX #809DBC

RGB 128 157 188

HSL 211, 0.31%, 0.62%

LAB 63.62, -2.61, -19.29

 

CMYK 30 / 15 / 0 / 19

HEX #91AFCF

RGB 145 175 207

HSL 210.97, 0.39%, 0.69%

LAB 70.31, -2.79, -19.57

 

CMYK 28 / 15 / 0 / 11

HEX #A2C1E2

RGB 162 193 226

HSL 210.94, 0.52%, 0.76%

LAB 76.87, -2.96, -19.86

 

CMYK 27 / 14 / 0 / 4

HEX #B3D3F5

RGB 179 211 245

HSL 210.91, 0.77%, 0.83%

LAB 83.32, -3.11, -20.16

 

CMYK 23 / 10 / 0 / 0

HEX #C4E5FF

RGB 196 229 255

HSL 206.44, 1%, 0.88%

LAB 89.39, -5.26, -16.17

 

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

CMYK 39 / 20 / 0 / 32

HEX #6A8BAE

RGB 106 139 174

HSL 210.88, 0.3%, 0.55%

LAB 56.67, -2.48, -22.11

 

CMYK 43 / 22 / 0 / 39

HEX #59799B

RGB 89 121 155

HSL 210.91, 0.27%, 0.48%

LAB 49.7, -2.16, -21.92

 

CMYK 47 / 24 / 0 / 47

HEX #486788

RGB 72 103 136

HSL 210.94, 0.31%, 0.41%

LAB 42.55, -1.75, -21.76

 

CMYK 53 / 27 / 0 / 54

HEX #375575

RGB 55 85 117

HSL 210.97, 0.36%, 0.34%

LAB 35.19, -1.2, -21.64

 

CMYK 36 / 18 / 0 / 25

HEX #7B9DC0

RGB 123 157 192

HSL 210.43, 0.35%, 0.62%

LAB 63.45, -3.01, -21.82

 

CMYK 36 / 28 / 0 / 25

HEX #7B8AC0

RGB 123 138 192

HSL 226.96, 0.35%, 0.62%

LAB 58.22, 7.84, -29.87

 

CMYK 34 / 36 / 0 / 25

HEX #7E7BC0

RGB 126 123 192

HSL 242.61, 0.35%, 0.62%

LAB 54.46, 17.53, -35.72

 

CMYK 24 / 36 / 0 / 25

HEX #917BC0

RGB 145 123 192

HSL 259.13, 0.35%, 0.62%

LAB 56.08, 23.09, -33.06

 

CMYK 15 / 36 / 0 / 25

HEX #A47BC0

RGB 164 123 192

HSL 275.65, 0.35%, 0.62%

LAB 57.91, 28.93, -30.08

 

CMYK 36 / 18 / 0 / 25

HEX #7B9DC0

RGB 123 157 192

HSL 210.43, 0.35%, 0.62%

LAB 63.45, -3.01, -21.82

 

CMYK 36 / 28 / 0 / 25

HEX #7B8AC0

RGB 123 138 192

HSL 226.96, 0.35%, 0.62%

LAB 58.22, 7.84, -29.87

 

CMYK 36 / 36 / 0 / 25

HEX #7B7BC0

RGB 123 123 192

HSL 240, 0.35%, 0.62%

LAB 54.22, 16.68, -36.1

 

CMYK 36 / 18 / 0 / 25

HEX #7B9DC0

RGB 123 157 192

HSL 210.43, 0.35%, 0.62%

LAB 63.45, -3.01, -21.82

 

CMYK 49 / 25 / 0 / 18

HEX #6B9CD0

RGB 107 156 208

HSL 210.89, 0.52%, 0.62%

LAB 62.89, -2.14, -31.69

 

CMYK 59 / 30 / 0 / 12

HEX #5B9CE0

RGB 91 156 224

HSL 210.68, 0.68%, 0.62%

LAB 62.83, -0.65, -40.73

 

CMYK 68 / 35 / 0 / 6

HEX #4C9BF0

RGB 76 155 240

HSL 211.1, 0.85%, 0.62%

LAB 62.74, 2.68, -49.74

 

CMYK 36 / 18 / 0 / 25

HEX #7B9DC0

RGB 123 157 192

HSL 210.43, 0.35%, 0.62%

LAB 63.45, -3.01, -21.82

 

CMYK 22 / 11 / 0 / 31

HEX #8A9DB1

RGB 138 157 177

HSL 210.77, 0.2%, 0.62%

LAB 63.91, -2.23, -12.62

 

CMYK 4 / 2 / 0 / 37

HEX #9A9DA1

RGB 154 157 161

HSL 214.29, 0.04%, 0.62%

LAB 64.61, -0.29, -2.47

 

CMYK 0 / 7 / 15 / 33

HEX #AA9E91

RGB 170 158 145

HSL 31.2, 0.13%, 0.62%

LAB 65.78, 2.13, 8.36

 

CMYK 0 / 15 / 30 / 27

HEX #B99E82

RGB 185 158 130

HSL 30.55, 0.28%, 0.62%

LAB 66.81, 5.71, 18.33

 

CMYK 36 / 0 / 1 / 25

HEX #7BC0BE

RGB 123 192 190

HSL 178.26, 0.35%, 0.62%

LAB 73.3, -22.12, -5.89

 

CMYK 36 / 8 / 0 / 25

HEX #7BB0C0

RGB 123 176 192

HSL 193.91, 0.35%, 0.62%

LAB 68.8, -13.36, -13.71

 

CMYK 36 / 18 / 0 / 25

HEX #7B9EC0

RGB 123 158 192

HSL 209.57, 0.35%, 0.62%

LAB 63.73, -3.57, -21.39

 

CMYK 36 / 28 / 0 / 25

HEX #7B8BC0

RGB 123 139 192

HSL 226.09, 0.35%, 0.62%

LAB 58.49, 7.26, -29.45

 

CMYK 35 / 36 / 0 / 25

HEX #7D7BC0

RGB 125 123 192

HSL 241.74, 0.35%, 0.62%

LAB 54.38, 17.24, -35.85

 

CMYK 53 / 27 / 0 / 38

HEX #4A739E

RGB 74 115 158

HSL 210.71, 0.36%, 0.45%

LAB 47.22, -1.53, -27.58

 

CMYK 47 / 24 / 0 / 30

HEX #5F88B3

RGB 95 136 179

HSL 210.71, 0.36%, 0.54%

LAB 55.38, -2.25, -27.01

 

CMYK 36 / 18 / 0 / 25

HEX #7B9DC0

RGB 123 157 192

HSL 210.43, 0.35%, 0.62%

LAB 63.45, -3.01, -21.82

 

CMYK 27 / 14 / 0 / 19

HEX #97B1CE

RGB 151 177 206

HSL 211.64, 0.36%, 0.7%

LAB 71.2, -2.34, -17.63

 

CMYK 18 / 10 / 0 / 14

HEX #B3C6DB

RGB 179 198 219

HSL 211.5, 0.36%, 0.78%

LAB 79.09, -2.06, -12.63

 

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

CMYK 10 / 36 / 0 / 25

HEX #AC7BC0

RGB 172 123 192

HSL 282.61, 0.35%, 0.62%

LAB 58.74, 31.44, -28.73

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

CMYK 0 / 36 / 18 / 25

HEX #C07B9E

RGB 192 123 158

HSL 329.57, 0.35%, 0.62%

LAB 59.74, 31.87, -7.54

 

CMYK 18 / 0 / 36 / 25

HEX #9EC07B

RGB 158 192 123

HSL 89.57, 0.35%, 0.62%

LAB 73.8, -23.57, 31.12

 

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

CMYK 10 / 36 / 0 / 25

HEX #AC7BC0

RGB 172 123 192

HSL 282.61, 0.35%, 0.62%

LAB 58.74, 31.44, -28.73

 

CMYK 0 / 18 / 36 / 25

HEX #C09E7B

RGB 192 158 123

HSL 30.43, 0.35%, 0.62%

LAB 67.34, 7.61, 23.02

 

CMYK 25 / 0 / 36 / 25

HEX #90C07B

RGB 144 192 123

HSL 101.74, 0.35%, 0.62%

LAB 72.93, -28.64, 29.81

 

CMYK 36 / 19 / 0 / 24

HEX #7B9DC1

RGB 123 157 193

HSL 210.86, 0.36%, 0.62%

LAB 63.49, -2.75, -22.32

 

CMYK 0 / 36 / 0 / 25

HEX #C07BC0

RGB 192 123 192

HSL 300, 0.35%, 0.62%

LAB 60.94, 37.79, -25.15

 

CMYK 0 / 18 / 36 / 25

HEX #C09E7B

RGB 192 158 123

HSL 30.43, 0.35%, 0.62%

LAB 67.34, 7.61, 23.02

 

CMYK 36 / 0 / 36 / 25

HEX #7BC07B

RGB 123 192 123

HSL 120, 0.35%, 0.62%

LAB 71.79, -35.72, 28.09

 

Description

Color code: HEX #7B9DC1 | qconv.com Color code: HEX #7B9DC1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 157 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 157 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 19 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 19% 0% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Play TV le vrai site...
Link: http://playtv.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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