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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD431 it is the complementary color #842BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD431 shade: #80D42C, #91E63F, #A2F852, #B3FF65 and #C4FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD431 shade: #7BD431, #6AC21E, #59B00B, #489E00 and #378C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD431 shade: #7AD330, #A6D330, #D2D330, #D3A830 and #D37C30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD431 shade: #7AD330, #4ED330, #30D33E, #30D36A and #30D396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD431 shade matches the following richer shades: #7AD330, #78E71C and #76FB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD431 shade: #7AD330, #7CBF45, #7EAA59, #80966D and #828281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD431 shade: #D3D330, #A7D330, #7CD330, #51D330 and #30D33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD431 shade: #53921F, #66B426, #7AD330, #90DA52 and #A6E174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD431 shade: #7BD431, #30D3A7 and #D330BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD431 shade: #7BD431, #307CD3 and #D3307C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD431 shade: #7BD431, #30D3A7, #8730D3 and #D3305C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD431 shade: #7BD431, #30CDD3, #8730D3 and #D33630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

Complementary color

CMYK 36 / 79 / 0 / 19

HEX #842BCE

RGB 132 43 206

HSL 272.76, 0.65%, 0.49%

LAB 39.73, 64.53, -67.33

 

CMYK 40 / 0 / 79 / 17

HEX #80D42C

RGB 128 212 44

HSL 90, 0.66%, 0.5%

LAB 77.2, -50.64, 68.51

 

CMYK 37 / 0 / 73 / 10

HEX #91E63F

RGB 145 230 63

HSL 90.54, 0.77%, 0.57%

LAB 83.43, -51.17, 68.82

 

CMYK 35 / 0 / 67 / 3

HEX #A2F852

RGB 162 248 82

HSL 91.08, 0.92%, 0.65%

LAB 89.59, -51.54, 68.54

 

CMYK 30 / 0 / 60 / 0

HEX #B3FF65

RGB 179 255 101

HSL 89.61, 1%, 0.7%

LAB 92.59, -47.17, 64.5

 

CMYK 23 / 0 / 53 / 0

HEX #C4FF78

RGB 196 255 120

HSL 86.22, 1%, 0.74%

LAB 93.72, -39.48, 57.82

 

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

CMYK 45 / 0 / 85 / 24

HEX #6AC21E

RGB 106 194 30

HSL 92.2, 0.73%, 0.44%

LAB 70.69, -51.32, 65.9

 

CMYK 49 / 0 / 94 / 31

HEX #59B00B

RGB 89 176 11

HSL 91.64, 0.88%, 0.37%

LAB 64.32, -50.28, 63.73

 

CMYK 54 / 0 / 100 / 38

HEX #489E00

RGB 72 158 0

HSL 92.66, 1%, 0.31%

LAB 57.88, -48.84, 59.79

 

CMYK 61 / 0 / 100 / 45

HEX #378C00

RGB 55 140 0

HSL 96.43, 1%, 0.27%

LAB 51.35, -46.96, 54.39

 

CMYK 42 / 0 / 77 / 17

HEX #7AD330

RGB 122 211 48

HSL 92.76, 0.65%, 0.51%

LAB 76.64, -52.02, 66.72

 

CMYK 21 / 0 / 77 / 17

HEX #A6D330

RGB 166 211 48

HSL 76.56, 0.65%, 0.51%

LAB 78.99, -36.14, 69.76

 

CMYK 0 / 0 / 77 / 17

HEX #D2D330

RGB 210 211 48

HSL 60.37, 0.65%, 0.51%

LAB 82.11, -18.18, 73.76

 

CMYK 0 / 20 / 77 / 17

HEX #D3A830

RGB 211 168 48

HSL 44.17, 0.65%, 0.51%

LAB 70.92, 4.37, 63.6

 

CMYK 0 / 41 / 77 / 17

HEX #D37C30

RGB 211 124 48

HSL 27.98, 0.65%, 0.51%

LAB 60.32, 28.07, 53.54

 

CMYK 42 / 0 / 77 / 17

HEX #7AD330

RGB 122 211 48

HSL 92.76, 0.65%, 0.51%

LAB 76.64, -52.02, 66.72

 

CMYK 63 / 0 / 77 / 17

HEX #4ED330

RGB 78 211 48

HSL 108.96, 0.65%, 0.51%

LAB 75.09, -64.07, 64.7

 

CMYK 77 / 0 / 71 / 17

HEX #30D33E

RGB 48 211 62

HSL 125.15, 0.65%, 0.51%

LAB 74.55, -68.31, 59.18

 

CMYK 77 / 0 / 50 / 17

HEX #30D36A

RGB 48 211 106

HSL 141.35, 0.65%, 0.51%

LAB 74.99, -63.04, 40.37

 

CMYK 77 / 0 / 29 / 17

HEX #30D396

RGB 48 211 150

HSL 157.55, 0.65%, 0.51%

LAB 75.71, -54.81, 18.8

 

CMYK 42 / 0 / 77 / 17

HEX #7AD330

RGB 122 211 48

HSL 92.76, 0.65%, 0.51%

LAB 76.64, -52.02, 66.72

 

CMYK 48 / 0 / 88 / 9

HEX #78E71C

RGB 120 231 28

HSL 92.81, 0.81%, 0.51%

LAB 82.5, -61.04, 76.71

 

CMYK 53 / 0 / 97 / 2

HEX #76FB08

RGB 118 251 8

HSL 92.84, 0.97%, 0.51%

LAB 88.38, -69.05, 83.87

 

CMYK 42 / 0 / 77 / 17

HEX #7AD330

RGB 122 211 48

HSL 92.76, 0.65%, 0.51%

LAB 76.64, -52.02, 66.72

 

CMYK 35 / 0 / 64 / 25

HEX #7CBF45

RGB 124 191 69

HSL 92.95, 0.49%, 0.51%

LAB 70.85, -41.61, 53.18

 

CMYK 26 / 0 / 48 / 33

HEX #7EAA59

RGB 126 170 89

HSL 92.59, 0.32%, 0.51%

LAB 64.89, -29.23, 36.89

 

CMYK 15 / 0 / 27 / 41

HEX #80966D

RGB 128 150 109

HSL 92.2, 0.16%, 0.51%

LAB 59.44, -15.55, 19.12

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 0 / 0 / 77 / 17

HEX #D3D330

RGB 211 211 48

HSL 60, 0.65%, 0.51%

LAB 82.19, -17.76, 73.86

 

CMYK 21 / 0 / 77 / 17

HEX #A7D330

RGB 167 211 48

HSL 76.2, 0.65%, 0.51%

LAB 79.05, -35.75, 69.84

 

CMYK 41 / 0 / 77 / 17

HEX #7CD330

RGB 124 211 48

HSL 92.02, 0.65%, 0.51%

LAB 76.73, -51.36, 66.84

 

CMYK 62 / 0 / 77 / 17

HEX #51D330

RGB 81 211 48

HSL 107.85, 0.65%, 0.51%

LAB 75.17, -63.4, 64.8

 

CMYK 77 / 0 / 72 / 17

HEX #30D33B

RGB 48 211 59

HSL 124.05, 0.65%, 0.51%

LAB 74.53, -68.57, 60.25

 

CMYK 43 / 0 / 79 / 43

HEX #53921F

RGB 83 146 31

HSL 92.87, 0.65%, 0.35%

LAB 54.55, -39.45, 50.52

 

CMYK 43 / 0 / 79 / 29

HEX #66B426

RGB 102 180 38

HSL 92.96, 0.65%, 0.43%

LAB 66.22, -46.7, 59.63

 

CMYK 42 / 0 / 77 / 17

HEX #7AD330

RGB 122 211 48

HSL 92.76, 0.65%, 0.51%

LAB 76.64, -52.02, 66.72

 

CMYK 34 / 0 / 62 / 15

HEX #90DA52

RGB 144 218 82

HSL 92.65, 0.65%, 0.59%

LAB 80, -45.14, 58

 

CMYK 26 / 0 / 48 / 12

HEX #A6E174

RGB 166 225 116

HSL 92.48, 0.64%, 0.67%

LAB 83.56, -37.12, 47.08

 

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

CMYK 77 / 0 / 21 / 17

HEX #30D3A7

RGB 48 211 167

HSL 163.8, 0.65%, 0.51%

LAB 76.07, -50.9, 10.27

 

CMYK 0 / 77 / 10 / 17

HEX #D330BD

RGB 211 48 189

HSL 308.1, 0.65%, 0.51%

LAB 51.42, 74.81, -38.03

 

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

CMYK 77 / 41 / 0 / 17

HEX #307CD3

RGB 48 124 211

HSL 212.02, 0.65%, 0.51%

LAB 51.55, 7.14, -51.4

 

CMYK 0 / 77 / 41 / 17

HEX #D3307C

RGB 211 48 124

HSL 332.02, 0.65%, 0.51%

LAB 48.78, 67, -3.43

 

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

CMYK 77 / 0 / 21 / 17

HEX #30D3A7

RGB 48 211 167

HSL 163.8, 0.65%, 0.51%

LAB 76.07, -50.9, 10.27

 

CMYK 36 / 77 / 0 / 17

HEX #8730D3

RGB 135 48 211

HSL 272.02, 0.65%, 0.51%

LAB 41.17, 64.3, -67.86

 

CMYK 0 / 77 / 56 / 17

HEX #D3305C

RGB 211 48 92

HSL 343.8, 0.65%, 0.51%

LAB 47.93, 64.34, 14.91

 

CMYK 42 / 0 / 77 / 17

HEX #7BD431

RGB 123 212 49

HSL 92.76, 0.65%, 0.51%

LAB 76.99, -52.03, 66.76

 

CMYK 77 / 3 / 0 / 17

HEX #30CDD3

RGB 48 205 211

HSL 182.21, 0.65%, 0.51%

LAB 75.45, -36.44, -14.33

 

CMYK 36 / 77 / 0 / 17

HEX #8730D3

RGB 135 48 211

HSL 272.02, 0.65%, 0.51%

LAB 41.17, 64.3, -67.86

 

CMYK 0 / 74 / 77 / 17

HEX #D33630

RGB 211 54 48

HSL 2.21, 0.65%, 0.51%

LAB 47.88, 60.16, 40.96

 

Description

Color code: HEX #7BD431 | qconv.com Color code: HEX #7BD431 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 212 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 212 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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