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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BFF91 it is the complementary color #84006E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BFF91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BFF91 shade: #80FF8C, #91FF9F, #A2FFB2, #B3FFC5 and #C4FFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BFF91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BFF91 shade: #7BFF91, #6AED7E, #59DB6B, #48C958 and #37B745

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BFF91 shade: #7AFF90, #88FF7A, #ABFF7A, #CFFF7A and #F3FF7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BFF91 shade: #7AFF90, #7AFFB4, #7AFFD8, #7AFFFB and #7ADEFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BFF91 shade matches the following richer shades: #7AFF90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BFF91 shade: #7AFF90, #85F497, #8FE99E, #9ADEA5 and #A5D4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BFF91 shade: #ABFF7A, #87FF7A, #7AFF90, #7AFFB3 and #7AFFD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BFF91 shade: #27FF4B, #51FF6E, #7AFF90, #A3FFB2 and #CCFFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BFF91 shade: #7BFF91, #7ACEFF and #FF7A99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BFF91 shade: #7BFF91, #907AFF and #FF907A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BFF91 shade: #7BFF91, #7ACEFF, #FF7AE8 and #FFAB7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BFF91 shade: #7BFF91, #7AA6FF, #FF7AE8 and #FFD27A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

Complementary color

CMYK 0 / 100 / 17 / 48

HEX #84006E

RGB 132 0 110

HSL 310, 1%, 0.26%

LAB 29.49, 57.03, -25.47

 

CMYK 50 / 0 / 45 / 0

HEX #80FF8C

RGB 128 255 140

HSL 125.67, 1%, 0.75%

LAB 90.78, -58.27, 44.21

 

CMYK 43 / 0 / 38 / 0

HEX #91FF9F

RGB 145 255 159

HSL 127.64, 1%, 0.78%

LAB 91.7, -50.91, 36.26

 

CMYK 36 / 0 / 30 / 0

HEX #A2FFB2

RGB 162 255 178

HSL 130.32, 1%, 0.82%

LAB 92.76, -43, 28.3

 

CMYK 30 / 0 / 23 / 0

HEX #B3FFC5

RGB 179 255 197

HSL 134.21, 1%, 0.85%

LAB 93.94, -34.66, 20.41

 

CMYK 23 / 0 / 15 / 0

HEX #C4FFD8

RGB 196 255 216

HSL 140.34, 1%, 0.88%

LAB 95.25, -26.03, 12.66

 

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

CMYK 55 / 0 / 47 / 7

HEX #6AED7E

RGB 106 237 126

HSL 129.16, 0.78%, 0.67%

LAB 84.56, -58.75, 42.94

 

CMYK 59 / 0 / 51 / 14

HEX #59DB6B

RGB 89 219 107

HSL 128.31, 0.64%, 0.6%

LAB 78.37, -58.57, 44.28

 

CMYK 64 / 0 / 56 / 21

HEX #48C958

RGB 72 201 88

HSL 127.44, 0.54%, 0.54%

LAB 72.13, -58.16, 45.62

 

CMYK 70 / 0 / 62 / 28

HEX #37B745

RGB 55 183 69

HSL 126.56, 0.54%, 0.47%

LAB 65.83, -57.42, 46.9

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 47 / 0 / 52 / 0

HEX #88FF7A

RGB 136 255 122

HSL 113.68, 1%, 0.74%

LAB 90.85, -58.49, 52.81

 

CMYK 33 / 0 / 52 / 0

HEX #ABFF7A

RGB 171 255 122

HSL 97.89, 1%, 0.74%

LAB 92.39, -47.87, 55.02

 

CMYK 19 / 0 / 52 / 0

HEX #CFFF7A

RGB 207 255 122

HSL 81.65, 1%, 0.74%

LAB 94.39, -35.31, 57.89

 

CMYK 5 / 0 / 52 / 0

HEX #F3FF7A

RGB 243 255 122

HSL 65.41, 1%, 0.74%

LAB 96.81, -21.7, 61.33

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 52 / 0 / 29 / 0

HEX #7AFFB4

RGB 122 255 180

HSL 146.17, 1%, 0.74%

LAB 91.21, -53.12, 24.92

 

CMYK 52 / 0 / 15 / 0

HEX #7AFFD8

RGB 122 255 216

HSL 162.41, 1%, 0.74%

LAB 91.96, -45.73, 7.52

 

CMYK 52 / 0 / 2 / 0

HEX #7AFFFB

RGB 122 255 251

HSL 178.2, 1%, 0.74%

LAB 92.85, -37.42, -9.29

 

CMYK 52 / 13 / 0 / 0

HEX #7ADEFF

RGB 122 222 255

HSL 194.89, 1%, 0.74%

LAB 83.76, -20.53, -25.05

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 45 / 0 / 38 / 4

HEX #85F497

RGB 133 244 151

HSL 129.73, 0.83%, 0.74%

LAB 87.93, -50.89, 35.18

 

CMYK 39 / 0 / 32 / 9

HEX #8FE99E

RGB 143 233 158

HSL 130, 0.67%, 0.74%

LAB 85.29, -42.24, 28.2

 

CMYK 31 / 0 / 26 / 13

HEX #9ADEA5

RGB 154 222 165

HSL 129.71, 0.51%, 0.74%

LAB 82.82, -32.72, 21.3

 

CMYK 22 / 0 / 18 / 17

HEX #A5D4AD

RGB 165 212 173

HSL 130.21, 0.35%, 0.74%

LAB 80.8, -22.95, 14.37

 

CMYK 33 / 0 / 52 / 0

HEX #ABFF7A

RGB 171 255 122

HSL 97.89, 1%, 0.74%

LAB 92.39, -47.87, 55.02

 

CMYK 47 / 0 / 52 / 0

HEX #87FF7A

RGB 135 255 122

HSL 114.14, 1%, 0.74%

LAB 90.81, -58.77, 52.75

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 52 / 0 / 30 / 0

HEX #7AFFB3

RGB 122 255 179

HSL 145.71, 1%, 0.74%

LAB 91.19, -53.31, 25.4

 

CMYK 52 / 0 / 16 / 0

HEX #7AFFD7

RGB 122 255 215

HSL 161.95, 1%, 0.74%

LAB 91.94, -45.95, 8

 

CMYK 85 / 0 / 71 / 0

HEX #27FF4B

RGB 39 255 75

HSL 130, 1%, 0.58%

LAB 88.19, -81.18, 68.57

 

CMYK 68 / 0 / 57 / 0

HEX #51FF6E

RGB 81 255 110

HSL 130, 1%, 0.66%

LAB 89.11, -72.31, 55.73

 

CMYK 52 / 0 / 44 / 0

HEX #7AFF90

RGB 122 255 144

HSL 129.92, 1%, 0.74%

LAB 90.63, -59.18, 42.05

 

CMYK 36 / 0 / 30 / 0

HEX #A3FFB2

RGB 163 255 178

HSL 129.78, 1%, 0.82%

LAB 92.8, -42.7, 28.37

 

CMYK 20 / 0 / 16 / 0

HEX #CCFFD5

RGB 204 255 213

HSL 130.59, 1%, 0.9%

LAB 95.65, -24.03, 14.83

 

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

CMYK 52 / 19 / 0 / 0

HEX #7ACEFF

RGB 122 206 255

HSL 202.11, 1%, 0.74%

LAB 79.33, -12.32, -31.83

 

CMYK 0 / 52 / 40 / 0

HEX #FF7A99

RGB 255 122 153

HSL 346.02, 1%, 0.74%

LAB 67.63, 53.49, 7.81

 

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

CMYK 44 / 52 / 0 / 0

HEX #907AFF

RGB 144 122 255

HSL 249.92, 1%, 0.74%

LAB 59.04, 40.03, -63.67

 

CMYK 0 / 44 / 52 / 0

HEX #FF907A

RGB 255 144 122

HSL 9.92, 1%, 0.74%

LAB 71.29, 39.71, 30.1

 

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

CMYK 52 / 19 / 0 / 0

HEX #7ACEFF

RGB 122 206 255

HSL 202.11, 1%, 0.74%

LAB 79.33, -12.32, -31.83

 

CMYK 0 / 52 / 9 / 0

HEX #FF7AE8

RGB 255 122 232

HSL 310.38, 1%, 0.74%

LAB 70.18, 63.94, -32.6

 

CMYK 0 / 33 / 52 / 0

HEX #FFAB7A

RGB 255 171 122

HSL 22.11, 1%, 0.74%

LAB 77.16, 25.75, 37.69

 

CMYK 52 / 0 / 43 / 0

HEX #7BFF91

RGB 123 255 145

HSL 130, 1%, 0.74%

LAB 90.68, -58.79, 41.63

 

CMYK 52 / 35 / 0 / 0

HEX #7AA6FF

RGB 122 166 255

HSL 220.15, 1%, 0.74%

LAB 68.48, 9.65, -48.73

 

CMYK 0 / 52 / 9 / 0

HEX #FF7AE8

RGB 255 122 232

HSL 310.38, 1%, 0.74%

LAB 70.18, 63.94, -32.6

 

CMYK 0 / 18 / 52 / 0

HEX #FFD27A

RGB 255 210 122

HSL 39.7, 1%, 0.74%

LAB 86.38, 5.44, 49.17

 

Description

Color code: HEX #7BFF91 | qconv.com Color code: HEX #7BFF91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 255 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 255 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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