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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C2576 it is the complementary color #83DA89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C2576. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C2576 shade: #812571, #923784, #A34997, #B45BAA and #C56DBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C2576. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C2576 shade: #7C2576, #6B1363, #5A0150, #49003D and #38002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C2576 shade: #7D2577, #7D255F, #7D2548, #7D2530 and #7D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C2576 shade: #7D2577, #6B257D, #54257D, #3C257D and #25257D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C2576 shade matches the following richer shades: #7D2577, #8A1882 and #980B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C2576 shade: #7D2577, #70326C, #633F60, #564D55 and #485A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C2576 shade: #54257D, #6C257D, #7D2577, #7D2560 and #7D2548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C2576 shade: #3E123B, #5D1C59, #7D2577, #9D2F95 and #BD38B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C2576 shade: #7C2576, #7D3D25 and #257D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C2576 shade: #7C2576, #777D25 and #25777D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C2576 shade: #7C2576, #7D3D25, #257D2B and #25667D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C2576 shade: #7C2576, #7D5725, #257D2B and #254B7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

Complementary color

CMYK 40 / 0 / 37 / 15

HEX #83DA89

RGB 131 218 137

HSL 124.14, 0.54%, 0.68%

LAB 80.05, -42.64, 31.85

 

CMYK 0 / 71 / 12 / 49

HEX #812571

RGB 129 37 113

HSL 310.43, 0.55%, 0.33%

LAB 32.22, 47.75, -23.15

 

CMYK 0 / 62 / 10 / 43

HEX #923784

RGB 146 55 132

HSL 309.23, 0.45%, 0.39%

LAB 38.74, 47.87, -24.63

 

CMYK 0 / 55 / 7 / 36

HEX #A34997

RGB 163 73 151

HSL 308, 0.38%, 0.46%

LAB 45.34, 47.51, -25.7

 

CMYK 0 / 49 / 6 / 29

HEX #B45BAA

RGB 180 91 170

HSL 306.74, 0.37%, 0.53%

LAB 51.94, 46.92, -26.51

 

CMYK 0 / 45 / 4 / 23

HEX #C56DBD

RGB 197 109 189

HSL 305.45, 0.43%, 0.6%

LAB 58.49, 46.22, -27.16

 

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

CMYK 0 / 82 / 7 / 58

HEX #6B1363

RGB 107 19 99

HSL 305.45, 0.7%, 0.25%

LAB 25.24, 46.27, -25.38

 

CMYK 0 / 99 / 11 / 65

HEX #5A0150

RGB 90 1 80

HSL 306.74, 0.98%, 0.18%

LAB 19.12, 44.06, -22.61

 

CMYK 0 / 100 / 16 / 71

HEX #49003D

RGB 73 0 61

HSL 309.86, 1%, 0.14%

LAB 14.14, 37.86, -17.52

 

CMYK 0 / 100 / 25 / 78

HEX #38002A

RGB 56 0 42

HSL 315, 1%, 0.11%

LAB 9.06, 31.15, -11.9

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 0 / 70 / 24 / 51

HEX #7D255F

RGB 125 37 95

HSL 320.45, 0.54%, 0.32%

LAB 30.66, 43.88, -14.07

 

CMYK 0 / 70 / 42 / 51

HEX #7D2548

RGB 125 37 72

HSL 336.14, 0.54%, 0.32%

LAB 29.79, 40.92, -0.31

 

CMYK 0 / 70 / 62 / 51

HEX #7D2530

RGB 125 37 48

HSL 352.5, 0.54%, 0.32%

LAB 29.15, 38.66, 14.71

 

CMYK 0 / 70 / 70 / 51

HEX #7D2525

RGB 125 37 37

HSL 0, 0.54%, 0.32%

LAB 28.95, 37.93, 21.61

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 14 / 70 / 0 / 51

HEX #6B257D

RGB 107 37 125

HSL 287.73, 0.54%, 0.32%

LAB 29.23, 44.38, -35.69

 

CMYK 33 / 70 / 0 / 51

HEX #54257D

RGB 84 37 125

HSL 272.05, 0.54%, 0.32%

LAB 25.83, 39, -41.35

 

CMYK 52 / 70 / 0 / 51

HEX #3C257D

RGB 60 37 125

HSL 255.68, 0.54%, 0.32%

LAB 22.88, 33.99, -46.28

 

CMYK 70 / 70 / 0 / 51

HEX #25257D

RGB 37 37 125

HSL 240, 0.54%, 0.32%

LAB 20.82, 30.22, -49.73

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 0 / 83 / 6 / 46

HEX #8A1882

RGB 138 24 130

HSL 304.21, 0.7%, 0.32%

LAB 33.28, 56.8, -32.06

 

CMYK 0 / 93 / 7 / 40

HEX #980B8E

RGB 152 11 142

HSL 304.26, 0.87%, 0.32%

LAB 35.73, 63.9, -35.46

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 0 / 55 / 4 / 56

HEX #70326C

RGB 112 50 108

HSL 303.87, 0.38%, 0.32%

LAB 31.37, 35.97, -21.5

 

CMYK 0 / 36 / 3 / 61

HEX #633F60

RGB 99 63 96

HSL 305, 0.22%, 0.32%

LAB 31.93, 21.61, -13.13

 

CMYK 0 / 10 / 1 / 66

HEX #564D55

RGB 86 77 85

HSL 306.67, 0.06%, 0.32%

LAB 33.86, 5.39, -3.35

 

CMYK 20 / 0 / 18 / 65

HEX #485A4A

RGB 72 90 74

HSL 126.67, 0.11%, 0.32%

LAB 36.34, -10.52, 6.99

 

CMYK 33 / 70 / 0 / 51

HEX #54257D

RGB 84 37 125

HSL 272.05, 0.54%, 0.32%

LAB 25.83, 39, -41.35

 

CMYK 14 / 70 / 0 / 51

HEX #6C257D

RGB 108 37 125

HSL 288.41, 0.54%, 0.32%

LAB 29.39, 44.62, -35.43

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 0 / 70 / 23 / 51

HEX #7D2560

RGB 125 37 96

HSL 319.77, 0.54%, 0.32%

LAB 30.71, 44.03, -14.65

 

CMYK 0 / 70 / 42 / 51

HEX #7D2548

RGB 125 37 72

HSL 336.14, 0.54%, 0.32%

LAB 29.79, 40.92, -0.31

 

CMYK 0 / 71 / 5 / 76

HEX #3E123B

RGB 62 18 59

HSL 304.09, 0.55%, 0.16%

LAB 14.25, 27.51, -16.08

 

CMYK 0 / 70 / 4 / 64

HEX #5D1C59

RGB 93 28 89

HSL 303.69, 0.54%, 0.24%

LAB 23.27, 37.63, -22.06

 

CMYK 0 / 70 / 5 / 51

HEX #7D2577

RGB 125 37 119

HSL 304.09, 0.54%, 0.32%

LAB 31.84, 47.71, -27.59

 

CMYK 0 / 70 / 5 / 38

HEX #9D2F95

RGB 157 47 149

HSL 304.36, 0.54%, 0.4%

LAB 40.2, 56.87, -32.6

 

CMYK 0 / 70 / 5 / 26

HEX #BD38B4

RGB 189 56 180

HSL 304.06, 0.54%, 0.48%

LAB 48.19, 66.16, -38.13

 

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

CMYK 0 / 51 / 70 / 51

HEX #7D3D25

RGB 125 61 37

HSL 16.36, 0.54%, 0.32%

LAB 33.63, 25.69, 27.17

 

CMYK 70 / 0 / 23 / 51

HEX #257D60

RGB 37 125 96

HSL 160.23, 0.54%, 0.32%

LAB 46.85, -33.24, 8.39

 

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

CMYK 5 / 0 / 70 / 51

HEX #777D25

RGB 119 125 37

HSL 64.09, 0.54%, 0.32%

LAB 50.36, -14.2, 44.97

 

CMYK 70 / 5 / 0 / 51

HEX #25777D

RGB 37 119 125

HSL 184.09, 0.54%, 0.32%

LAB 45.73, -21.95, -10.45

 

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

CMYK 0 / 51 / 70 / 51

HEX #7D3D25

RGB 125 61 37

HSL 16.36, 0.54%, 0.32%

LAB 33.63, 25.69, 27.17

 

CMYK 70 / 0 / 66 / 51

HEX #257D2B

RGB 37 125 43

HSL 124.09, 0.54%, 0.32%

LAB 45.95, -43.16, 36.28

 

CMYK 70 / 18 / 0 / 51

HEX #25667D

RGB 37 102 125

HSL 195.68, 0.54%, 0.32%

LAB 40.21, -12.57, -18.85

 

CMYK 0 / 70 / 5 / 51

HEX #7C2576

RGB 124 37 118

HSL 304.14, 0.54%, 0.32%

LAB 31.62, 47.28, -27.32

 

CMYK 0 / 30 / 70 / 51

HEX #7D5725

RGB 125 87 37

HSL 34.09, 0.54%, 0.32%

LAB 40.1, 10.42, 34.42

 

CMYK 70 / 0 / 66 / 51

HEX #257D2B

RGB 37 125 43

HSL 124.09, 0.54%, 0.32%

LAB 45.95, -43.16, 36.28

 

CMYK 70 / 40 / 0 / 51

HEX #254B7D

RGB 37 75 125

HSL 214.09, 0.54%, 0.32%

LAB 31.59, 4.25, -32.33

 

Description

Color code: HEX #7C2576 | qconv.com Color code: HEX #7C2576 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 37 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 37 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 5 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 5% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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