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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BB20F it is the complementary color #844DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BB20F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BB20F shade: #80B20A, #91C41D, #A2D630, #B3E843 and #C4FA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BB20F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BB20F shade: #7BB20F, #6AA000, #598E00, #487C00 and #376A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BB20F shade: #7BB20F, #A7B20F, #B2910F, #B2650F and #B2390F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BB20F shade: #7BB20F, #4FB20F, #23B20F, #0FB227 and #0FB253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BB20F shade matches the following richer shades: #7BB20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BB20F shade: #7BB20F, #76A21F, #71922E, #6C833E and #66734E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BB20F shade: #B2910F, #A7B20F, #7CB20F, #50B20F and #25B20F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BB20F shade: #466608, #618C0C, #7BB20F, #95D812 and #AAEC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BB20F shade: #7BB20F, #0FB266 and #A70FB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BB20F shade: #7BB20F, #0F7CB2 and #B20F7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BB20F shade: #7BB20F, #0FB266, #450FB2 and #B20F5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BB20F shade: #7BB20F, #0FB297, #450FB2 and #B20F2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

Complementary color

CMYK 45 / 68 / 0 / 6

HEX #844DF0

RGB 132 77 240

HSL 260.25, 0.84%, 0.62%

LAB 47.63, 58.02, -73.84

 

CMYK 28 / 0 / 94 / 30

HEX #80B20A

RGB 128 178 10

HSL 77.86, 0.89%, 0.37%

LAB 66.86, -37.34, 66.71

 

CMYK 26 / 0 / 85 / 23

HEX #91C41D

RGB 145 196 29

HSL 78.32, 0.74%, 0.44%

LAB 73.28, -38.3, 69.15

 

CMYK 24 / 0 / 78 / 16

HEX #A2D630

RGB 162 214 48

HSL 78.8, 0.67%, 0.51%

LAB 79.61, -39.03, 70.24

 

CMYK 23 / 0 / 71 / 9

HEX #B3E843

RGB 179 232 67

HSL 79.27, 0.78%, 0.59%

LAB 85.86, -39.6, 70.46

 

CMYK 22 / 0 / 66 / 2

HEX #C4FA56

RGB 196 250 86

HSL 79.76, 0.94%, 0.66%

LAB 92.03, -40.03, 70.15

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 34 / 0 / 100 / 37

HEX #6AA000

RGB 106 160 0

HSL 80.25, 1%, 0.31%

LAB 60.07, -38.06, 62.18

 

CMYK 37 / 0 / 100 / 44

HEX #598E00

RGB 89 142 0

HSL 82.39, 1%, 0.28%

LAB 53.46, -36.65, 56.67

 

CMYK 42 / 0 / 100 / 51

HEX #487C00

RGB 72 124 0

HSL 85.16, 1%, 0.24%

LAB 46.7, -35.17, 51.05

 

CMYK 48 / 0 / 100 / 58

HEX #376A00

RGB 55 106 0

HSL 88.87, 1%, 0.21%

LAB 39.78, -33.59, 45.31

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 6 / 0 / 92 / 30

HEX #A7B20F

RGB 167 178 15

HSL 64.05, 0.84%, 0.38%

LAB 69.53, -21.05, 69.28

 

CMYK 0 / 19 / 92 / 30

HEX #B2910F

RGB 178 145 15

HSL 47.85, 0.84%, 0.38%

LAB 61.44, 1.16, 63.41

 

CMYK 0 / 43 / 92 / 30

HEX #B2650F

RGB 178 101 15

HSL 31.66, 0.84%, 0.38%

LAB 50.46, 25.56, 55.1

 

CMYK 0 / 68 / 92 / 30

HEX #B2390F

RGB 178 57 15

HSL 15.46, 0.84%, 0.38%

LAB 41.88, 47.44, 48.84

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 56 / 0 / 92 / 30

HEX #4FB20F

RGB 79 178 15

HSL 96.44, 0.84%, 0.38%

LAB 64.59, -53.85, 63.22

 

CMYK 80 / 0 / 92 / 30

HEX #23B20F

RGB 35 178 15

HSL 112.64, 0.84%, 0.38%

LAB 63.53, -62.78, 61.91

 

CMYK 92 / 0 / 78 / 30

HEX #0FB227

RGB 15 178 39

HSL 128.83, 0.84%, 0.38%

LAB 63.42, -63.48, 55.88

 

CMYK 92 / 0 / 53 / 30

HEX #0FB253

RGB 15 178 83

HSL 145.03, 0.84%, 0.38%

LAB 63.81, -58.59, 37.78

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 27 / 0 / 81 / 36

HEX #76A21F

RGB 118 162 31

HSL 80.15, 0.68%, 0.38%

LAB 61.47, -33.41, 57.64

 

CMYK 23 / 0 / 68 / 43

HEX #71922E

RGB 113 146 46

HSL 79.8, 0.52%, 0.38%

LAB 56.35, -26.97, 47.22

 

CMYK 18 / 0 / 53 / 49

HEX #6C833E

RGB 108 131 62

HSL 80, 0.36%, 0.38%

LAB 51.57, -20.05, 34.26

 

CMYK 11 / 0 / 32 / 55

HEX #66734E

RGB 102 115 78

HSL 81.08, 0.19%, 0.38%

LAB 46.49, -11.85, 18.91

 

CMYK 0 / 19 / 92 / 30

HEX #B2910F

RGB 178 145 15

HSL 47.85, 0.84%, 0.38%

LAB 61.44, 1.16, 63.41

 

CMYK 6 / 0 / 92 / 30

HEX #A7B20F

RGB 167 178 15

HSL 64.05, 0.84%, 0.38%

LAB 69.53, -21.05, 69.28

 

CMYK 30 / 0 / 92 / 30

HEX #7CB20F

RGB 124 178 15

HSL 79.88, 0.84%, 0.38%

LAB 66.64, -38.79, 65.75

 

CMYK 55 / 0 / 92 / 30

HEX #50B20F

RGB 80 178 15

HSL 96.07, 0.84%, 0.38%

LAB 64.63, -53.58, 63.27

 

CMYK 79 / 0 / 92 / 30

HEX #25B20F

RGB 37 178 15

HSL 111.9, 0.84%, 0.38%

LAB 63.56, -62.52, 61.94

 

CMYK 31 / 0 / 92 / 60

HEX #466608

RGB 70 102 8

HSL 80.43, 0.85%, 0.22%

LAB 39.28, -25.54, 43.14

 

CMYK 31 / 0 / 91 / 45

HEX #618C0C

RGB 97 140 12

HSL 80.16, 0.84%, 0.3%

LAB 53.3, -32.33, 54.67

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 31 / 0 / 92 / 15

HEX #95D812

RGB 149 216 18

HSL 80.3, 0.85%, 0.46%

LAB 79.35, -45.73, 76.2

 

CMYK 28 / 0 / 83 / 7

HEX #AAEC28

RGB 170 236 40

HSL 80.2, 0.84%, 0.54%

LAB 86.35, -45.9, 78.51

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 92 / 0 / 43 / 30

HEX #0FB266

RGB 15 178 102

HSL 152.02, 0.84%, 0.38%

LAB 64.08, -55.33, 28.42

 

CMYK 6 / 92 / 0 / 30

HEX #A70FB2

RGB 167 15 178

HSL 295.95, 0.84%, 0.38%

LAB 40.85, 71.61, -48.85

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 92 / 30 / 0 / 30

HEX #0F7CB2

RGB 15 124 178

HSL 199.88, 0.84%, 0.38%

LAB 49.17, -8.08, -36.32

 

CMYK 0 / 92 / 30 / 30

HEX #B20F7C

RGB 178 15 124

HSL 319.88, 0.84%, 0.38%

LAB 40.02, 66.32, -17.25

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 92 / 0 / 43 / 30

HEX #0FB266

RGB 15 178 102

HSL 152.02, 0.84%, 0.38%

LAB 64.08, -55.33, 28.42

 

CMYK 61 / 92 / 0 / 30

HEX #450FB2

RGB 69 15 178

HSL 259.88, 0.84%, 0.38%

LAB 26.22, 59.15, -73.36

 

CMYK 0 / 92 / 49 / 30

HEX #B20F5B

RGB 178 15 91

HSL 332.02, 0.84%, 0.38%

LAB 38.83, 63.11, 1.79

 

CMYK 31 / 0 / 92 / 30

HEX #7BB20F

RGB 123 178 15

HSL 80.25, 0.84%, 0.38%

LAB 66.59, -39.18, 65.68

 

CMYK 92 / 0 / 15 / 30

HEX #0FB297

RGB 15 178 151

HSL 170.06, 0.84%, 0.38%

LAB 65.1, -43.97, 3.18

 

CMYK 61 / 92 / 0 / 30

HEX #450FB2

RGB 69 15 178

HSL 259.88, 0.84%, 0.38%

LAB 26.22, 59.15, -73.36

 

CMYK 0 / 92 / 76 / 30

HEX #B20F2A

RGB 178 15 42

HSL 350.06, 0.84%, 0.38%

LAB 37.8, 60.21, 31.57

 

Description

Color code: HEX #7BB20F | qconv.com Color code: HEX #7BB20F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 178 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 178 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 92 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 92% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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