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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C57DA it is the complementary color #83A825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C57DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C57DA shade: #8157D5, #9269E8, #A37BFB, #B48DFF and #C59FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C57DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C57DA shade: #7C57DA, #6B45C7, #5A33B4, #4921A1 and #380F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C57DA shade: #7C57DA, #9F57DA, #C357DA, #DA57CE and #DA57AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C57DA shade: #7C57DA, #5957DA and #5757DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C57DA shade matches the following richer shades: #7C57DA, #7547EA and #6E36FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C57DA shade: #7C57DA, #8368C9, #8A78B9, #9289A8 and #999998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C57DA shade: #577ADA, #5757DA, #7A57DA, #9D57DA and #C057DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C57DA shade: #5028B7, #6235D2, #7C57DA, #9679E1 and #B19BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C57DA shade: #7C57DA, #DA579D and #69DA57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C57DA shade: #7C57DA, #DA7A57 and #57DA7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C57DA shade: #7C57DA, #DA579D, #B7DA57 and #57DA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C57DA shade: #7C57DA, #DA5776, #B7DA57 and #57DABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

Complementary color

CMYK 22 / 0 / 78 / 34

HEX #83A825

RGB 131 168 37

HSL 76.95, 0.64%, 0.4%

LAB 64.13, -30.7, 58.56

 

CMYK 39 / 59 / 0 / 16

HEX #8157D5

RGB 129 87 213

HSL 260, 0.6%, 0.59%

LAB 47.35, 45.03, -59.01

 

CMYK 37 / 55 / 0 / 9

HEX #9269E8

RGB 146 105 232

HSL 259.37, 0.73%, 0.66%

LAB 54.07, 43.88, -58.86

 

CMYK 35 / 51 / 0 / 2

HEX #A37BFB

RGB 163 123 251

HSL 258.75, 0.94%, 0.73%

LAB 60.71, 42.8, -58.69

 

CMYK 29 / 45 / 0 / 0

HEX #B48DFF

RGB 180 141 255

HSL 260.53, 1%, 0.78%

LAB 66.5, 38.09, -51.58

 

CMYK 23 / 38 / 0 / 0

HEX #C59FFF

RGB 197 159 255

HSL 263.75, 1%, 0.81%

LAB 72.15, 32.8, -42.59

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 46 / 65 / 0 / 22

HEX #6B45C7

RGB 107 69 199

HSL 257.54, 0.54%, 0.53%

LAB 40.42, 46.58, -62.27

 

CMYK 50 / 72 / 0 / 29

HEX #5A33B4

RGB 90 51 180

HSL 258.14, 0.56%, 0.45%

LAB 33.64, 47.8, -62.25

 

CMYK 55 / 80 / 0 / 37

HEX #4921A1

RGB 73 33 161

HSL 258.75, 0.66%, 0.38%

LAB 26.95, 48.71, -61.87

 

CMYK 61 / 89 / 0 / 44

HEX #380F8E

RGB 56 15 142

HSL 259.37, 0.81%, 0.31%

LAB 20.58, 48.72, -60.77

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 27 / 60 / 0 / 15

HEX #9F57DA

RGB 159 87 218

HSL 272.98, 0.64%, 0.6%

LAB 50.98, 53.1, -55.85

 

CMYK 11 / 60 / 0 / 15

HEX #C357DA

RGB 195 87 218

HSL 289.47, 0.64%, 0.6%

LAB 55.56, 61.71, -48.26

 

CMYK 0 / 60 / 6 / 15

HEX #DA57CE

RGB 218 87 206

HSL 305.5, 0.64%, 0.6%

LAB 58.21, 65.36, -37.07

 

CMYK 0 / 60 / 22 / 15

HEX #DA57AB

RGB 218 87 171

HSL 321.53, 0.64%, 0.6%

LAB 56.74, 60.11, -19.23

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 59 / 60 / 0 / 15

HEX #5957DA

RGB 89 87 218

HSL 240.92, 0.64%, 0.6%

LAB 44.24, 38.66, -67.07

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 50 / 70 / 0 / 8

HEX #7547EA

RGB 117 71 234

HSL 256.93, 0.8%, 0.6%

LAB 44.56, 56.92, -75.53

 

CMYK 56 / 78 / 0 / 2

HEX #6E36FB

RGB 110 54 251

HSL 257.06, 0.96%, 0.6%

LAB 42.64, 68.29, -88.27

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 35 / 48 / 0 / 21

HEX #8368C9

RGB 131 104 201

HSL 256.7, 0.47%, 0.6%

LAB 50.62, 32.57, -46.89

 

CMYK 25 / 35 / 0 / 27

HEX #8A78B9

RGB 138 120 185

HSL 256.62, 0.32%, 0.6%

LAB 54.38, 21, -31.75

 

CMYK 13 / 18 / 0 / 34

HEX #9289A8

RGB 146 137 168

HSL 257.42, 0.15%, 0.6%

LAB 58.82, 9.68, -15.14

 

CMYK 0 / 0 / 1 / 40

HEX #999998

RGB 153 153 152

HSL 60, 0%, 0.6%

LAB 63.2, -0.19, 0.52

 

CMYK 60 / 44 / 0 / 15

HEX #577ADA

RGB 87 122 218

HSL 223.97, 0.64%, 0.6%

LAB 52.96, 16.79, -53.01

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 44 / 60 / 0 / 15

HEX #7A57DA

RGB 122 87 218

HSL 256.03, 0.64%, 0.6%

LAB 47, 44.89, -62.47

 

CMYK 28 / 60 / 0 / 15

HEX #9D57DA

RGB 157 87 218

HSL 272.06, 0.64%, 0.6%

LAB 50.74, 52.63, -56.24

 

CMYK 12 / 60 / 0 / 15

HEX #C057DA

RGB 192 87 218

HSL 288.09, 0.64%, 0.6%

LAB 55.16, 60.98, -48.93

 

CMYK 56 / 78 / 0 / 28

HEX #5028B7

RGB 80 40 183

HSL 256.78, 0.64%, 0.44%

LAB 30.98, 52.55, -68.44

 

CMYK 53 / 75 / 0 / 18

HEX #6235D2

RGB 98 53 210

HSL 257.2, 0.64%, 0.52%

LAB 37.47, 56.34, -73.5

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 33 / 46 / 0 / 12

HEX #9679E1

RGB 150 121 225

HSL 256.73, 0.63%, 0.68%

LAB 57.65, 33.98, -49.2

 

CMYK 24 / 33 / 0 / 9

HEX #B19BE9

RGB 177 155 233

HSL 256.92, 0.64%, 0.76%

LAB 68.51, 24.14, -36.4

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 0 / 60 / 28 / 15

HEX #DA579D

RGB 218 87 157

HSL 327.94, 0.64%, 0.6%

LAB 56.24, 58.26, -11.84

 

CMYK 52 / 0 / 60 / 15

HEX #69DA57

RGB 105 218 87

HSL 111.76, 0.64%, 0.6%

LAB 78.36, -56.69, 53.57

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 0 / 44 / 60 / 15

HEX #DA7A57

RGB 218 122 87

HSL 16.03, 0.64%, 0.6%

LAB 61.23, 34.13, 35.36

 

CMYK 60 / 0 / 44 / 15

HEX #57DA7A

RGB 87 218 122

HSL 136.03, 0.64%, 0.6%

LAB 78.21, -56.4, 36.72

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 0 / 60 / 28 / 15

HEX #DA579D

RGB 218 87 157

HSL 327.94, 0.64%, 0.6%

LAB 56.24, 58.26, -11.84

 

CMYK 16 / 0 / 60 / 15

HEX #B7DA57

RGB 183 218 87

HSL 76.03, 0.64%, 0.6%

LAB 82.32, -30.34, 59.09

 

CMYK 60 / 0 / 32 / 15

HEX #57DA94

RGB 87 218 148

HSL 147.94, 0.64%, 0.6%

LAB 78.64, -51.79, 24

 

CMYK 43 / 60 / 0 / 15

HEX #7C57DA

RGB 124 87 218

HSL 256.95, 0.64%, 0.6%

LAB 47.19, 45.31, -62.15

 

CMYK 0 / 60 / 46 / 15

HEX #DA5776

RGB 218 87 118

HSL 345.8, 0.64%, 0.6%

LAB 55.1, 53.91, 9.46

 

CMYK 16 / 0 / 60 / 15

HEX #B7DA57

RGB 183 218 87

HSL 76.03, 0.64%, 0.6%

LAB 82.32, -30.34, 59.09

 

CMYK 60 / 0 / 14 / 15

HEX #57DABB

RGB 87 218 187

HSL 165.8, 0.64%, 0.6%

LAB 79.48, -43.28, 4.59

 

Description

Color code: HEX #7C57DA | qconv.com Color code: HEX #7C57DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 87 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 87 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 60 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 60% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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