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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5B0B it is the complementary color #83A4F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5B0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5B0B shade: #815B06, #926D19, #A37F2C, #B4913F and #C5A352

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5B0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5B0B shade: #7C5B0B, #6B4900, #5A3700, #492500 and #381300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5B0B shade: #79590A, #793B0A, #791D0A and #790A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5B0B shade: #79590A, #79770A, #5E790A, #40790A and #22790A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5B0B shade matches the following richer shades: #79590A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5B0B shade: #79590A, #6F5515, #645020, #594C2A and #4F4735

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5B0B shade: #791D0A, #793A0A, #79580A, #79760A and #60790A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5B0B shade: #2E2104, #543D07, #79590A, #9F750D and #C59111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5B0B shade: #7C5B0B, #15790A and #2C0A79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5B0B shade: #7C5B0B, #0A7958 and #580A79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5B0B shade: #7C5B0B, #15790A, #0A2C79 and #6E0A79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5B0B shade: #7C5B0B, #0A7920, #0A2C79 and #790A63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

Complementary color

CMYK 46 / 33 / 0 / 4

HEX #83A4F4

RGB 131 164 244

HSL 222.48, 0.84%, 0.74%

LAB 67.95, 9.57, -43.54

 

CMYK 0 / 29 / 95 / 49

HEX #815B06

RGB 129 91 6

HSL 41.46, 0.91%, 0.26%

LAB 41.47, 8.74, 47.73

 

CMYK 0 / 25 / 83 / 43

HEX #926D19

RGB 146 109 25

HSL 41.65, 0.71%, 0.34%

LAB 48.41, 6.81, 48.68

 

CMYK 0 / 22 / 73 / 36

HEX #A37F2C

RGB 163 127 44

HSL 41.85, 0.57%, 0.41%

LAB 55.22, 5.25, 48.29

 

CMYK 0 / 19 / 65 / 29

HEX #B4913F

RGB 180 145 63

HSL 42.05, 0.48%, 0.48%

LAB 61.92, 3.97, 47.29

 

CMYK 0 / 17 / 58 / 23

HEX #C5A352

RGB 197 163 82

HSL 42.26, 0.5%, 0.55%

LAB 68.51, 2.91, 46.08

 

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

CMYK 0 / 32 / 100 / 58

HEX #6B4900

RGB 107 73 0

HSL 40.93, 1%, 0.21%

LAB 33.75, 8.66, 42.84

 

CMYK 0 / 39 / 100 / 65

HEX #5A3700

RGB 90 55 0

HSL 36.67, 1%, 0.18%

LAB 26.47, 11.32, 36.29

 

CMYK 0 / 49 / 100 / 71

HEX #492500

RGB 73 37 0

HSL 30.41, 1%, 0.14%

LAB 18.97, 14.17, 27.71

 

CMYK 0 / 66 / 100 / 78

HEX #381300

RGB 56 19 0

HSL 20.36, 1%, 0.11%

LAB 11.32, 17.07, 17.32

 

CMYK 0 / 26 / 92 / 53

HEX #79590A

RGB 121 89 10

HSL 42.7, 0.85%, 0.26%

LAB 39.97, 6.15, 45.1

 

CMYK 0 / 51 / 92 / 53

HEX #793B0A

RGB 121 59 10

HSL 26.49, 0.85%, 0.26%

LAB 32.29, 23.92, 39.02

 

CMYK 0 / 76 / 92 / 53

HEX #791D0A

RGB 121 29 10

HSL 10.27, 0.85%, 0.26%

LAB 26.64, 38.75, 34.43

 

CMYK 0 / 92 / 92 / 53

HEX #790A0A

RGB 121 10 10

HSL 0, 0.85%, 0.26%

LAB 24.65, 44.34, 32.58

 

CMYK 0 / 26 / 92 / 53

HEX #79590A

RGB 121 89 10

HSL 42.7, 0.85%, 0.26%

LAB 39.97, 6.15, 45.1

 

CMYK 0 / 2 / 92 / 53

HEX #79770A

RGB 121 119 10

HSL 58.92, 0.85%, 0.26%

LAB 48.61, -11.11, 51.97

 

CMYK 22 / 0 / 92 / 53

HEX #5E790A

RGB 94 121 10

HSL 74.59, 0.85%, 0.26%

LAB 47.07, -24.51, 49.83

 

CMYK 47 / 0 / 92 / 53

HEX #40790A

RGB 64 121 10

HSL 90.81, 0.85%, 0.26%

LAB 45.34, -36.45, 47.68

 

CMYK 72 / 0 / 92 / 53

HEX #22790A

RGB 34 121 10

HSL 107.03, 0.85%, 0.26%

LAB 44.29, -44.9, 46.36

 

CMYK 0 / 26 / 92 / 53

HEX #79590A

RGB 121 89 10

HSL 42.7, 0.85%, 0.26%

LAB 39.97, 6.15, 45.1

 

CMYK 0 / 26 / 92 / 53

HEX #79590A

RGB 121 89 10

HSL 42.7, 0.85%, 0.26%

LAB 39.97, 6.15, 45.1

 

CMYK 0 / 23 / 81 / 56

HEX #6F5515

RGB 111 85 21

HSL 42.67, 0.68%, 0.26%

LAB 37.72, 4.02, 38.96

 

CMYK 0 / 20 / 68 / 61

HEX #645020

RGB 100 80 32

HSL 42.35, 0.52%, 0.26%

LAB 35.1, 2.3, 30.7

 

CMYK 0 / 15 / 53 / 65

HEX #594C2A

RGB 89 76 42

HSL 43.4, 0.36%, 0.26%

LAB 32.83, 0.31, 22.12

 

CMYK 0 / 10 / 33 / 69

HEX #4F4735

RGB 79 71 53

HSL 41.54, 0.2%, 0.26%

LAB 30.46, 0.14, 12.07

 

CMYK 0 / 76 / 92 / 53

HEX #791D0A

RGB 121 29 10

HSL 10.27, 0.85%, 0.26%

LAB 26.64, 38.75, 34.43

 

CMYK 0 / 52 / 92 / 53

HEX #793A0A

RGB 121 58 10

HSL 25.95, 0.85%, 0.26%

LAB 32.06, 24.49, 38.84

 

CMYK 0 / 27 / 92 / 53

HEX #79580A

RGB 121 88 10

HSL 42.16, 0.85%, 0.26%

LAB 39.69, 6.74, 44.88

 

CMYK 0 / 2 / 92 / 53

HEX #79760A

RGB 121 118 10

HSL 58.38, 0.85%, 0.26%

LAB 48.32, -10.56, 51.74

 

CMYK 21 / 0 / 92 / 53

HEX #60790A

RGB 96 121 10

HSL 73.51, 0.85%, 0.26%

LAB 47.21, -23.64, 50

 

CMYK 0 / 28 / 91 / 82

HEX #2E2104

RGB 46 33 4

HSL 41.43, 0.84%, 0.1%

LAB 13.69, 2.58, 18.61

 

CMYK 0 / 27 / 92 / 67

HEX #543D07

RGB 84 61 7

HSL 42.08, 0.85%, 0.18%

LAB 27.4, 4.7, 33.95

 

CMYK 0 / 26 / 92 / 53

HEX #79590A

RGB 121 89 10

HSL 42.7, 0.85%, 0.26%

LAB 39.97, 6.15, 45.1

 

CMYK 0 / 26 / 92 / 38

HEX #9F750D

RGB 159 117 13

HSL 42.74, 0.85%, 0.34%

LAB 51.98, 7.98, 55.66

 

CMYK 0 / 26 / 91 / 23

HEX #C59111

RGB 197 145 17

HSL 42.67, 0.84%, 0.42%

LAB 63.48, 9.75, 65.48

 

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

CMYK 83 / 0 / 92 / 53

HEX #15790A

RGB 21 121 10

HSL 114.05, 0.85%, 0.26%

LAB 44.03, -47.16, 46.03

 

CMYK 64 / 92 / 0 / 53

HEX #2C0A79

RGB 44 10 121

HSL 258.38, 0.85%, 0.26%

LAB 16.17, 43.53, -54.82

 

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

CMYK 92 / 0 / 27 / 53

HEX #0A7958

RGB 10 121 88

HSL 162.16, 0.85%, 0.26%

LAB 44.86, -36.8, 10.23

 

CMYK 27 / 92 / 0 / 53

HEX #580A79

RGB 88 10 121

HSL 282.16, 0.85%, 0.26%

LAB 22.56, 49.07, -44.09

 

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

CMYK 83 / 0 / 92 / 53

HEX #15790A

RGB 21 121 10

HSL 114.05, 0.85%, 0.26%

LAB 44.03, -47.16, 46.03

 

CMYK 92 / 64 / 0 / 53

HEX #0A2C79

RGB 10 44 121

HSL 221.62, 0.85%, 0.26%

LAB 21, 21.07, -46.93

 

CMYK 9 / 92 / 0 / 53

HEX #6E0A79

RGB 110 10 121

HSL 294.05, 0.85%, 0.26%

LAB 26.48, 52.84, -37.55

 

CMYK 0 / 27 / 91 / 51

HEX #7C5B0B

RGB 124 91 11

HSL 42.48, 0.84%, 0.26%

LAB 40.88, 6.44, 45.71

 

CMYK 92 / 0 / 74 / 53

HEX #0A7920

RGB 10 121 32

HSL 131.89, 0.85%, 0.26%

LAB 44.01, -46.87, 38.93

 

CMYK 92 / 64 / 0 / 53

HEX #0A2C79

RGB 10 44 121

HSL 221.62, 0.85%, 0.26%

LAB 21, 21.07, -46.93

 

CMYK 0 / 92 / 18 / 53

HEX #790A63

RGB 121 10 99

HSL 311.89, 0.85%, 0.26%

LAB 27.25, 51.54, -22.02

 

Description

Color code: HEX #7C5B0B | qconv.com Color code: HEX #7C5B0B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 91 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 91 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 91 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 91% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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