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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C485B it is the complementary color #83B7A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C485B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C485B shade: #814856, #925A69, #A36C7C, #B47E8F and #C590A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C485B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C485B shade: #7C485B, #6B3648, #5A2435, #491222 and #38000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C485B shade: #7B4659, #7B464B and #7B4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C485B shade: #7B4659, #7B4667, #7B4676, #71467B and #63467B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C485B shade matches the following richer shades: #7B4659, #8A3755, #9A2751, #AA174D and #B90848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C485B shade: #7B4659, #6B565E, #5B6662, #4C7566 and #3C856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C485B shade: #7B4675, #7B4667, #7B4659, #7B464B and #7B4F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C485B shade: #462833, #603746, #7B4659, #95556C and #A96A81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C485B shade: #7C485B, #7B7246 and #466E7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C485B shade: #7C485B, #597B46 and #46597B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C485B shade: #7C485B, #7B7246, #467B67 and #464F7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C485B shade: #7C485B, #747B46, #467B67 and #4D467B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

Complementary color

CMYK 28 / 0 / 10 / 28

HEX #83B7A4

RGB 131 183 164

HSL 158.08, 0.27%, 0.62%

LAB 70.44, -21.17, 4.17

 

CMYK 0 / 44 / 33 / 49

HEX #814856

RGB 129 72 86

HSL 345.26, 0.28%, 0.39%

LAB 37.8, 26.07, 2.39

 

CMYK 0 / 38 / 28 / 43

HEX #925A69

RGB 146 90 105

HSL 343.93, 0.24%, 0.46%

LAB 44.86, 25.11, 1.18

 

CMYK 0 / 34 / 24 / 36

HEX #A36C7C

RGB 163 108 124

HSL 342.55, 0.23%, 0.53%

LAB 51.8, 24.25, 0.16

 

CMYK 0 / 30 / 21 / 29

HEX #B47E8F

RGB 180 126 143

HSL 341.11, 0.26%, 0.6%

LAB 58.61, 23.47, -0.74

 

CMYK 0 / 27 / 18 / 23

HEX #C590A2

RGB 197 144 162

HSL 339.62, 0.31%, 0.67%

LAB 65.3, 22.77, -1.55

 

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

CMYK 0 / 50 / 33 / 58

HEX #6B3648

RGB 107 54 72

HSL 339.62, 0.33%, 0.32%

LAB 29.99, 25.82, -0.38

 

CMYK 0 / 60 / 41 / 65

HEX #5A2435

RGB 90 36 53

HSL 341.11, 0.43%, 0.25%

LAB 22.63, 26.78, 1.29

 

CMYK 0 / 75 / 53 / 71

HEX #491222

RGB 73 18 34

HSL 342.55, 0.6%, 0.18%

LAB 15.3, 27.42, 3.77

 

CMYK 0 / 100 / 73 / 78

HEX #38000F

RGB 56 0 15

HSL 343.93, 1%, 0.11%

LAB 7.91, 28.15, 6.04

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 43 / 39 / 52

HEX #7B464B

RGB 123 70 75

HSL 354.34, 0.27%, 0.38%

LAB 36.17, 23.33, 6.89

 

CMYK 0 / 43 / 43 / 52

HEX #7B4646

RGB 123 70 70

HSL 0, 0.27%, 0.38%

LAB 36.05, 22.69, 9.87

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 43 / 16 / 52

HEX #7B4667

RGB 123 70 103

HSL 322.64, 0.27%, 0.38%

LAB 37.06, 27.62, -9.47

 

CMYK 0 / 43 / 4 / 52

HEX #7B4676

RGB 123 70 118

HSL 305.66, 0.27%, 0.38%

LAB 37.66, 30.4, -17.92

 

CMYK 8 / 43 / 0 / 52

HEX #71467B

RGB 113 70 123

HSL 288.68, 0.27%, 0.38%

LAB 36.6, 28.08, -22.77

 

CMYK 20 / 43 / 0 / 52

HEX #63467B

RGB 99 70 123

HSL 272.83, 0.27%, 0.38%

LAB 34.93, 23.48, -25.5

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 60 / 38 / 46

HEX #8A3755

RGB 138 55 85

HSL 338.31, 0.43%, 0.38%

LAB 35.58, 38.47, -0.02

 

CMYK 0 / 75 / 47 / 40

HEX #9A2751

RGB 154 39 81

HSL 338.09, 0.6%, 0.38%

LAB 35.82, 50.03, 3.25

 

CMYK 0 / 86 / 55 / 33

HEX #AA174D

RGB 170 23 77

HSL 337.96, 0.76%, 0.38%

LAB 37.29, 58.62, 8.35

 

CMYK 0 / 96 / 61 / 27

HEX #B90848

RGB 185 8 72

HSL 338.31, 0.92%, 0.38%

LAB 39.51, 64.28, 15.11

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 20 / 12 / 58

HEX #6B565E

RGB 107 86 94

HSL 337.14, 0.11%, 0.38%

LAB 38.88, 10.11, -1.35

 

CMYK 11 / 0 / 4 / 60

HEX #5B6662

RGB 91 102 98

HSL 158.18, 0.06%, 0.38%

LAB 42.17, -5.08, 0.82

 

CMYK 35 / 0 / 13 / 54

HEX #4C7566

RGB 76 117 102

HSL 158.05, 0.21%, 0.38%

LAB 45.93, -17.94, 3.74

 

CMYK 55 / 0 / 20 / 48

HEX #3C856A

RGB 60 133 106

HSL 157.81, 0.38%, 0.38%

LAB 50.42, -29.67, 7.72

 

CMYK 0 / 43 / 5 / 52

HEX #7B4675

RGB 123 70 117

HSL 306.79, 0.27%, 0.38%

LAB 37.62, 30.21, -17.36

 

CMYK 0 / 43 / 16 / 52

HEX #7B4667

RGB 123 70 103

HSL 322.64, 0.27%, 0.38%

LAB 37.06, 27.62, -9.47

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 43 / 39 / 52

HEX #7B464B

RGB 123 70 75

HSL 354.34, 0.27%, 0.38%

LAB 36.17, 23.33, 6.89

 

CMYK 0 / 36 / 43 / 52

HEX #7B4F46

RGB 123 79 70

HSL 10.19, 0.27%, 0.38%

LAB 38.28, 17.36, 12.95

 

CMYK 0 / 43 / 27 / 73

HEX #462833

RGB 70 40 51

HSL 338, 0.27%, 0.22%

LAB 20.28, 15.82, -1.15

 

CMYK 0 / 43 / 27 / 62

HEX #603746

RGB 96 55 70

HSL 338.05, 0.27%, 0.3%

LAB 28.54, 20.5, -1.38

 

CMYK 0 / 43 / 28 / 52

HEX #7B4659

RGB 123 70 89

HSL 338.49, 0.27%, 0.38%

LAB 36.58, 25.32, -1.37

 

CMYK 0 / 43 / 28 / 42

HEX #95556C

RGB 149 85 108

HSL 338.44, 0.27%, 0.46%

LAB 44.19, 29.54, -1.58

 

CMYK 0 / 37 / 24 / 34

HEX #A96A81

RGB 169 106 129

HSL 338.1, 0.27%, 0.54%

LAB 52.21, 28.4, -2.12

 

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

CMYK 0 / 7 / 43 / 52

HEX #7B7246

RGB 123 114 70

HSL 49.81, 0.27%, 0.38%

LAB 47.86, -3.34, 25.62

 

CMYK 43 / 11 / 0 / 52

HEX #466E7B

RGB 70 110 123

HSL 194.72, 0.27%, 0.38%

LAB 44.07, -10.34, -11.63

 

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

CMYK 28 / 0 / 43 / 52

HEX #597B46

RGB 89 123 70

HSL 98.49, 0.27%, 0.38%

LAB 47.92, -22.56, 25.15

 

CMYK 43 / 28 / 0 / 52

HEX #46597B

RGB 70 89 123

HSL 218.49, 0.27%, 0.38%

LAB 37.62, 2.32, -21.5

 

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

CMYK 0 / 7 / 43 / 52

HEX #7B7246

RGB 123 114 70

HSL 49.81, 0.27%, 0.38%

LAB 47.86, -3.34, 25.62

 

CMYK 43 / 0 / 16 / 52

HEX #467B67

RGB 70 123 103

HSL 157.36, 0.27%, 0.38%

LAB 47.56, -22.72, 5.44

 

CMYK 43 / 36 / 0 / 52

HEX #464F7B

RGB 70 79 123

HSL 229.81, 0.27%, 0.38%

LAB 34.65, 8.71, -26.13

 

CMYK 0 / 42 / 27 / 51

HEX #7C485B

RGB 124 72 91

HSL 338.08, 0.27%, 0.38%

LAB 37.25, 24.85, -1.63

 

CMYK 6 / 0 / 43 / 52

HEX #747B46

RGB 116 123 70

HSL 67.92, 0.27%, 0.38%

LAB 49.88, -11.45, 28.05

 

CMYK 43 / 0 / 16 / 52

HEX #467B67

RGB 70 123 103

HSL 157.36, 0.27%, 0.38%

LAB 47.56, -22.72, 5.44

 

CMYK 37 / 43 / 0 / 52

HEX #4D467B

RGB 77 70 123

HSL 247.92, 0.27%, 0.38%

LAB 32.67, 16.61, -29.2

 

Description

Color code: HEX #7C485B | qconv.com Color code: HEX #7C485B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 72 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 72 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 27 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 27% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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