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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5EC4 it is the complementary color #83A13B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5EC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5EC4 shade: #815EBF, #9270D2, #A382E5, #B494F8 and #C5A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5EC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5EC4 shade: #7C5EC4, #6B4CB1, #5A3A9E, #49288B and #381678

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5EC4 shade: #7C5EC3, #975EC3, #B25EC3, #C35EB9 and #C35E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5EC4 shade: #7C5EC3, #615EC3 and #5E5EC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5EC4 shade matches the following richer shades: #7C5EC3, #754DD5, #6D3BE7 and #6629F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5EC4 shade: #7C5EC3, #8370B2, #8B82A0, #92948E and #99A57C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5EC4 shade: #5E78C3, #605EC3, #7B5EC3, #965EC3 and #B15EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5EC4 shade: #543897, #6543B6, #7C5EC3, #957DCE and #AD9BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5EC4 shade: #7C5EC4, #C35E93 and #6AC35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5EC4 shade: #7C5EC4, #C37B5E and #5EC37B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5EC4 shade: #7C5EC4, #C35E93, #A7C35E and #5EC38F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5EC4 shade: #7C5EC4, #C35E74, #A7C35E and #5EC3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

Complementary color

CMYK 19 / 0 / 63 / 37

HEX #83A13B

RGB 131 161 59

HSL 77.65, 0.46%, 0.43%

LAB 62.19, -25.95, 48.21

 

CMYK 32 / 51 / 0 / 25

HEX #815EBF

RGB 129 94 191

HSL 261.65, 0.43%, 0.56%

LAB 47.54, 35.24, -46.05

 

CMYK 30 / 47 / 0 / 18

HEX #9270D2

RGB 146 112 210

HSL 260.82, 0.52%, 0.63%

LAB 54.4, 34.25, -45.93

 

CMYK 29 / 43 / 0 / 10

HEX #A382E5

RGB 163 130 229

HSL 260, 0.66%, 0.7%

LAB 61.14, 33.33, -45.83

 

CMYK 27 / 40 / 0 / 3

HEX #B494F8

RGB 180 148 248

HSL 259.2, 0.88%, 0.78%

LAB 67.77, 32.5, -45.76

 

CMYK 23 / 35 / 0 / 0

HEX #C5A6FF

RGB 197 166 255

HSL 260.9, 1%, 0.83%

LAB 73.78, 28.94, -40.05

 

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

CMYK 40 / 57 / 0 / 31

HEX #6B4CB1

RGB 107 76 177

HSL 258.42, 0.4%, 0.5%

LAB 40.36, 36.47, -49.49

 

CMYK 43 / 63 / 0 / 38

HEX #5A3A9E

RGB 90 58 158

HSL 259.2, 0.46%, 0.42%

LAB 33.28, 37.72, -49.64

 

CMYK 47 / 71 / 0 / 45

HEX #49288B

RGB 73 40 139

HSL 260, 0.55%, 0.35%

LAB 26.15, 38.95, -49.66

 

CMYK 53 / 82 / 0 / 53

HEX #381678

RGB 56 22 120

HSL 260.82, 0.69%, 0.28%

LAB 19.1, 39.82, -49.3

 

CMYK 36 / 52 / 0 / 24

HEX #7C5EC3

RGB 124 94 195

HSL 257.82, 0.46%, 0.57%

LAB 47.28, 35.02, -48.82

 

CMYK 23 / 52 / 0 / 24

HEX #975EC3

RGB 151 94 195

HSL 273.86, 0.46%, 0.57%

LAB 50.13, 42.09, -44.11

 

CMYK 9 / 52 / 0 / 24

HEX #B25EC3

RGB 178 94 195

HSL 289.9, 0.46%, 0.57%

LAB 53.4, 49.49, -38.72

 

CMYK 0 / 52 / 5 / 24

HEX #C35EB9

RGB 195 94 185

HSL 305.94, 0.46%, 0.57%

LAB 55.19, 52.45, -30.01

 

CMYK 0 / 52 / 19 / 24

HEX #C35E9E

RGB 195 94 158

HSL 321.98, 0.46%, 0.57%

LAB 54.11, 48.09, -15.98

 

CMYK 36 / 52 / 0 / 24

HEX #7C5EC3

RGB 124 94 195

HSL 257.82, 0.46%, 0.57%

LAB 47.28, 35.02, -48.82

 

CMYK 50 / 52 / 0 / 24

HEX #615EC3

RGB 97 94 195

HSL 241.78, 0.46%, 0.57%

LAB 44.92, 28.63, -52.72

 

CMYK 52 / 52 / 0 / 24

HEX #5E5EC3

RGB 94 94 195

HSL 240, 0.46%, 0.57%

LAB 44.7, 27.99, -53.09

 

CMYK 36 / 52 / 0 / 24

HEX #7C5EC3

RGB 124 94 195

HSL 257.82, 0.46%, 0.57%

LAB 47.28, 35.02, -48.82

 

CMYK 45 / 64 / 0 / 16

HEX #754DD5

RGB 117 77 213

HSL 257.65, 0.62%, 0.57%

LAB 44.08, 48.03, -64.36

 

CMYK 53 / 74 / 0 / 9

HEX #6D3BE7

RGB 109 59 231

HSL 257.44, 0.78%, 0.57%

LAB 41.45, 60.72, -78.96

 

CMYK 59 / 84 / 0 / 2

HEX #6629F9

RGB 102 41 249

HSL 257.6, 0.95%, 0.57%

LAB 40, 71.87, -91.54

 

CMYK 36 / 52 / 0 / 24

HEX #7C5EC3

RGB 124 94 195

HSL 257.82, 0.46%, 0.57%

LAB 47.28, 35.02, -48.82

 

CMYK 26 / 37 / 0 / 30

HEX #8370B2

RGB 131 112 178

HSL 257.27, 0.3%, 0.57%

LAB 51.41, 21.86, -32.4

 

CMYK 13 / 19 / 0 / 37

HEX #8B82A0

RGB 139 130 160

HSL 258, 0.14%, 0.57%

LAB 56.08, 9.56, -14.75

 

CMYK 1 / 0 / 4 / 42

HEX #92948E

RGB 146 148 142

HSL 80, 0.03%, 0.57%

LAB 61, -1.88, 2.91

 

CMYK 7 / 0 / 25 / 35

HEX #99A57C

RGB 153 165 124

HSL 77.56, 0.19%, 0.57%

LAB 65.86, -11.53, 19.89

 

CMYK 52 / 38 / 0 / 24

HEX #5E78C3

RGB 94 120 195

HSL 224.55, 0.46%, 0.57%

LAB 51.56, 11.95, -42.15

 

CMYK 51 / 52 / 0 / 24

HEX #605EC3

RGB 96 94 195

HSL 241.19, 0.46%, 0.57%

LAB 44.85, 28.42, -52.84

 

CMYK 37 / 52 / 0 / 24

HEX #7B5EC3

RGB 123 94 195

HSL 257.23, 0.46%, 0.57%

LAB 47.18, 34.77, -48.98

 

CMYK 23 / 52 / 0 / 24

HEX #965EC3

RGB 150 94 195

HSL 273.27, 0.46%, 0.57%

LAB 50.01, 41.82, -44.29

 

CMYK 9 / 52 / 0 / 24

HEX #B15EC3

RGB 177 94 195

HSL 289.31, 0.46%, 0.57%

LAB 53.27, 49.21, -38.93

 

CMYK 44 / 63 / 0 / 41

HEX #543897

RGB 84 56 151

HSL 257.68, 0.46%, 0.41%

LAB 31.69, 35.55, -48.01

 

CMYK 45 / 63 / 0 / 29

HEX #6543B6

RGB 101 67 182

HSL 257.74, 0.46%, 0.49%

LAB 38.13, 41.72, -56.08

 

CMYK 36 / 52 / 0 / 24

HEX #7C5EC3

RGB 124 94 195

HSL 257.82, 0.46%, 0.57%

LAB 47.28, 35.02, -48.82

 

CMYK 28 / 39 / 0 / 19

HEX #957DCE

RGB 149 125 206

HSL 257.78, 0.45%, 0.65%

LAB 57.57, 26.57, -38.65

 

CMYK 21 / 29 / 0 / 15

HEX #AD9BDA

RGB 173 155 218

HSL 257.14, 0.46%, 0.73%

LAB 67.57, 19.45, -29.64

 

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

CMYK 0 / 52 / 25 / 24

HEX #C35E93

RGB 195 94 147

HSL 328.51, 0.46%, 0.57%

LAB 53.72, 46.49, -10.1

 

CMYK 46 / 0 / 52 / 24

HEX #6AC35E

RGB 106 195 94

HSL 112.87, 0.46%, 0.57%

LAB 71.49, -46.49, 42.26

 

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

CMYK 0 / 37 / 52 / 24

HEX #C37B5E

RGB 195 123 94

HSL 17.23, 0.46%, 0.57%

LAB 58.58, 24.95, 27.51

 

CMYK 52 / 0 / 37 / 24

HEX #5EC37B

RGB 94 195 123

HSL 137.23, 0.46%, 0.57%

LAB 71.45, -45.4, 27.41

 

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

CMYK 0 / 52 / 25 / 24

HEX #C35E93

RGB 195 94 147

HSL 328.51, 0.46%, 0.57%

LAB 53.72, 46.49, -10.1

 

CMYK 14 / 0 / 52 / 24

HEX #A7C35E

RGB 167 195 94

HSL 76.63, 0.46%, 0.57%

LAB 74.86, -25.01, 47.11

 

CMYK 52 / 0 / 27 / 24

HEX #5EC38F

RGB 94 195 143

HSL 149.11, 0.46%, 0.57%

LAB 71.82, -41.59, 17.3

 

CMYK 37 / 52 / 0 / 23

HEX #7C5EC4

RGB 124 94 196

HSL 257.65, 0.46%, 0.57%

LAB 47.33, 35.29, -49.3

 

CMYK 0 / 52 / 41 / 24

HEX #C35E74

RGB 195 94 116

HSL 346.93, 0.46%, 0.57%

LAB 52.81, 42.57, 6.89

 

CMYK 14 / 0 / 52 / 24

HEX #A7C35E

RGB 167 195 94

HSL 76.63, 0.46%, 0.57%

LAB 74.86, -25.01, 47.11

 

CMYK 52 / 0 / 11 / 24

HEX #5EC3AD

RGB 94 195 173

HSL 166.93, 0.46%, 0.57%

LAB 72.51, -34.87, 2.06

 

Description

Color code: HEX #7C5EC4 | qconv.com Color code: HEX #7C5EC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 94 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 94 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 52 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 52% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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