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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5BC7 it is the complementary color #83A438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5BC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5BC7 shade: #815BC2, #926DD5, #A37FE8, #B491FB and #C5A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5BC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5BC7 shade: #7C5BC7, #6B49B4, #5A37A1, #49258E and #38137B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5BC7 shade: #7C5BC7, #995BC7, #B65BC7, #C75BBA and #C75B9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5BC7 shade: #7C5BC7, #5F5BC7 and #5B5BC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5BC7 shade matches the following richer shades: #7C5BC7, #7549D8, #6E38EA and #6726FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5BC7 shade: #7C5BC7, #836DB5, #8A7FA3, #919091 and #98A280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5BC7 shade: #5B74C7, #5F5BC7, #7B5BC7, #985BC7 and #B55BC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5BC7 shade: #54359B, #643FB9, #7C5BC7, #957AD1 and #AD99DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5BC7 shade: #7C5BC7, #C75B91 and #66C75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5BC7 shade: #7C5BC7, #C77B5B and #5BC77B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5BC7 shade: #7C5BC7, #C75B91, #A6C75B and #5BC791

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5BC7 shade: #7C5BC7, #C75B71, #A6C75B and #5BC7B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

Complementary color

CMYK 20 / 0 / 66 / 36

HEX #83A438

RGB 131 164 56

HSL 78.33, 0.49%, 0.43%

LAB 63.06, -27.64, 50.43

 

CMYK 34 / 53 / 0 / 24

HEX #815BC2

RGB 129 91 194

HSL 262.14, 0.46%, 0.56%

LAB 47.03, 37.76, -48.6

 

CMYK 31 / 49 / 0 / 16

HEX #926DD5

RGB 146 109 213

HSL 261.35, 0.55%, 0.63%

LAB 53.87, 36.73, -48.47

 

CMYK 30 / 45 / 0 / 9

HEX #A37FE8

RGB 163 127 232

HSL 260.57, 0.7%, 0.7%

LAB 60.6, 35.77, -48.36

 

CMYK 28 / 42 / 0 / 2

HEX #B491FB

RGB 180 145 251

HSL 259.81, 0.93%, 0.78%

LAB 67.22, 34.89, -48.27

 

CMYK 23 / 36 / 0 / 0

HEX #C5A3FF

RGB 197 163 255

HSL 262.17, 1%, 0.82%

LAB 73.08, 30.6, -41.14

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 41 / 59 / 0 / 29

HEX #6B49B4

RGB 107 73 180

HSL 259.07, 0.42%, 0.5%

LAB 39.89, 39.04, -52.01

 

CMYK 44 / 66 / 0 / 37

HEX #5A37A1

RGB 90 55 161

HSL 259.81, 0.49%, 0.42%

LAB 32.87, 40.28, -52.12

 

CMYK 49 / 74 / 0 / 44

HEX #49258E

RGB 73 37 142

HSL 260.57, 0.59%, 0.35%

LAB 25.84, 41.41, -52.04

 

CMYK 54 / 85 / 0 / 52

HEX #38137B

RGB 56 19 123

HSL 261.35, 0.73%, 0.28%

LAB 18.96, 42, -51.45

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 23 / 54 / 0 / 22

HEX #995BC7

RGB 153 91 199

HSL 274.44, 0.49%, 0.57%

LAB 49.95, 45.17, -46.67

 

CMYK 9 / 54 / 0 / 22

HEX #B65BC7

RGB 182 91 199

HSL 290.56, 0.49%, 0.57%

LAB 53.55, 52.86, -40.75

 

CMYK 0 / 54 / 7 / 22

HEX #C75BBA

RGB 199 91 186

HSL 307.22, 0.49%, 0.57%

LAB 55.25, 55.19, -30.45

 

CMYK 0 / 54 / 21 / 22

HEX #C75B9D

RGB 199 91 157

HSL 323.33, 0.49%, 0.57%

LAB 54.09, 50.66, -15.37

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 52 / 54 / 0 / 22

HEX #5F5BC7

RGB 95 91 199

HSL 242.22, 0.49%, 0.57%

LAB 44.29, 31.3, -56.06

 

CMYK 54 / 54 / 0 / 22

HEX #5B5BC7

RGB 91 91 199

HSL 240, 0.49%, 0.57%

LAB 43.99, 30.49, -56.56

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 46 / 66 / 0 / 15

HEX #7549D8

RGB 117 73 216

HSL 258.46, 0.65%, 0.57%

LAB 43.51, 50.99, -67

 

CMYK 53 / 76 / 0 / 8

HEX #6E38EA

RGB 110 56 234

HSL 258.2, 0.81%, 0.57%

LAB 41.35, 63, -80.82

 

CMYK 59 / 85 / 0 / 1

HEX #6726FC

RGB 103 38 252

HSL 258.22, 0.97%, 0.57%

LAB 40.08, 73.69, -93.09

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 28 / 40 / 0 / 29

HEX #836DB5

RGB 131 109 181

HSL 258.33, 0.33%, 0.57%

LAB 50.8, 24.4, -35.09

 

CMYK 15 / 22 / 0 / 36

HEX #8A7FA3

RGB 138 127 163

HSL 258.33, 0.16%, 0.57%

LAB 55.3, 11.64, -17.67

 

CMYK 0 / 1 / 0 / 43

HEX #919091

RGB 145 144 145

HSL 300, 0%, 0.57%

LAB 59.9, 0.56, -0.41

 

CMYK 6 / 0 / 21 / 36

HEX #98A280

RGB 152 162 128

HSL 77.65, 0.15%, 0.57%

LAB 65.02, -9.69, 16.53

 

CMYK 54 / 42 / 0 / 22

HEX #5B74C7

RGB 91 116 199

HSL 226.11, 0.49%, 0.57%

LAB 50.5, 15.01, -46.13

 

CMYK 52 / 54 / 0 / 22

HEX #5F5BC7

RGB 95 91 199

HSL 242.22, 0.49%, 0.57%

LAB 44.29, 31.3, -56.06

 

CMYK 38 / 54 / 0 / 22

HEX #7B5BC7

RGB 123 91 199

HSL 257.78, 0.49%, 0.57%

LAB 46.73, 37.61, -52

 

CMYK 24 / 54 / 0 / 22

HEX #985BC7

RGB 152 91 199

HSL 273.89, 0.49%, 0.57%

LAB 49.84, 44.91, -46.86

 

CMYK 9 / 54 / 0 / 22

HEX #B55BC7

RGB 181 91 199

HSL 290, 0.49%, 0.57%

LAB 53.42, 52.59, -40.96

 

CMYK 46 / 66 / 0 / 39

HEX #54359B

RGB 84 53 155

HSL 258.24, 0.49%, 0.41%

LAB 31.34, 38.46, -51

 

CMYK 46 / 66 / 0 / 27

HEX #643FB9

RGB 100 63 185

HSL 258.2, 0.49%, 0.49%

LAB 37.42, 44.6, -58.99

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 29 / 42 / 0 / 18

HEX #957AD1

RGB 149 122 209

HSL 258.62, 0.49%, 0.65%

LAB 56.99, 29.05, -41.26

 

CMYK 21 / 30 / 0 / 14

HEX #AD99DC

RGB 173 153 220

HSL 257.91, 0.49%, 0.73%

LAB 67.15, 21.04, -31.38

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 0 / 54 / 27 / 22

HEX #C75B91

RGB 199 91 145

HSL 330, 0.49%, 0.57%

LAB 53.67, 48.98, -8.94

 

CMYK 49 / 0 / 54 / 22

HEX #66C75B

RGB 102 199 91

HSL 113.89, 0.49%, 0.57%

LAB 72.51, -49.66, 44.9

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 0 / 38 / 54 / 22

HEX #C77B5B

RGB 199 123 91

HSL 17.78, 0.49%, 0.57%

LAB 59.03, 26.31, 29.87

 

CMYK 54 / 0 / 38 / 22

HEX #5BC77B

RGB 91 199 123

HSL 137.78, 0.49%, 0.57%

LAB 72.56, -47.81, 28.87

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 0 / 54 / 27 / 22

HEX #C75B91

RGB 199 91 145

HSL 330, 0.49%, 0.57%

LAB 53.67, 48.98, -8.94

 

CMYK 17 / 0 / 54 / 22

HEX #A6C75B

RGB 166 199 91

HSL 78.33, 0.49%, 0.57%

LAB 75.89, -27.62, 49.72

 

CMYK 54 / 0 / 27 / 22

HEX #5BC791

RGB 91 199 145

HSL 150, 0.49%, 0.57%

LAB 72.97, -43.62, 17.81

 

CMYK 38 / 54 / 0 / 22

HEX #7C5BC7

RGB 124 91 199

HSL 258.33, 0.49%, 0.57%

LAB 46.83, 37.85, -51.84

 

CMYK 0 / 54 / 43 / 22

HEX #C75B71

RGB 199 91 113

HSL 347.78, 0.49%, 0.57%

LAB 52.75, 45.14, 8.67

 

CMYK 17 / 0 / 54 / 22

HEX #A6C75B

RGB 166 199 91

HSL 78.33, 0.49%, 0.57%

LAB 75.89, -27.62, 49.72

 

CMYK 54 / 0 / 11 / 22

HEX #5BC7B1

RGB 91 199 177

HSL 167.78, 0.49%, 0.57%

LAB 73.7, -36.4, 1.61

 

Description

Color code: HEX #7C5BC7 | qconv.com Color code: HEX #7C5BC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 91 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 91 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 54 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 54% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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