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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C4050 it is the complementary color #83BFAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C4050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C4050 shade: #81404B, #92525E, #A36471, #B47684 and #C58897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C4050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C4050 shade: #7C4050, #6B2E3D, #5A1C2A, #490A17 and #380004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C4050 shade: #7C4050 and #7C4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C4050 shade: #7C4050, #7C4060, #7C4070, #77407C and #67407C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C4050 shade matches the following richer shades: #7C4050, #8B3049, #9B2142, #AA123A and #B90333

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C4050 shade: #7C4050, #6D4F57, #5E5E5E, #4E6D65 and #3F7D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C4050 shade: #7C4070, #7C4060, #7C4050, #7C4040 and #7C5040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C4050 shade: #46242D, #61323E, #7C4050, #974E61 and #AD6175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C4050 shade: #7C4050, #7C7840 and #40687C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C4050 shade: #7C4050, #507C40 and #40507C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C4050 shade: #7C4050, #7C7840, #407C6C and #40447C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C4050 shade: #7C4050, #6E7C40, #407C6C and #4E407C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

Complementary color

CMYK 31 / 0 / 8 / 25

HEX #83BFAF

RGB 131 191 175

HSL 164, 0.32%, 0.63%

LAB 73.01, -22.82, 1.9

 

CMYK 0 / 50 / 42 / 49

HEX #81404B

RGB 129 64 75

HSL 349.85, 0.34%, 0.38%

LAB 35.68, 29.17, 6.31

 

CMYK 0 / 44 / 36 / 43

HEX #92525E

RGB 146 82 94

HSL 348.75, 0.28%, 0.45%

LAB 42.69, 28.12, 4.78

 

CMYK 0 / 39 / 31 / 36

HEX #A36471

RGB 163 100 113

HSL 347.62, 0.26%, 0.52%

LAB 49.61, 27.16, 3.51

 

CMYK 0 / 34 / 27 / 29

HEX #B47684

RGB 180 118 132

HSL 346.45, 0.29%, 0.58%

LAB 56.41, 26.27, 2.43

 

CMYK 0 / 31 / 23 / 23

HEX #C58897

RGB 197 136 151

HSL 345.25, 0.34%, 0.65%

LAB 63.1, 25.48, 1.47

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 57 / 43 / 58

HEX #6B2E3D

RGB 107 46 61

HSL 345.25, 0.4%, 0.3%

LAB 27.89, 28.86, 3.84

 

CMYK 0 / 69 / 53 / 65

HEX #5A1C2A

RGB 90 28 42

HSL 346.45, 0.53%, 0.23%

LAB 20.72, 29.7, 6.19

 

CMYK 0 / 86 / 68 / 71

HEX #490A17

RGB 73 10 23

HSL 347.62, 0.76%, 0.16%

LAB 13.8, 29.76, 9.79

 

CMYK 0 / 100 / 93 / 78

HEX #380004

RGB 56 0 4

HSL 355.71, 1%, 0.11%

LAB 7.67, 27.5, 10.49

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 48 / 48 / 51

HEX #7C4040

RGB 124 64 64

HSL 0, 0.32%, 0.37%

LAB 34.64, 25.89, 11.75

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 48 / 23 / 51

HEX #7C4060

RGB 124 64 96

HSL 328, 0.32%, 0.37%

LAB 35.59, 30.24, -7.26

 

CMYK 0 / 48 / 10 / 51

HEX #7C4070

RGB 124 64 112

HSL 312, 0.32%, 0.37%

LAB 36.22, 33, -16.38

 

CMYK 4 / 48 / 0 / 51

HEX #77407C

RGB 119 64 124

HSL 295, 0.32%, 0.37%

LAB 36.07, 33.7, -24.15

 

CMYK 17 / 48 / 0 / 51

HEX #67407C

RGB 103 64 124

HSL 279, 0.32%, 0.37%

LAB 33.99, 28.65, -27.55

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 65 / 47 / 45

HEX #8B3049

RGB 139 48 73

HSL 343.52, 0.49%, 0.37%

LAB 34.16, 40.81, 5.66

 

CMYK 0 / 79 / 57 / 39

HEX #9B2142

RGB 155 33 66

HSL 343.77, 0.65%, 0.37%

LAB 34.9, 51.06, 11.69

 

CMYK 0 / 89 / 66 / 33

HEX #AA123A

RGB 170 18 58

HSL 344.21, 0.81%, 0.37%

LAB 36.53, 58.36, 19.57

 

CMYK 0 / 98 / 72 / 27

HEX #B90333

RGB 185 3 51

HSL 344.18, 0.97%, 0.37%

LAB 38.93, 63.75, 27.71

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 28 / 20 / 57

HEX #6D4F57

RGB 109 79 87

HSL 344, 0.16%, 0.37%

LAB 36.99, 13.95, 0.27

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 28 / 0 / 7 / 57

HEX #4E6D65

RGB 78 109 101

HSL 164.52, 0.17%, 0.37%

LAB 43.5, -13.11, 0.84

 

CMYK 50 / 0 / 14 / 51

HEX #3F7D6C

RGB 63 125 108

HSL 163.55, 0.33%, 0.37%

LAB 48.02, -24.47, 3.11

 

CMYK 0 / 48 / 10 / 51

HEX #7C4070

RGB 124 64 112

HSL 312, 0.32%, 0.37%

LAB 36.22, 33, -16.38

 

CMYK 0 / 48 / 23 / 51

HEX #7C4060

RGB 124 64 96

HSL 328, 0.32%, 0.37%

LAB 35.59, 30.24, -7.26

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 48 / 48 / 51

HEX #7C4040

RGB 124 64 64

HSL 0, 0.32%, 0.37%

LAB 34.64, 25.89, 11.75

 

CMYK 0 / 35 / 48 / 51

HEX #7C5040

RGB 124 80 64

HSL 16, 0.32%, 0.37%

LAB 38.54, 16.49, 17.01

 

CMYK 0 / 49 / 36 / 73

HEX #46242D

RGB 70 36 45

HSL 344.12, 0.32%, 0.21%

LAB 19.03, 17.41, 1.2

 

CMYK 0 / 48 / 36 / 62

HEX #61323E

RGB 97 50 62

HSL 344.68, 0.32%, 0.29%

LAB 27.21, 22.71, 1.99

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 48 / 36 / 41

HEX #974E61

RGB 151 78 97

HSL 344.38, 0.32%, 0.45%

LAB 42.6, 32.65, 2.89

 

CMYK 0 / 44 / 32 / 32

HEX #AD6175

RGB 173 97 117

HSL 344.21, 0.32%, 0.53%

LAB 50.36, 33.14, 2.37

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 3 / 48 / 51

HEX #7C7840

RGB 124 120 64

HSL 56, 0.32%, 0.37%

LAB 49.6, -6.96, 31.12

 

CMYK 48 / 16 / 0 / 51

HEX #40687C

RGB 64 104 124

HSL 200, 0.32%, 0.37%

LAB 41.92, -8.19, -15.53

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 35 / 0 / 48 / 51

HEX #507C40

RGB 80 124 64

HSL 104, 0.32%, 0.37%

LAB 47.61, -27.31, 27.95

 

CMYK 48 / 35 / 0 / 51

HEX #40507C

RGB 64 80 124

HSL 224, 0.32%, 0.37%

LAB 34.56, 6.7, -26.91

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 0 / 3 / 48 / 51

HEX #7C7840

RGB 124 120 64

HSL 56, 0.32%, 0.37%

LAB 49.6, -6.96, 31.12

 

CMYK 48 / 0 / 13 / 51

HEX #407C6C

RGB 64 124 108

HSL 164, 0.32%, 0.37%

LAB 47.74, -23.69, 2.72

 

CMYK 48 / 45 / 0 / 51

HEX #40447C

RGB 64 68 124

HSL 236, 0.32%, 0.37%

LAB 31.07, 14.59, -32.44

 

CMYK 0 / 48 / 35 / 51

HEX #7C4050

RGB 124 64 80

HSL 344, 0.32%, 0.37%

LAB 35.07, 27.86, 2.15

 

CMYK 11 / 0 / 48 / 51

HEX #6E7C40

RGB 110 124 64

HSL 74, 0.32%, 0.37%

LAB 49.62, -15.28, 30.87

 

CMYK 48 / 0 / 13 / 51

HEX #407C6C

RGB 64 124 108

HSL 164, 0.32%, 0.37%

LAB 47.74, -23.69, 2.72

 

CMYK 37 / 48 / 0 / 51

HEX #4E407C

RGB 78 64 124

HSL 254, 0.32%, 0.37%

LAB 31.21, 21.09, -32.13

 

Description

Color code: HEX #7C4050 | qconv.com Color code: HEX #7C4050 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 64 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 64 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 35 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 35% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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