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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B9ED0 it is the complementary color #84612F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B9ED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B9ED0 shade: #809ECB, #91B0DE, #A2C2F1, #B3D4FF and #C4E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B9ED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B9ED0 shade: #7B9ED0, #6A8CBD, #597AAA, #486897 and #375684

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B9ED0 shade: #7B9ECF, #7B87CF, #867BCF, #9D7BCF and #B37BCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B9ED0 shade: #7B9ECF, #7B87CF and #7B7BCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B9ED0 shade matches the following richer shades: #7B9ECF, #6D9BDE, #5E99EC and #5096FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B9ED0 shade: #7B9ECF, #8AA0C1, #98A3B2, #A7A5A4 and #B5A895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B9ED0 shade: #7BCBCF, #7BB5CF, #7B9ECF, #7B88CF and #857BCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B9ED0 shade: #4172B7, #5D88C4, #7B9ECF, #9AB4DA and #B8CBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B9ED0 shade: #7B9ED0, #BD7BCF and #C0CF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B9ED0 shade: #7B9ED0, #CF7B9E and #9ECF7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B9ED0 shade: #7B9ED0, #BD7BCF, #CFAC7B and #8DCF7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B9ED0 shade: #7B9ED0, #CF7BC8, #CFAC7B and #7BCF82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

Complementary color

CMYK 0 / 27 / 64 / 48

HEX #84612F

RGB 132 97 47

HSL 35.29, 0.47%, 0.35%

LAB 43.74, 8.45, 33.49

 

CMYK 37 / 22 / 0 / 20

HEX #809ECB

RGB 128 158 203

HSL 216, 0.42%, 0.65%

LAB 64.45, 0.75, -26.4

 

CMYK 35 / 21 / 0 / 13

HEX #91B0DE

RGB 145 176 222

HSL 215.84, 0.54%, 0.72%

LAB 71.11, 0.44, -26.56

 

CMYK 33 / 20 / 0 / 5

HEX #A2C2F1

RGB 162 194 241

HSL 215.7, 0.74%, 0.79%

LAB 77.65, 0.16, -26.75

 

CMYK 30 / 17 / 0 / 0

HEX #B3D4FF

RGB 179 212 255

HSL 213.95, 1%, 0.85%

LAB 83.91, -1.29, -24.56

 

CMYK 23 / 10 / 0 / 0

HEX #C4E6FF

RGB 196 230 255

HSL 205.42, 1%, 0.88%

LAB 89.65, -5.77, -15.78

 

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

CMYK 44 / 26 / 0 / 26

HEX #6A8CBD

RGB 106 140 189

HSL 215.42, 0.39%, 0.58%

LAB 57.55, 1.2, -29.29

 

CMYK 48 / 28 / 0 / 33

HEX #597AAA

RGB 89 122 170

HSL 215.56, 0.32%, 0.51%

LAB 50.62, 1.73, -29.23

 

CMYK 52 / 31 / 0 / 41

HEX #486897

RGB 72 104 151

HSL 215.7, 0.35%, 0.44%

LAB 43.53, 2.41, -29.21

 

CMYK 58 / 35 / 0 / 48

HEX #375684

RGB 55 86 132

HSL 215.84, 0.41%, 0.37%

LAB 36.24, 3.3, -29.24

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 41 / 35 / 0 / 19

HEX #7B87CF

RGB 123 135 207

HSL 231.43, 0.47%, 0.65%

LAB 58.08, 13.76, -38.56

 

CMYK 35 / 41 / 0 / 19

HEX #867BCF

RGB 134 123 207

HSL 247.86, 0.47%, 0.65%

LAB 55.83, 23.8, -42.05

 

CMYK 24 / 41 / 0 / 19

HEX #9D7BCF

RGB 157 123 207

HSL 264.29, 0.47%, 0.65%

LAB 57.88, 30.27, -38.67

 

CMYK 14 / 41 / 0 / 19

HEX #B37BCF

RGB 179 123 207

HSL 280, 0.47%, 0.65%

LAB 60.12, 36.78, -35.01

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 41 / 35 / 0 / 19

HEX #7B87CF

RGB 123 135 207

HSL 231.43, 0.47%, 0.65%

LAB 58.08, 13.76, -38.56

 

CMYK 41 / 41 / 0 / 19

HEX #7B7BCF

RGB 123 123 207

HSL 240, 0.47%, 0.65%

LAB 54.95, 20.88, -43.49

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 51 / 30 / 0 / 13

HEX #6D9BDE

RGB 109 155 222

HSL 215.58, 0.63%, 0.65%

LAB 63.32, 3.08, -38.8

 

CMYK 60 / 35 / 0 / 7

HEX #5E99EC

RGB 94 153 236

HSL 215.07, 0.79%, 0.65%

LAB 62.69, 5.53, -47.57

 

CMYK 68 / 40 / 0 / 2

HEX #5096FB

RGB 80 150 251

HSL 215.44, 0.96%, 0.65%

LAB 62.07, 9.98, -56.83

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 28 / 17 / 0 / 24

HEX #8AA0C1

RGB 138 160 193

HSL 216, 0.31%, 0.65%

LAB 65.28, -0.05, -19.51

 

CMYK 15 / 8 / 0 / 30

HEX #98A3B2

RGB 152 163 178

HSL 214.62, 0.14%, 0.65%

LAB 66.58, -0.75, -9.07

 

CMYK 0 / 1 / 2 / 35

HEX #A7A5A4

RGB 167 165 164

HSL 20, 0.02%, 0.65%

LAB 67.88, 0.53, 0.76

 

CMYK 0 / 7 / 18 / 29

HEX #B5A895

RGB 181 168 149

HSL 35.63, 0.18%, 0.65%

LAB 69.47, 1.5, 11.51

 

CMYK 41 / 2 / 0 / 19

HEX #7BCBCF

RGB 123 203 207

HSL 182.86, 0.47%, 0.65%

LAB 76.94, -23.46, -9.71

 

CMYK 41 / 13 / 0 / 19

HEX #7BB5CF

RGB 123 181 207

HSL 198.57, 0.47%, 0.65%

LAB 70.71, -12.13, -19.08

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 41 / 34 / 0 / 19

HEX #7B88CF

RGB 123 136 207

HSL 230.71, 0.47%, 0.65%

LAB 58.34, 13.17, -38.15

 

CMYK 36 / 41 / 0 / 19

HEX #857BCF

RGB 133 123 207

HSL 247.14, 0.47%, 0.65%

LAB 55.74, 23.53, -42.18

 

CMYK 64 / 38 / 0 / 28

HEX #4172B7

RGB 65 114 183

HSL 215.08, 0.48%, 0.49%

LAB 47.72, 5.63, -41.41

 

CMYK 53 / 31 / 0 / 23

HEX #5D88C4

RGB 93 136 196

HSL 214.95, 0.47%, 0.57%

LAB 56.01, 2.46, -35.72

 

CMYK 41 / 24 / 0 / 19

HEX #7B9ECF

RGB 123 158 207

HSL 215, 0.47%, 0.65%

LAB 64.3, 0.48, -28.88

 

CMYK 29 / 17 / 0 / 15

HEX #9AB4DA

RGB 154 180 218

HSL 215.63, 0.46%, 0.73%

LAB 72.61, -0.19, -22.03

 

CMYK 20 / 11 / 0 / 10

HEX #B8CBE5

RGB 184 203 229

HSL 214.67, 0.46%, 0.81%

LAB 81.05, -0.99, -15.02

 

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

CMYK 9 / 41 / 0 / 19

HEX #BD7BCF

RGB 189 123 207

HSL 287.14, 0.47%, 0.65%

LAB 61.21, 39.79, -33.23

 

CMYK 7 / 0 / 41 / 19

HEX #C0CF7B

RGB 192 207 123

HSL 70.71, 0.47%, 0.65%

LAB 80.33, -18.07, 40

 

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

CMYK 0 / 41 / 24 / 19

HEX #CF7B9E

RGB 207 123 158

HSL 335, 0.47%, 0.65%

LAB 61.57, 37.16, -4.64

 

CMYK 24 / 0 / 41 / 19

HEX #9ECF7B

RGB 158 207 123

HSL 95, 0.47%, 0.65%

LAB 78.07, -30.8, 36.65

 

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

CMYK 9 / 41 / 0 / 19

HEX #BD7BCF

RGB 189 123 207

HSL 287.14, 0.47%, 0.65%

LAB 61.21, 39.79, -33.23

 

CMYK 0 / 17 / 41 / 19

HEX #CFAC7B

RGB 207 172 123

HSL 35, 0.47%, 0.65%

LAB 72.36, 6.09, 29.97

 

CMYK 32 / 0 / 41 / 19

HEX #8DCF7B

RGB 141 207 123

HSL 107.14, 0.47%, 0.65%

LAB 77.11, -36.68, 35.23

 

CMYK 41 / 24 / 0 / 18

HEX #7B9ED0

RGB 123 158 208

HSL 215.29, 0.47%, 0.65%

LAB 64.34, 0.76, -29.38

 

CMYK 0 / 41 / 3 / 19

HEX #CF7BC8

RGB 207 123 200

HSL 305, 0.47%, 0.65%

LAB 63.01, 43.98, -26.33

 

CMYK 0 / 17 / 41 / 19

HEX #CFAC7B

RGB 207 172 123

HSL 35, 0.47%, 0.65%

LAB 72.36, 6.09, 29.97

 

CMYK 41 / 0 / 37 / 19

HEX #7BCF82

RGB 123 207 130

HSL 125, 0.47%, 0.65%

LAB 76.34, -41.33, 30.48

 

Description

Color code: HEX #7B9ED0 | qconv.com Color code: HEX #7B9ED0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 158 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 158 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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