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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD5BA it is the complementary color #842A45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD5BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD5BA shade: #80D5B5, #91E7C8, #A2F9DB, #B3FFEE and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD5BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD5BA shade: #7BD5BA, #6AC3A7, #59B194, #489F81 and #378D6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD5BA shade: #7BD5BA, #7BD5A2, #7BD589, #85D57B and #9DD57B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD5BA shade: #7BD5BA, #7BD5D2, #7BBFD5, #7BA7D5 and #7B8FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD5BA shade matches the following richer shades: #7BD5BA, #6DE3BF and #5FF1C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD5BA shade: #7BD5BA, #89C7B4, #97B9AF, #A5ABA9 and #B39DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD5BA shade: #7BD58A, #7BD5A2, #7BD5BA, #7BD5D2 and #7BC0D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD5BA shade: #3CC199, #5BCBA9, #7BD5BA, #9ADFCA and #B9E9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD5BA shade: #7BD5BA, #7B84D5 and #D5967B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD5BA shade: #7BD5BA, #BA7BD5 and #D5BA7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD5BA shade: #7BD5BA, #7B84D5, #D57B96 and #D5CC7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD5BA shade: #7BD5BA, #8D7BD5, #D57B96 and #C3D57B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

Complementary color

CMYK 0 / 68 / 48 / 48

HEX #842A45

RGB 132 42 69

HSL 342, 0.52%, 0.34%

LAB 31.79, 40.73, 4.72

 

CMYK 40 / 0 / 15 / 16

HEX #80D5B5

RGB 128 213 181

HSL 157.41, 0.5%, 0.67%

LAB 79.34, -33.03, 7.77

 

CMYK 37 / 0 / 13 / 9

HEX #91E7C8

RGB 145 231 200

HSL 158.37, 0.64%, 0.74%

LAB 85.68, -32.82, 6.93

 

CMYK 35 / 0 / 12 / 2

HEX #A2F9DB

RGB 162 249 219

HSL 159.31, 0.88%, 0.81%

LAB 91.93, -32.61, 6.13

 

CMYK 30 / 0 / 7 / 0

HEX #B3FFEE

RGB 179 255 238

HSL 166.58, 1%, 0.85%

LAB 94.86, -26.76, 0.65

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 46 / 0 / 14 / 24

HEX #6AC3A7

RGB 106 195 167

HSL 161.12, 0.43%, 0.59%

LAB 72.82, -33.43, 5.81

 

CMYK 50 / 0 / 16 / 31

HEX #59B194

RGB 89 177 148

HSL 160.23, 0.36%, 0.52%

LAB 66.29, -33.56, 6.76

 

CMYK 55 / 0 / 19 / 38

HEX #489F81

RGB 72 159 129

HSL 159.31, 0.38%, 0.45%

LAB 59.67, -33.64, 7.8

 

CMYK 61 / 0 / 22 / 45

HEX #378D6E

RGB 55 141 110

HSL 158.37, 0.44%, 0.38%

LAB 52.94, -33.62, 8.95

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 42 / 0 / 24 / 16

HEX #7BD5A2

RGB 123 213 162

HSL 146, 0.52%, 0.66%

LAB 78.7, -38.29, 16.93

 

CMYK 42 / 0 / 36 / 16

HEX #7BD589

RGB 123 213 137

HSL 129.33, 0.52%, 0.66%

LAB 78.23, -42.81, 29.37

 

CMYK 38 / 0 / 42 / 16

HEX #85D57B

RGB 133 213 123

HSL 113.33, 0.52%, 0.66%

LAB 78.46, -41.95, 36.89

 

CMYK 26 / 0 / 42 / 16

HEX #9DD57B

RGB 157 213 123

HSL 97.33, 0.52%, 0.66%

LAB 79.72, -33.95, 38.75

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 42 / 0 / 1 / 16

HEX #7BD5D2

RGB 123 213 210

HSL 178, 0.52%, 0.66%

LAB 79.87, -27.64, -6.97

 

CMYK 42 / 10 / 0 / 16

HEX #7BBFD5

RGB 123 191 213

HSL 194.67, 0.52%, 0.66%

LAB 73.72, -15.8, -17.78

 

CMYK 42 / 22 / 0 / 16

HEX #7BA7D5

RGB 123 167 213

HSL 210.67, 0.52%, 0.66%

LAB 67.02, -2.9, -28.02

 

CMYK 42 / 33 / 0 / 16

HEX #7B8FD5

RGB 123 143 213

HSL 226.67, 0.52%, 0.66%

LAB 60.48, 10.78, -38.17

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 52 / 0 / 16 / 11

HEX #6DE3BF

RGB 109 227 191

HSL 161.69, 0.68%, 0.66%

LAB 82.89, -41.87, 7.47

 

CMYK 61 / 0 / 18 / 5

HEX #5FF1C5

RGB 95 241 197

HSL 161.92, 0.84%, 0.66%

LAB 86.69, -49.35, 9.71

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 31 / 0 / 10 / 22

HEX #89C7B4

RGB 137 199 180

HSL 161.61, 0.36%, 0.66%

LAB 75.74, -23.94, 3.18

 

CMYK 18 / 0 / 5 / 27

HEX #97B9AF

RGB 151 185 175

HSL 162.35, 0.2%, 0.66%

LAB 72.48, -13.51, 1.26

 

CMYK 4 / 0 / 1 / 33

HEX #A5ABA9

RGB 165 171 169

HSL 160, 0.03%, 0.66%

LAB 69.46, -2.5, 0.28

 

CMYK 0 / 12 / 9 / 30

HEX #B39DA3

RGB 179 157 163

HSL 343.64, 0.13%, 0.66%

LAB 66.78, 9.12, -0.16

 

CMYK 42 / 0 / 35 / 16

HEX #7BD58A

RGB 123 213 138

HSL 130, 0.52%, 0.66%

LAB 78.25, -42.65, 28.88

 

CMYK 42 / 0 / 24 / 16

HEX #7BD5A2

RGB 123 213 162

HSL 146, 0.52%, 0.66%

LAB 78.7, -38.29, 16.93

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 42 / 0 / 1 / 16

HEX #7BD5D2

RGB 123 213 210

HSL 178, 0.52%, 0.66%

LAB 79.87, -27.64, -6.97

 

CMYK 42 / 10 / 0 / 16

HEX #7BC0D5

RGB 123 192 213

HSL 194, 0.52%, 0.66%

LAB 74.01, -16.32, -17.36

 

CMYK 69 / 0 / 21 / 24

HEX #3CC199

RGB 60 193 153

HSL 161.95, 0.53%, 0.5%

LAB 70.46, -45.26, 9.85

 

CMYK 55 / 0 / 17 / 20

HEX #5BCBA9

RGB 91 203 169

HSL 161.79, 0.52%, 0.58%

LAB 74.7, -40.12, 7.37

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 31 / 0 / 9 / 13

HEX #9ADFCA

RGB 154 223 202

HSL 161.74, 0.52%, 0.74%

LAB 83.92, -26.05, 3.39

 

CMYK 21 / 0 / 6 / 9

HEX #B9E9DB

RGB 185 233 219

HSL 162.5, 0.52%, 0.82%

LAB 88.78, -18.18, 1.72

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 42 / 38 / 0 / 16

HEX #7B84D5

RGB 123 132 213

HSL 234, 0.52%, 0.66%

LAB 57.58, 17.25, -42.73

 

CMYK 0 / 30 / 42 / 16

HEX #D5967B

RGB 213 150 123

HSL 18, 0.52%, 0.66%

LAB 67.57, 20.4, 23.7

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 13 / 42 / 0 / 16

HEX #BA7BD5

RGB 186 123 213

HSL 282, 0.52%, 0.66%

LAB 61.14, 40.13, -36.73

 

CMYK 0 / 13 / 42 / 16

HEX #D5BA7B

RGB 213 186 123

HSL 42, 0.52%, 0.66%

LAB 76.49, 1.08, 35.45

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 42 / 38 / 0 / 16

HEX #7B84D5

RGB 123 132 213

HSL 234, 0.52%, 0.66%

LAB 57.58, 17.25, -42.73

 

CMYK 0 / 42 / 30 / 16

HEX #D57B96

RGB 213 123 150

HSL 342, 0.52%, 0.66%

LAB 62.1, 38.17, 0.8

 

CMYK 0 / 4 / 42 / 16

HEX #D5CC7B

RGB 213 204 123

HSL 54, 0.52%, 0.66%

LAB 81.16, -8.27, 41.39

 

CMYK 42 / 0 / 13 / 16

HEX #7BD5BA

RGB 123 213 186

HSL 162, 0.52%, 0.66%

LAB 79.24, -33.26, 4.94

 

CMYK 34 / 42 / 0 / 16

HEX #8D7BD5

RGB 141 123 213

HSL 252, 0.52%, 0.66%

LAB 56.72, 27.3, -43.99

 

CMYK 0 / 42 / 30 / 16

HEX #D57B96

RGB 213 123 150

HSL 342, 0.52%, 0.66%

LAB 62.1, 38.17, 0.8

 

CMYK 8 / 0 / 42 / 16

HEX #C3D57B

RGB 195 213 123

HSL 72, 0.52%, 0.66%

LAB 82.17, -19.87, 42.37

 

Description

Color code: HEX #7BD5BA | qconv.com Color code: HEX #7BD5BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 213 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 213 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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