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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5C5C it is the complementary color #83A3A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5C5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5C5C shade: #815C57, #926E6A, #A3807D, #B49290 and #C5A4A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5C5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5C5C shade: #7C5C5C, #6B4A49, #5A3836, #492623 and #381410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5C5C shade: #7B5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5C5C shade: #7B5B5B, #7B635B, #7B6C5B, #7B755B and #787B5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5C5C shade matches the following richer shades: #7B5B5B, #8C4949, #9D3838, #AF2727 and #C01515

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5C5C shade: #7B5B5B, #696C6C, #587D7D, #478F8F and #35A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5C5C shade: #7B5B6C, #7B5B63, #7B5B5B, #7B635B and #7B6C5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5C5C shade: #4B3737, #634949, #7B5B5B, #926C6C and #A48484

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5C5C shade: #7C5C5C, #747B5B and #5B677B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5C5C shade: #7C5C5C, #5B7B5B and #5B5B7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5C5C shade: #7C5C5C, #747B5B, #5B7B7B and #615B7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5C5C shade: #7C5C5C, #6B7B5B, #5B7B7B and #6B5B7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

Complementary color

CMYK 20 / 0 / 0 / 36

HEX #83A3A3

RGB 131 163 163

HSL 180, 0.15%, 0.58%

LAB 64.7, -10.95, -3.65

 

CMYK 0 / 29 / 33 / 49

HEX #815C57

RGB 129 92 87

HSL 7.14, 0.19%, 0.42%

LAB 42.78, 14.43, 8.88

 

CMYK 0 / 25 / 27 / 43

HEX #926E6A

RGB 146 110 106

HSL 6, 0.16%, 0.49%

LAB 49.86, 13.66, 7.77

 

CMYK 0 / 21 / 23 / 36

HEX #A3807D

RGB 163 128 125

HSL 4.74, 0.17%, 0.56%

LAB 56.79, 13.01, 6.78

 

CMYK 0 / 19 / 20 / 29

HEX #B49290

RGB 180 146 144

HSL 3.33, 0.19%, 0.64%

LAB 63.57, 12.44, 5.88

 

CMYK 0 / 17 / 17 / 23

HEX #C5A4A3

RGB 197 164 163

HSL 1.76, 0.23%, 0.71%

LAB 70.22, 11.93, 5.04

 

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

CMYK 0 / 31 / 32 / 58

HEX #6B4A49

RGB 107 74 73

HSL 1.76, 0.19%, 0.35%

LAB 35.01, 13.9, 6.21

 

CMYK 0 / 38 / 40 / 65

HEX #5A3836

RGB 90 56 54

HSL 3.33, 0.25%, 0.28%

LAB 27.49, 14.87, 7.53

 

CMYK 0 / 48 / 52 / 71

HEX #492623

RGB 73 38 35

HSL 4.74, 0.35%, 0.21%

LAB 19.74, 16.09, 9.23

 

CMYK 0 / 64 / 71 / 78

HEX #381410

RGB 56 20 16

HSL 6, 0.56%, 0.14%

LAB 11.81, 17.56, 11.04

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 20 / 26 / 52

HEX #7B635B

RGB 123 99 91

HSL 15, 0.15%, 0.42%

LAB 44.07, 8.34, 8.19

 

CMYK 0 / 12 / 26 / 52

HEX #7B6C5B

RGB 123 108 91

HSL 31.88, 0.15%, 0.42%

LAB 46.57, 3.01, 11.68

 

CMYK 0 / 5 / 26 / 52

HEX #7B755B

RGB 123 117 91

HSL 48.75, 0.15%, 0.42%

LAB 49.12, -2.21, 15.21

 

CMYK 2 / 0 / 26 / 52

HEX #787B5B

RGB 120 123 91

HSL 65.63, 0.15%, 0.42%

LAB 50.59, -6.87, 17.17

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 48 / 48 / 45

HEX #8C4949

RGB 140 73 73

HSL 0, 0.31%, 0.42%

LAB 39.28, 28.28, 12.84

 

CMYK 0 / 64 / 64 / 38

HEX #9D3838

RGB 157 56 56

HSL 0, 0.47%, 0.42%

LAB 38.34, 42.02, 22.65

 

CMYK 0 / 78 / 78 / 31

HEX #AF2727

RGB 175 39 39

HSL 0, 0.64%, 0.42%

LAB 39.09, 53.72, 34.59

 

CMYK 0 / 89 / 89 / 25

HEX #C01515

RGB 192 21 21

HSL 0, 0.8%, 0.42%

LAB 40.89, 62.43, 46.96

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 3 / 0 / 0 / 58

HEX #696C6C

RGB 105 108 108

HSL 180, 0.01%, 0.42%

LAB 45.37, -1.15, -0.41

 

CMYK 30 / 0 / 0 / 51

HEX #587D7D

RGB 88 125 125

HSL 180, 0.17%, 0.42%

LAB 49.76, -12.91, -4.19

 

CMYK 50 / 0 / 0 / 44

HEX #478F8F

RGB 71 143 143

HSL 180, 0.34%, 0.42%

LAB 55.04, -22.41, -6.94

 

CMYK 67 / 0 / 0 / 37

HEX #35A0A0

RGB 53 160 160

HSL 180, 0.5%, 0.42%

LAB 60.28, -29.51, -8.89

 

CMYK 0 / 26 / 12 / 52

HEX #7B5B6C

RGB 123 91 108

HSL 328.13, 0.15%, 0.42%

LAB 42.42, 16.05, -4.55

 

CMYK 0 / 26 / 20 / 52

HEX #7B5B63

RGB 123 91 99

HSL 345, 0.15%, 0.42%

LAB 42.14, 14.45, 0.55

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 20 / 26 / 52

HEX #7B635B

RGB 123 99 91

HSL 15, 0.15%, 0.42%

LAB 44.07, 8.34, 8.19

 

CMYK 0 / 12 / 26 / 52

HEX #7B6C5B

RGB 123 108 91

HSL 31.88, 0.15%, 0.42%

LAB 46.57, 3.01, 11.68

 

CMYK 0 / 27 / 27 / 71

HEX #4B3737

RGB 75 55 55

HSL 0, 0.15%, 0.25%

LAB 25.27, 8.92, 3.46

 

CMYK 0 / 26 / 26 / 61

HEX #634949

RGB 99 73 73

HSL 0, 0.15%, 0.34%

LAB 33.77, 11.07, 4.31

 

CMYK 0 / 26 / 26 / 52

HEX #7B5B5B

RGB 123 91 91

HSL 0, 0.15%, 0.42%

LAB 41.92, 13.12, 5.12

 

CMYK 0 / 26 / 26 / 43

HEX #926C6C

RGB 146 108 108

HSL 0, 0.15%, 0.5%

LAB 49.4, 15.13, 5.92

 

CMYK 0 / 20 / 20 / 36

HEX #A48484

RGB 164 132 132

HSL 0, 0.15%, 0.58%

LAB 58.09, 12.23, 4.63

 

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

CMYK 6 / 0 / 26 / 52

HEX #747B5B

RGB 116 123 91

HSL 73.13, 0.15%, 0.42%

LAB 50.26, -8.52, 16.67

 

CMYK 26 / 16 / 0 / 52

HEX #5B677B

RGB 91 103 123

HSL 217.5, 0.15%, 0.42%

LAB 43.29, 0.31, -12.67

 

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

CMYK 26 / 0 / 26 / 52

HEX #5B7B5B

RGB 91 123 91

HSL 120, 0.15%, 0.42%

LAB 48.44, -18.28, 13.89

 

CMYK 26 / 26 / 0 / 52

HEX #5B5B7B

RGB 91 91 123

HSL 240, 0.15%, 0.42%

LAB 39.81, 7.68, -17.99

 

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

CMYK 6 / 0 / 26 / 52

HEX #747B5B

RGB 116 123 91

HSL 73.13, 0.15%, 0.42%

LAB 50.26, -8.52, 16.67

 

CMYK 26 / 0 / 0 / 52

HEX #5B7B7B

RGB 91 123 123

HSL 180, 0.15%, 0.42%

LAB 49.28, -11.33, -3.72

 

CMYK 21 / 26 / 0 / 52

HEX #615B7B

RGB 97 91 123

HSL 251.25, 0.15%, 0.42%

LAB 40.33, 9.72, -17.14

 

CMYK 0 / 26 / 26 / 51

HEX #7C5C5C

RGB 124 92 92

HSL 0, 0.15%, 0.42%

LAB 42.33, 13.1, 5.11

 

CMYK 13 / 0 / 26 / 52

HEX #6B7B5B

RGB 107 123 91

HSL 90, 0.15%, 0.42%

LAB 49.55, -12.15, 15.59

 

CMYK 26 / 0 / 0 / 52

HEX #5B7B7B

RGB 91 123 123

HSL 180, 0.15%, 0.42%

LAB 49.28, -11.33, -3.72

 

CMYK 13 / 26 / 0 / 52

HEX #6B5B7B

RGB 107 91 123

HSL 270, 0.15%, 0.42%

LAB 41.28, 13.22, -15.61

 

Description

Color code: HEX #7C5C5C | qconv.com Color code: HEX #7C5C5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 92 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 92 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 26 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 26% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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