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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD5AC it is the complementary color #842A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD5AC shade: #80D5A7, #91E7BA, #A2F9CD, #B3FFE0 and #C4FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD5AC shade: #7BD5AC, #6AC399, #59B186, #489F73 and #378D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD5AC shade: #7BD5AC, #7BD593, #7BD57B, #93D57B and #ABD57B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD5AC shade: #7BD5AC, #7BD5C4, #7BCDD5, #7BB5D5 and #7B9DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD5AC shade matches the following richer shades: #7BD5AC, #6DE3AD and #5FF1AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD5AC shade: #7BD5AC, #89C7AB, #97B9A9, #A5ABA8 and #B39DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD5AC shade: #7BD57B, #7BD593, #7BD5AB, #7BD5C3 and #7BCFD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD5AC shade: #3CC184, #5BCB98, #7BD5AC, #9ADFBF and #B9E9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD5AC shade: #7BD5AC, #7B93D5 and #D5877B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD5AC shade: #7BD5AC, #AB7BD5 and #D5AB7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD5AC shade: #7BD5AC, #7B93D5, #D57BA5 and #D5BD7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD5AC shade: #7BD5AC, #7E7BD5, #D57BA5 and #D2D57B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

Complementary color

CMYK 0 / 68 / 37 / 48

HEX #842A53

RGB 132 42 83

HSL 332.67, 0.52%, 0.34%

LAB 32.23, 42.3, -3.79

 

CMYK 40 / 0 / 22 / 16

HEX #80D5A7

RGB 128 213 167

HSL 147.53, 0.5%, 0.67%

LAB 79.02, -35.91, 14.77

 

CMYK 37 / 0 / 19 / 9

HEX #91E7BA

RGB 145 231 186

HSL 148.6, 0.64%, 0.74%

LAB 85.36, -35.67, 13.81

 

CMYK 35 / 0 / 18 / 2

HEX #A2F9CD

RGB 162 249 205

HSL 149.66, 0.88%, 0.81%

LAB 91.61, -35.42, 12.91

 

CMYK 30 / 0 / 12 / 0

HEX #B3FFE0

RGB 179 255 224

HSL 155.53, 1%, 0.85%

LAB 94.52, -29.61, 7.38

 

CMYK 23 / 0 / 5 / 0

HEX #C4FFF3

RGB 196 255 243

HSL 167.8, 1%, 0.88%

LAB 95.88, -20.83, -0.31

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 46 / 0 / 22 / 24

HEX #6AC399

RGB 106 195 153

HSL 151.69, 0.43%, 0.59%

LAB 72.49, -36.48, 12.93

 

CMYK 50 / 0 / 24 / 31

HEX #59B186

RGB 89 177 134

HSL 150.68, 0.36%, 0.52%

LAB 65.97, -36.67, 14.01

 

CMYK 55 / 0 / 28 / 38

HEX #489F73

RGB 72 159 115

HSL 149.66, 0.38%, 0.45%

LAB 59.35, -36.79, 15.19

 

CMYK 61 / 0 / 32 / 45

HEX #378D60

RGB 55 141 96

HSL 148.6, 0.44%, 0.38%

LAB 52.63, -36.8, 16.5

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 42 / 0 / 31 / 16

HEX #7BD593

RGB 123 213 147

HSL 136, 0.52%, 0.66%

LAB 78.41, -41.09, 24.41

 

CMYK 42 / 0 / 42 / 16

HEX #7BD57B

RGB 123 213 123

HSL 120, 0.52%, 0.66%

LAB 78.01, -45.01, 36.22

 

CMYK 31 / 0 / 42 / 16

HEX #93D57B

RGB 147 213 123

HSL 104, 0.52%, 0.66%

LAB 79.17, -37.39, 37.94

 

CMYK 20 / 0 / 42 / 16

HEX #ABD57B

RGB 171 213 123

HSL 88, 0.52%, 0.66%

LAB 80.56, -28.93, 39.99

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 42 / 0 / 8 / 16

HEX #7BD5C4

RGB 123 213 196

HSL 168.67, 0.52%, 0.66%

LAB 79.49, -30.98, -0.04

 

CMYK 42 / 4 / 0 / 16

HEX #7BCDD5

RGB 123 205 213

HSL 185.33, 0.52%, 0.66%

LAB 77.68, -22.94, -11.83

 

CMYK 42 / 15 / 0 / 16

HEX #7BB5D5

RGB 123 181 213

HSL 201.33, 0.52%, 0.66%

LAB 70.91, -10.53, -22.05

 

CMYK 42 / 26 / 0 / 16

HEX #7B9DD5

RGB 123 157 213

HSL 217.33, 0.52%, 0.66%

LAB 64.27, 2.72, -32.27

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 52 / 0 / 24 / 11

HEX #6DE3AD

RGB 109 227 173

HSL 152.54, 0.68%, 0.66%

LAB 82.49, -45.76, 16.37

 

CMYK 61 / 0 / 28 / 5

HEX #5FF1AE

RGB 95 241 174

HSL 152.47, 0.84%, 0.66%

LAB 86.21, -54.3, 20.96

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 31 / 0 / 14 / 22

HEX #89C7AB

RGB 137 199 171

HSL 152.9, 0.36%, 0.66%

LAB 75.52, -25.83, 7.72

 

CMYK 18 / 0 / 9 / 27

HEX #97B9A9

RGB 151 185 169

HSL 151.76, 0.2%, 0.66%

LAB 72.32, -14.73, 4.32

 

CMYK 4 / 0 / 2 / 33

HEX #A5ABA8

RGB 165 171 168

HSL 150, 0.03%, 0.66%

LAB 69.44, -2.69, 0.8

 

CMYK 0 / 12 / 7 / 30

HEX #B39DA7

RGB 179 157 167

HSL 332.73, 0.13%, 0.66%

LAB 66.89, 9.83, -2.23

 

CMYK 42 / 0 / 42 / 16

HEX #7BD57B

RGB 123 213 123

HSL 120, 0.52%, 0.66%

LAB 78.01, -45.01, 36.22

 

CMYK 42 / 0 / 31 / 16

HEX #7BD593

RGB 123 213 147

HSL 136, 0.52%, 0.66%

LAB 78.41, -41.09, 24.41

 

CMYK 42 / 0 / 20 / 16

HEX #7BD5AB

RGB 123 213 171

HSL 152, 0.52%, 0.66%

LAB 78.89, -36.48, 12.43

 

CMYK 42 / 0 / 8 / 16

HEX #7BD5C3

RGB 123 213 195

HSL 168, 0.52%, 0.66%

LAB 79.47, -31.22, 0.46

 

CMYK 42 / 3 / 0 / 16

HEX #7BCFD5

RGB 123 207 213

HSL 184, 0.52%, 0.66%

LAB 78.25, -23.94, -10.98

 

CMYK 69 / 0 / 32 / 24

HEX #3CC184

RGB 60 193 132

HSL 152.48, 0.53%, 0.5%

LAB 70.01, -49.96, 20.55

 

CMYK 55 / 0 / 25 / 20

HEX #5BCB98

RGB 91 203 152

HSL 152.68, 0.52%, 0.58%

LAB 74.32, -43.89, 15.95

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 31 / 0 / 14 / 13

HEX #9ADFBF

RGB 154 223 191

HSL 152.17, 0.52%, 0.74%

LAB 83.66, -28.31, 8.82

 

CMYK 21 / 0 / 9 / 9

HEX #B9E9D3

RGB 185 233 211

HSL 152.5, 0.52%, 0.82%

LAB 88.59, -19.75, 5.63

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 42 / 31 / 0 / 16

HEX #7B93D5

RGB 123 147 213

HSL 224, 0.52%, 0.66%

LAB 61.55, 8.45, -36.49

 

CMYK 0 / 37 / 42 / 16

HEX #D5877B

RGB 213 135 123

HSL 8, 0.52%, 0.66%

LAB 64.08, 28.51, 18.97

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 20 / 42 / 0 / 16

HEX #AB7BD5

RGB 171 123 213

HSL 272, 0.52%, 0.66%

LAB 59.55, 35.74, -39.34

 

CMYK 0 / 20 / 42 / 16

HEX #D5AB7B

RGB 213 171 123

HSL 32, 0.52%, 0.66%

LAB 72.7, 9.05, 30.51

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 42 / 31 / 0 / 16

HEX #7B93D5

RGB 123 147 213

HSL 224, 0.52%, 0.66%

LAB 61.55, 8.45, -36.49

 

CMYK 0 / 42 / 23 / 16

HEX #D57BA5

RGB 213 123 165

HSL 332, 0.52%, 0.66%

LAB 62.53, 40.26, -7.13

 

CMYK 0 / 11 / 42 / 16

HEX #D5BD7B

RGB 213 189 123

HSL 44, 0.52%, 0.66%

LAB 77.26, -0.5, 36.44

 

CMYK 42 / 0 / 19 / 16

HEX #7BD5AC

RGB 123 213 172

HSL 152.67, 0.52%, 0.66%

LAB 78.91, -36.27, 11.93

 

CMYK 41 / 42 / 0 / 16

HEX #7E7BD5

RGB 126 123 213

HSL 242, 0.52%, 0.66%

LAB 55.49, 23.35, -46.01

 

CMYK 0 / 42 / 23 / 16

HEX #D57BA5

RGB 213 123 165

HSL 332, 0.52%, 0.66%

LAB 62.53, 40.26, -7.13

 

CMYK 1 / 0 / 42 / 16

HEX #D2D57B

RGB 210 213 123

HSL 62, 0.52%, 0.66%

LAB 83.29, -14.01, 44.01

 

Description

Color code: HEX #7BD5AC | qconv.com Color code: HEX #7BD5AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 213 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 213 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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