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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C41A4 it is the complementary color #83BE5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C41A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C41A4 shade: #81419F, #9253B2, #A365C5, #B477D8 and #C589EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C41A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C41A4 shade: #7C41A4, #6B2F91, #5A1D7E, #490B6B and #380058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C41A4 shade: #7C41A4, #9641A4, #A44196, #A4417C and #A44161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C41A4 shade: #7C41A4, #6141A4, #4641A4 and #4141A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C41A4 shade matches the following richer shades: #7C41A4, #7F2EB6, #831CC9 and #8609DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C41A4 shade: #7C41A4, #785391, #75667E, #71796C and #6D8B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C41A4 shade: #4641A4, #6041A4, #7A41A4, #9541A4 and #A44198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C41A4 shade: #4F2969, #653586, #7C41A4, #9153BA and #A471C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C41A4 shade: #7C41A4, #A44156 and #41A453

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C41A4 shade: #7C41A4, #A47A41 and #41A47A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C41A4 shade: #7C41A4, #A44156, #6AA441 and #41A48E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C41A4 shade: #7C41A4, #A44941, #6AA441 and #419BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

Complementary color

CMYK 31 / 0 / 52 / 25

HEX #83BE5B

RGB 131 190 91

HSL 95.76, 0.43%, 0.55%

LAB 71.15, -36.5, 43.59

 

CMYK 19 / 59 / 0 / 38

HEX #81419F

RGB 129 65 159

HSL 280.85, 0.42%, 0.44%

LAB 39.5, 43.61, -40.01

 

CMYK 18 / 53 / 0 / 30

HEX #9253B2

RGB 146 83 178

HSL 279.79, 0.38%, 0.51%

LAB 46.33, 42.85, -40.29

 

CMYK 17 / 49 / 0 / 23

HEX #A365C5

RGB 163 101 197

HSL 278.75, 0.45%, 0.58%

LAB 53.09, 42.03, -40.48

 

CMYK 17 / 45 / 0 / 15

HEX #B477D8

RGB 180 119 216

HSL 277.73, 0.55%, 0.66%

LAB 59.76, 41.2, -40.63

 

CMYK 16 / 42 / 0 / 8

HEX #C589EB

RGB 197 137 235

HSL 276.73, 0.71%, 0.73%

LAB 66.34, 40.4, -40.76

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 26 / 68 / 0 / 43

HEX #6B2F91

RGB 107 47 145

HSL 276.73, 0.51%, 0.38%

LAB 32.27, 44.12, -43.26

 

CMYK 29 / 77 / 0 / 51

HEX #5A1D7E

RGB 90 29 126

HSL 277.73, 0.63%, 0.3%

LAB 25.44, 44.29, -42.57

 

CMYK 32 / 90 / 0 / 58

HEX #490B6B

RGB 73 11 107

HSL 278.75, 0.81%, 0.23%

LAB 18.87, 43.32, -41.16

 

CMYK 36 / 100 / 0 / 65

HEX #380058

RGB 56 0 88

HSL 278.18, 1%, 0.17%

LAB 12.89, 40.08, -38.43

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 9 / 60 / 0 / 36

HEX #9641A4

RGB 150 65 164

HSL 291.52, 0.43%, 0.45%

LAB 42.68, 50.15, -37.77

 

CMYK 0 / 60 / 9 / 36

HEX #A44196

RGB 164 65 150

HSL 308.48, 0.43%, 0.45%

LAB 44.05, 51.39, -27.09

 

CMYK 0 / 60 / 24 / 36

HEX #A4417C

RGB 164 65 124

HSL 324.24, 0.43%, 0.45%

LAB 42.96, 47.37, -12.99

 

CMYK 0 / 60 / 41 / 36

HEX #A44161

RGB 164 65 97

HSL 340.61, 0.43%, 0.45%

LAB 42.06, 43.94, 2.36

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 41 / 60 / 0 / 36

HEX #6141A4

RGB 97 65 164

HSL 259.39, 0.43%, 0.45%

LAB 35.99, 36.92, -48.85

 

CMYK 57 / 60 / 0 / 36

HEX #4641A4

RGB 70 65 164

HSL 243.03, 0.43%, 0.45%

LAB 33.48, 31.23, -53.02

 

CMYK 60 / 60 / 0 / 36

HEX #4141A4

RGB 65 65 164

HSL 240, 0.43%, 0.45%

LAB 33.1, 30.31, -53.66

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 30 / 75 / 0 / 29

HEX #7F2EB6

RGB 127 46 182

HSL 275.74, 0.6%, 0.45%

LAB 37.56, 57.19, -56.85

 

CMYK 35 / 86 / 0 / 21

HEX #831CC9

RGB 131 28 201

HSL 275.72, 0.76%, 0.45%

LAB 37.61, 67.87, -67.89

 

CMYK 39 / 96 / 0 / 14

HEX #8609DB

RGB 134 9 219

HSL 275.71, 0.92%, 0.45%

LAB 38.51, 75.32, -76.82

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 17 / 43 / 0 / 43

HEX #785391

RGB 120 83 145

HSL 275.81, 0.27%, 0.45%

LAB 41.57, 27.64, -28.39

 

CMYK 7 / 19 / 0 / 51

HEX #75667E

RGB 117 102 126

HSL 277.5, 0.11%, 0.45%

LAB 45.35, 10.81, -11.16

 

CMYK 7 / 0 / 11 / 53

HEX #71796C

RGB 113 121 108

HSL 96.92, 0.06%, 0.45%

LAB 49.82, -5.61, 6.1

 

CMYK 22 / 0 / 36 / 45

HEX #6D8B59

RGB 109 139 89

HSL 96, 0.22%, 0.45%

LAB 54.49, -20.24, 23.38

 

CMYK 57 / 60 / 0 / 36

HEX #4641A4

RGB 70 65 164

HSL 243.03, 0.43%, 0.45%

LAB 33.48, 31.23, -53.02

 

CMYK 41 / 60 / 0 / 36

HEX #6041A4

RGB 96 65 164

HSL 258.79, 0.43%, 0.45%

LAB 35.88, 36.69, -49.02

 

CMYK 26 / 60 / 0 / 36

HEX #7A41A4

RGB 122 65 164

HSL 274.55, 0.43%, 0.45%

LAB 38.9, 42.96, -44.02

 

CMYK 9 / 60 / 0 / 36

HEX #9541A4

RGB 149 65 164

HSL 290.91, 0.43%, 0.45%

LAB 42.54, 49.89, -38

 

CMYK 0 / 60 / 7 / 36

HEX #A44198

RGB 164 65 152

HSL 307.27, 0.43%, 0.45%

LAB 44.15, 51.72, -28.14

 

CMYK 25 / 61 / 0 / 59

HEX #4F2969

RGB 79 41 105

HSL 275.63, 0.44%, 0.29%

LAB 24.54, 30.44, -30.67

 

CMYK 25 / 60 / 0 / 47

HEX #653586

RGB 101 53 134

HSL 275.56, 0.43%, 0.37%

LAB 31.88, 36.84, -37.13

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 22 / 55 / 0 / 27

HEX #9153BA

RGB 145 83 186

HSL 276.12, 0.43%, 0.53%

LAB 46.65, 44.38, -44.47

 

CMYK 17 / 43 / 0 / 22

HEX #A471C6

RGB 164 113 198

HSL 276, 0.43%, 0.61%

LAB 55.87, 35.91, -36.68

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 0 / 60 / 48 / 36

HEX #A44156

RGB 164 65 86

HSL 347.27, 0.43%, 0.45%

LAB 41.76, 42.77, 8.78

 

CMYK 60 / 0 / 49 / 36

HEX #41A453

RGB 65 164 83

HSL 130.91, 0.43%, 0.45%

LAB 60.16, -46.46, 33.46

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 0 / 26 / 60 / 36

HEX #A47A41

RGB 164 122 65

HSL 34.55, 0.43%, 0.45%

LAB 54.23, 9.86, 37.11

 

CMYK 60 / 0 / 26 / 36

HEX #41A47A

RGB 65 164 122

HSL 154.55, 0.43%, 0.45%

LAB 60.85, -39.07, 13.35

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 0 / 60 / 48 / 36

HEX #A44156

RGB 164 65 86

HSL 347.27, 0.43%, 0.45%

LAB 41.76, 42.77, 8.78

 

CMYK 35 / 0 / 60 / 36

HEX #6AA441

RGB 106 164 65

HSL 95.15, 0.43%, 0.45%

LAB 61.65, -36.45, 44.47

 

CMYK 60 / 0 / 13 / 36

HEX #41A48E

RGB 65 164 142

HSL 166.67, 0.43%, 0.45%

LAB 61.33, -34.27, 2.85

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 0 / 55 / 60 / 36

HEX #A44941

RGB 164 73 65

HSL 4.85, 0.43%, 0.45%

LAB 42.82, 36.98, 23.11

 

CMYK 35 / 0 / 60 / 36

HEX #6AA441

RGB 106 164 65

HSL 95.15, 0.43%, 0.45%

LAB 61.65, -36.45, 44.47

 

CMYK 60 / 5 / 0 / 36

HEX #419BA4

RGB 65 155 164

HSL 185.45, 0.43%, 0.45%

LAB 59.2, -23.8, -12.73

 

Description

Color code: HEX #7C41A4 | qconv.com Color code: HEX #7C41A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 65 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 65 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 60 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 60% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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