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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C6299 it is the complementary color #839D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C6299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C6299 shade: #816294, #9274A7, #A386BA, #B498CD and #C5AAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C6299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C6299 shade: #7C6299, #6B5086, #5A3E73, #492C60 and #381A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C6299 shade: #7B6198, #8A6198, #986197, #986188 and #98617A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C6299 shade: #7B6198, #6C6198 and #616198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C6299 shade matches the following richer shades: #7B6198, #7A4DAC, #7939C0, #7824D5 and #7710E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C6299 shade: #7B6198, #7C7584, #7D8970, #7E9E5B and #7FB247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C6299 shade: #616598, #6C6198, #7B6198, #896198 and #986198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C6299 shade: #524166, #67517F, #7B6198, #9079A9 and #A592B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C6299 shade: #7C6299, #986173 and #619865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C6299 shade: #7C6299, #987B61 and #61987B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C6299 shade: #7C6299, #986173, #7E9861 and #619886

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C6299 shade: #7C6299, #986163, #7E9861 and #619896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

Complementary color

CMYK 17 / 0 / 35 / 38

HEX #839D66

RGB 131 157 102

HSL 88.36, 0.22%, 0.51%

LAB 61.57, -19.12, 25.86

 

CMYK 13 / 34 / 0 / 42

HEX #816294

RGB 129 98 148

HSL 277.2, 0.2%, 0.48%

LAB 46.37, 22.33, -22.65

 

CMYK 13 / 31 / 0 / 35

HEX #9274A7

RGB 146 116 167

HSL 275.29, 0.22%, 0.55%

LAB 53.38, 21.64, -22.87

 

CMYK 12 / 28 / 0 / 27

HEX #A386BA

RGB 163 134 186

HSL 273.46, 0.27%, 0.63%

LAB 60.23, 21.02, -23.09

 

CMYK 12 / 26 / 0 / 20

HEX #B498CD

RGB 180 152 205

HSL 271.7, 0.35%, 0.7%

LAB 66.95, 20.46, -23.33

 

CMYK 12 / 24 / 0 / 12

HEX #C5AAE0

RGB 197 170 224

HSL 270, 0.47%, 0.77%

LAB 73.55, 19.94, -23.58

 

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

CMYK 20 / 40 / 0 / 47

HEX #6B5086

RGB 107 80 134

HSL 270, 0.25%, 0.42%

LAB 38.87, 22.64, -26.04

 

CMYK 22 / 46 / 0 / 55

HEX #5A3E73

RGB 90 62 115

HSL 271.7, 0.3%, 0.35%

LAB 31.48, 23.53, -25.98

 

CMYK 24 / 54 / 0 / 62

HEX #492C60

RGB 73 44 96

HSL 273.46, 0.37%, 0.27%

LAB 23.88, 24.51, -25.91

 

CMYK 27 / 66 / 0 / 70

HEX #381A4D

RGB 56 26 77

HSL 275.29, 0.5%, 0.2%

LAB 16.08, 25.49, -25.76

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 9 / 36 / 0 / 40

HEX #8A6198

RGB 138 97 152

HSL 284.73, 0.22%, 0.49%

LAB 47.26, 26.8, -23.57

 

CMYK 0 / 36 / 1 / 40

HEX #986197

RGB 152 97 151

HSL 301.09, 0.22%, 0.49%

LAB 48.83, 31.26, -20.42

 

CMYK 0 / 36 / 11 / 40

HEX #986188

RGB 152 97 136

HSL 317.45, 0.22%, 0.49%

LAB 48.26, 28.44, -12.37

 

CMYK 0 / 36 / 20 / 40

HEX #98617A

RGB 152 97 122

HSL 332.73, 0.22%, 0.49%

LAB 47.79, 26.04, -4.7

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 29 / 36 / 0 / 40

HEX #6C6198

RGB 108 97 152

HSL 252, 0.22%, 0.49%

LAB 44.24, 17.15, -28.5

 

CMYK 36 / 36 / 0 / 40

HEX #616198

RGB 97 97 152

HSL 240, 0.22%, 0.49%

LAB 43.3, 13.84, -30.04

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 29 / 55 / 0 / 33

HEX #7A4DAC

RGB 122 77 172

HSL 268.42, 0.38%, 0.49%

LAB 41.88, 38.31, -44

 

CMYK 37 / 70 / 0 / 25

HEX #7939C0

RGB 121 57 192

HSL 268.44, 0.54%, 0.49%

LAB 39.24, 53.56, -60.05

 

CMYK 44 / 83 / 0 / 16

HEX #7824D5

RGB 120 36 213

HSL 268.47, 0.71%, 0.49%

LAB 37.95, 66.77, -74.36

 

CMYK 49 / 93 / 0 / 9

HEX #7710E9

RGB 119 16 233

HSL 268.48, 0.87%, 0.49%

LAB 38.16, 75.88, -85.48

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 6 / 11 / 0 / 48

HEX #7C7584

RGB 124 117 132

HSL 268, 0.06%, 0.49%

LAB 50.3, 5.73, -7.23

 

CMYK 9 / 0 / 18 / 46

HEX #7D8970

RGB 125 137 112

HSL 88.8, 0.1%, 0.49%

LAB 55.5, -9.19, 11.96

 

CMYK 20 / 0 / 42 / 38

HEX #7E9E5B

RGB 126 158 91

HSL 88.66, 0.27%, 0.49%

LAB 61.35, -23.08, 31.41

 

CMYK 29 / 0 / 60 / 30

HEX #7FB247

RGB 127 178 71

HSL 88.6, 0.43%, 0.49%

LAB 67.13, -34.55, 48.23

 

CMYK 36 / 34 / 0 / 40

HEX #616598

RGB 97 101 152

HSL 235.64, 0.22%, 0.49%

LAB 44.4, 11.36, -28.32

 

CMYK 29 / 36 / 0 / 40

HEX #6C6198

RGB 108 97 152

HSL 252, 0.22%, 0.49%

LAB 44.24, 17.15, -28.5

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 10 / 36 / 0 / 40

HEX #896198

RGB 137 97 152

HSL 283.64, 0.22%, 0.49%

LAB 47.15, 26.47, -23.75

 

CMYK 0 / 36 / 0 / 40

HEX #986198

RGB 152 97 152

HSL 300, 0.22%, 0.49%

LAB 48.87, 31.46, -20.95

 

CMYK 20 / 36 / 0 / 60

HEX #524166

RGB 82 65 102

HSL 267.57, 0.22%, 0.33%

LAB 30.72, 15.6, -18.98

 

CMYK 19 / 36 / 0 / 50

HEX #67517F

RGB 103 81 127

HSL 268.7, 0.22%, 0.41%

LAB 38.38, 18.98, -22.56

 

CMYK 19 / 36 / 0 / 40

HEX #7B6198

RGB 123 97 152

HSL 268.36, 0.22%, 0.49%

LAB 45.67, 21.89, -26.16

 

CMYK 15 / 28 / 0 / 34

HEX #9079A9

RGB 144 121 169

HSL 268.75, 0.22%, 0.57%

LAB 54.52, 18.51, -22.28

 

CMYK 11 / 21 / 0 / 27

HEX #A592B9

RGB 165 146 185

HSL 269.23, 0.22%, 0.65%

LAB 63.39, 14.64, -17.69

 

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

CMYK 0 / 36 / 24 / 40

HEX #986173

RGB 152 97 115

HSL 340.36, 0.22%, 0.49%

LAB 47.58, 24.93, -0.81

 

CMYK 36 / 0 / 34 / 40

HEX #619865

RGB 97 152 101

HSL 124.36, 0.22%, 0.49%

LAB 57.98, -29.07, 21.26

 

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

CMYK 0 / 19 / 36 / 40

HEX #987B61

RGB 152 123 97

HSL 28.36, 0.22%, 0.49%

LAB 53.71, 7.39, 18.46

 

CMYK 36 / 0 / 19 / 40

HEX #61987B

RGB 97 152 123

HSL 148.36, 0.22%, 0.49%

LAB 58.44, -24.8, 9.58

 

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

CMYK 0 / 36 / 24 / 40

HEX #986173

RGB 152 97 115

HSL 340.36, 0.22%, 0.49%

LAB 47.58, 24.93, -0.81

 

CMYK 17 / 0 / 36 / 40

HEX #7E9861

RGB 126 152 97

HSL 88.36, 0.22%, 0.49%

LAB 59.67, -19.2, 26.01

 

CMYK 36 / 0 / 12 / 40

HEX #619886

RGB 97 152 134

HSL 160.36, 0.22%, 0.49%

LAB 58.71, -22.38, 3.74

 

CMYK 19 / 36 / 0 / 40

HEX #7C6299

RGB 124 98 153

HSL 268.36, 0.22%, 0.49%

LAB 46.07, 21.86, -26.12

 

CMYK 0 / 36 / 35 / 40

HEX #986163

RGB 152 97 99

HSL 357.82, 0.22%, 0.49%

LAB 47.14, 22.62, 8.18

 

CMYK 17 / 0 / 36 / 40

HEX #7E9861

RGB 126 152 97

HSL 88.36, 0.22%, 0.49%

LAB 59.67, -19.2, 26.01

 

CMYK 36 / 0 / 1 / 40

HEX #619896

RGB 97 152 150

HSL 177.82, 0.22%, 0.49%

LAB 59.16, -18.54, -4.71

 

Description

Color code: HEX #7C6299 | qconv.com Color code: HEX #7C6299 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 98 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 98 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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