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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5F59 it is the complementary color #83A0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5F59 shade: #815F54, #927167, #A3837A, #B4958D and #C5A7A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5F59 shade: #7C5F59, #6B4D46, #5A3B33, #492920 and #38170D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5F59 shade: #7C5F59 and #7C5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5F59 shade: #7C5F59, #7C6959, #7C7259, #7C7B59 and #737C59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5F59 shade matches the following richer shades: #7C5F59, #8D5448, #9E4937, #B03D25 and #C13214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5F59 shade: #7C5F59, #6A6B6B, #59767C, #48818D and #368D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5F59 shade: #7C5966, #7C595D, #7C5F59, #7C6859 and #7C7159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5F59 shade: #4C3A37, #644D48, #7C5F59, #94726B and #A58983

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5F59 shade: #7C5F59, #6F7C59 and #59617C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5F59 shade: #7C5F59, #597C5F and #5F597C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5F59 shade: #7C5F59, #6F7C59, #59767C and #66597C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5F59 shade: #7C5F59, #657C59, #59767C and #70597C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

Complementary color

CMYK 21 / 4 / 0 / 35

HEX #83A0A6

RGB 131 160 166

HSL 190.29, 0.16%, 0.58%

LAB 63.93, -8.66, -6.46

 

CMYK 0 / 26 / 35 / 49

HEX #815F54

RGB 129 95 84

HSL 14.67, 0.21%, 0.42%

LAB 43.49, 12.22, 11.7

 

CMYK 0 / 23 / 29 / 43

HEX #927167

RGB 146 113 103

HSL 13.95, 0.17%, 0.49%

LAB 50.57, 11.48, 10.54

 

CMYK 0 / 20 / 25 / 36

HEX #A3837A

RGB 163 131 122

HSL 13.17, 0.18%, 0.56%

LAB 57.49, 10.85, 9.5

 

CMYK 0 / 17 / 22 / 29

HEX #B4958D

RGB 180 149 141

HSL 12.31, 0.21%, 0.63%

LAB 64.26, 10.3, 8.55

 

CMYK 0 / 15 / 19 / 23

HEX #C5A7A0

RGB 197 167 160

HSL 11.35, 0.24%, 0.7%

LAB 70.9, 9.82, 7.68

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 28 / 35 / 58

HEX #6B4D46

RGB 107 77 70

HSL 11.35, 0.21%, 0.35%

LAB 35.74, 11.61, 9.13

 

CMYK 0 / 34 / 43 / 65

HEX #5A3B33

RGB 90 59 51

HSL 12.31, 0.28%, 0.28%

LAB 28.22, 12.57, 10.51

 

CMYK 0 / 44 / 56 / 71

HEX #492920

RGB 73 41 32

HSL 13.17, 0.39%, 0.21%

LAB 20.47, 13.81, 12.25

 

CMYK 0 / 59 / 77 / 78

HEX #38170D

RGB 56 23 13

HSL 13.95, 0.62%, 0.14%

LAB 12.5, 15.43, 13.52

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 28 / 28 / 51

HEX #7C5959

RGB 124 89 89

HSL 0, 0.16%, 0.42%

LAB 41.46, 14.43, 5.7

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 15 / 28 / 51

HEX #7C6959

RGB 124 105 89

HSL 27.43, 0.16%, 0.42%

LAB 45.78, 4.89, 11.8

 

CMYK 0 / 8 / 28 / 51

HEX #7C7259

RGB 124 114 89

HSL 42.86, 0.16%, 0.42%

LAB 48.31, -0.37, 15.29

 

CMYK 0 / 1 / 28 / 51

HEX #7C7B59

RGB 124 123 89

HSL 58.29, 0.16%, 0.42%

LAB 50.89, -5.51, 18.79

 

CMYK 7 / 0 / 28 / 51

HEX #737C59

RGB 115 124 89

HSL 75.43, 0.16%, 0.42%

LAB 50.43, -9.8, 18.04

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 40 / 49 / 45

HEX #8D5448

RGB 141 84 72

HSL 10.43, 0.32%, 0.42%

LAB 41.96, 22.33, 17.11

 

CMYK 0 / 54 / 65 / 38

HEX #9E4937

RGB 158 73 55

HSL 10.49, 0.48%, 0.42%

LAB 41.7, 33.94, 27.47

 

CMYK 0 / 65 / 79 / 31

HEX #B03D25

RGB 176 61 37

HSL 10.36, 0.65%, 0.42%

LAB 42.31, 45.6, 39.12

 

CMYK 0 / 74 / 90 / 24

HEX #C13214

RGB 193 50 20

HSL 10.4, 0.81%, 0.42%

LAB 43.75, 55.18, 49.61

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 28 / 5 / 0 / 51

HEX #59767C

RGB 89 118 124

HSL 190.29, 0.16%, 0.42%

LAB 47.67, -8.9, -6.71

 

CMYK 49 / 9 / 0 / 45

HEX #48818D

RGB 72 129 141

HSL 190.43, 0.32%, 0.42%

LAB 50.69, -15.28, -12.29

 

CMYK 66 / 11 / 0 / 38

HEX #368D9F

RGB 54 141 159

HSL 190.29, 0.49%, 0.42%

LAB 54.38, -19.99, -17.2

 

CMYK 0 / 28 / 18 / 51

HEX #7C5966

RGB 124 89 102

HSL 337.71, 0.16%, 0.42%

LAB 41.83, 16.57, -1.74

 

CMYK 0 / 28 / 25 / 51

HEX #7C595D

RGB 124 89 93

HSL 353.14, 0.16%, 0.42%

LAB 41.56, 15.06, 3.4

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 16 / 28 / 51

HEX #7C6859

RGB 124 104 89

HSL 25.71, 0.16%, 0.42%

LAB 45.51, 5.48, 11.41

 

CMYK 0 / 9 / 28 / 51

HEX #7C7159

RGB 124 113 89

HSL 41.14, 0.16%, 0.42%

LAB 48.03, 0.21, 14.9

 

CMYK 0 / 24 / 28 / 70

HEX #4C3A37

RGB 76 58 55

HSL 8.57, 0.16%, 0.26%

LAB 26.27, 7.41, 4.9

 

CMYK 0 / 23 / 28 / 61

HEX #644D48

RGB 100 77 72

HSL 10.71, 0.16%, 0.34%

LAB 34.97, 8.85, 6.67

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 0 / 23 / 28 / 42

HEX #94726B

RGB 148 114 107

HSL 10.24, 0.16%, 0.5%

LAB 51.14, 12.3, 9.02

 

CMYK 0 / 17 / 21 / 35

HEX #A58983

RGB 165 137 131

HSL 10.59, 0.16%, 0.58%

LAB 59.46, 9.63, 7.18

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 10 / 0 / 28 / 51

HEX #6F7C59

RGB 111 124 89

HSL 82.29, 0.16%, 0.42%

LAB 50.12, -11.42, 17.56

 

CMYK 28 / 22 / 0 / 51

HEX #59617C

RGB 89 97 124

HSL 226.29, 0.16%, 0.42%

LAB 41.42, 3.56, -16.14

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 28 / 0 / 23 / 51

HEX #597C5F

RGB 89 124 95

HSL 130.29, 0.16%, 0.42%

LAB 48.72, -18.77, 11.92

 

CMYK 23 / 28 / 0 / 51

HEX #5F597C

RGB 95 89 124

HSL 250.29, 0.16%, 0.42%

LAB 39.64, 10.53, -18.83

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 10 / 0 / 28 / 51

HEX #6F7C59

RGB 111 124 89

HSL 82.29, 0.16%, 0.42%

LAB 50.12, -11.42, 17.56

 

CMYK 28 / 5 / 0 / 51

HEX #59767C

RGB 89 118 124

HSL 190.29, 0.16%, 0.42%

LAB 47.67, -8.9, -6.71

 

CMYK 18 / 28 / 0 / 51

HEX #66597C

RGB 102 89 124

HSL 262.29, 0.16%, 0.42%

LAB 40.29, 12.93, -17.78

 

CMYK 0 / 23 / 28 / 51

HEX #7C5F59

RGB 124 95 89

HSL 10.29, 0.16%, 0.42%

LAB 43.05, 10.83, 7.96

 

CMYK 19 / 0 / 28 / 51

HEX #657C59

RGB 101 124 89

HSL 99.43, 0.16%, 0.42%

LAB 49.38, -15.39, 16.44

 

CMYK 28 / 5 / 0 / 51

HEX #59767C

RGB 89 118 124

HSL 190.29, 0.16%, 0.42%

LAB 47.67, -8.9, -6.71

 

CMYK 10 / 28 / 0 / 51

HEX #70597C

RGB 112 89 124

HSL 279.43, 0.16%, 0.42%

LAB 41.29, 16.45, -16.16

 

Description

Color code: HEX #7C5F59 | qconv.com Color code: HEX #7C5F59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 95 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 95 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 28 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 28% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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