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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BD3EE it is the complementary color #842C11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BD3EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BD3EE shade: #80D3E9, #91E5FC, #A2F7FF, #B3FFFF and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BD3EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BD3EE shade: #7BD3EE, #6AC1DB, #59AFC8, #489DB5 and #378BA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BD3EE shade: #7CD3ED, #7CB4ED, #7C95ED, #817CED and #9F7CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BD3EE shade: #7CD3ED, #7CB4ED, #7C95ED and #7C7CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BD3EE shade matches the following richer shades: #7CD3ED and #70D9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BD3EE shade: #7CD3ED, #88CCE2, #94C6D6, #A0C0CA and #ABB9BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BD3EE shade: #7CEDCB, #7CEDEA, #7CD3ED, #7CB5ED and #7C96ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BD3EE shade: #33BAE4, #57C7E9, #7CD3ED, #A0DFF2 and #C5EBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BD3EE shade: #7BD3EE, #AD7CED and #EDDB7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BD3EE shade: #7BD3EE, #ED7CD3 and #D3ED7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BD3EE shade: #7BD3EE, #AD7CED, #ED967C and #BCED7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BD3EE shade: #7BD3EE, #CF7CED, #ED967C and #9AED7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

Complementary color

CMYK 0 / 67 / 87 / 48

HEX #842C11

RGB 132 44 17

HSL 14.09, 0.77%, 0.29%

LAB 31.22, 36.49, 35.97

 

CMYK 45 / 9 / 0 / 9

HEX #80D3E9

RGB 128 211 233

HSL 192.57, 0.7%, 0.71%

LAB 80.21, -19.6, -18.72

 

CMYK 42 / 9 / 0 / 1

HEX #91E5FC

RGB 145 229 252

HSL 192.9, 0.95%, 0.78%

LAB 86.55, -19.71, -19.15

 

CMYK 36 / 3 / 0 / 0

HEX #A2F7FF

RGB 162 247 255

HSL 185.16, 1%, 0.82%

LAB 92.32, -23.66, -11.98

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

CMYK 52 / 12 / 0 / 14

HEX #6AC1DB

RGB 106 193 219

HSL 193.81, 0.61%, 0.64%

LAB 73.75, -19.17, -21.07

 

CMYK 56 / 13 / 0 / 22

HEX #59AFC8

RGB 89 175 200

HSL 193.51, 0.5%, 0.57%

LAB 67.24, -18.84, -20.63

 

CMYK 60 / 13 / 0 / 29

HEX #489DB5

RGB 72 157 181

HSL 193.21, 0.43%, 0.5%

LAB 60.63, -18.41, -20.16

 

CMYK 66 / 14 / 0 / 36

HEX #378BA2

RGB 55 139 162

HSL 192.9, 0.49%, 0.43%

LAB 53.91, -17.8, -19.66

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 48 / 24 / 0 / 7

HEX #7CB4ED

RGB 124 180 237

HSL 210.27, 0.76%, 0.71%

LAB 71.58, -3.07, -34.1

 

CMYK 48 / 37 / 0 / 7

HEX #7C95ED

RGB 124 149 237

HSL 226.73, 0.76%, 0.71%

LAB 63.26, 14.52, -47.12

 

CMYK 46 / 48 / 0 / 7

HEX #817CED

RGB 129 124 237

HSL 242.65, 0.76%, 0.71%

LAB 57.27, 30.38, -56.61

 

CMYK 33 / 48 / 0 / 7

HEX #9F7CED

RGB 159 124 237

HSL 258.58, 0.76%, 0.71%

LAB 59.8, 37.68, -52.43

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 48 / 24 / 0 / 7

HEX #7CB4ED

RGB 124 180 237

HSL 210.27, 0.76%, 0.71%

LAB 71.58, -3.07, -34.1

 

CMYK 48 / 37 / 0 / 7

HEX #7C95ED

RGB 124 149 237

HSL 226.73, 0.76%, 0.71%

LAB 63.26, 14.52, -47.12

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CED

RGB 124 124 237

HSL 240, 0.76%, 0.71%

LAB 56.89, 29.25, -57.23

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 55 / 13 / 0 / 2

HEX #70D9F9

RGB 112 217 249

HSL 194.01, 0.92%, 0.71%

LAB 81.79, -21.7, -24.91

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 40 / 10 / 0 / 11

HEX #88CCE2

RGB 136 204 226

HSL 194.67, 0.61%, 0.71%

LAB 78.41, -15.88, -17.67

 

CMYK 31 / 7 / 0 / 16

HEX #94C6D6

RGB 148 198 214

HSL 194.55, 0.45%, 0.71%

LAB 77, -12.5, -13.26

 

CMYK 21 / 5 / 0 / 21

HEX #A0C0CA

RGB 160 192 202

HSL 194.29, 0.28%, 0.71%

LAB 75.72, -8.54, -8.6

 

CMYK 10 / 3 / 0 / 25

HEX #ABB9BE

RGB 171 185 190

HSL 195.79, 0.13%, 0.71%

LAB 74.24, -3.82, -4.19

 

CMYK 48 / 0 / 14 / 7

HEX #7CEDCB

RGB 124 237 203

HSL 161.95, 0.76%, 0.71%

LAB 86.59, -40.24, 6.55

 

CMYK 48 / 0 / 1 / 7

HEX #7CEDEA

RGB 124 237 234

HSL 178.41, 0.76%, 0.71%

LAB 87.38, -32.93, -8.53

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 48 / 24 / 0 / 7

HEX #7CB5ED

RGB 124 181 237

HSL 209.73, 0.76%, 0.71%

LAB 71.86, -3.62, -33.68

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 78 / 18 / 0 / 11

HEX #33BAE4

RGB 51 186 228

HSL 194.24, 0.77%, 0.55%

LAB 70.47, -21.56, -31.13

 

CMYK 63 / 15 / 0 / 9

HEX #57C7E9

RGB 87 199 233

HSL 193.97, 0.77%, 0.63%

LAB 75.3, -21.79, -26.34

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 34 / 8 / 0 / 5

HEX #A0DFF2

RGB 160 223 242

HSL 193.9, 0.76%, 0.79%

LAB 85.33, -15.35, -15.64

 

CMYK 20 / 5 / 0 / 3

HEX #C5EBF7

RGB 197 235 247

HSL 194.4, 0.76%, 0.87%

LAB 90.78, -9.76, -9.9

 

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CED

RGB 173 124 237

HSL 266.02, 0.76%, 0.71%

LAB 61.15, 41.32, -50.21

 

CMYK 0 / 8 / 48 / 7

HEX #EDDB7C

RGB 237 219 124

HSL 50.44, 0.76%, 0.71%

LAB 87.06, -6.21, 48.66

 

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

CMYK 0 / 48 / 11 / 7

HEX #ED7CD3

RGB 237 124 211

HSL 313.81, 0.76%, 0.71%

LAB 67.37, 54.49, -25.48

 

CMYK 11 / 0 / 48 / 7

HEX #D3ED7C

RGB 211 237 124

HSL 73.81, 0.76%, 0.71%

LAB 89.8, -25.25, 51.54

 

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

CMYK 27 / 48 / 0 / 7

HEX #AD7CED

RGB 173 124 237

HSL 266.02, 0.76%, 0.71%

LAB 61.15, 41.32, -50.21

 

CMYK 0 / 37 / 48 / 7

HEX #ED967C

RGB 237 150 124

HSL 13.81, 0.76%, 0.71%

LAB 70.37, 29.93, 27.38

 

CMYK 21 / 0 / 48 / 7

HEX #BCED7C

RGB 188 237 124

HSL 86.02, 0.76%, 0.71%

LAB 88.31, -33.82, 49.38

 

CMYK 48 / 11 / 0 / 7

HEX #7BD3EE

RGB 123 211 238

HSL 194.09, 0.77%, 0.71%

LAB 80.16, -19.41, -21.49

 

CMYK 13 / 48 / 0 / 7

HEX #CF7CED

RGB 207 124 237

HSL 284.07, 0.76%, 0.71%

LAB 64.8, 50.52, -44.19

 

CMYK 0 / 37 / 48 / 7

HEX #ED967C

RGB 237 150 124

HSL 13.81, 0.76%, 0.71%

LAB 70.37, 29.93, 27.38

 

CMYK 35 / 0 / 48 / 7

HEX #9AED7C

RGB 154 237 124

HSL 104.07, 0.76%, 0.71%

LAB 86.45, -45.52, 46.68

 

Description

Color code: HEX #7BD3EE | qconv.com Color code: HEX #7BD3EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 211 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 211 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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