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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C62D4 it is the complementary color #839D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C62D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C62D4 shade: #8162CF, #9274E2, #A386F5, #B498FF and #C5AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C62D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C62D4 shade: #7C62D4, #6B50C1, #5A3EAE, #492C9B and #381A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C62D4 shade: #7C62D4, #9B62D4, #B962D4, #D462D0 and #D462B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C62D4 shade: #7C62D4 and #6262D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C62D4 shade matches the following richer shades: #7C62D4, #7352E4 and #6B42F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C62D4 shade: #7C62D4, #8572C4, #8E83B4, #9693A3 and #9FA393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C62D4 shade: #6286D4, #6268D4, #7B62D4, #9962D4 and #B762D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C62D4 shade: #4E31B3, #6142CB, #7C62D4, #9783DD and #B2A3E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C62D4 shade: #7C62D4, #D462A4 and #77D462

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C62D4 shade: #7C62D4, #D47B62 and #62D47B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C62D4 shade: #7C62D4, #D462A4, #BBD462 and #62D492

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C62D4 shade: #7C62D4, #D46282, #BBD462 and #62D4B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

Complementary color

CMYK 17 / 0 / 73 / 38

HEX #839D2B

RGB 131 157 43

HSL 73.68, 0.57%, 0.39%

LAB 60.88, -25.08, 53.39

 

CMYK 38 / 53 / 0 / 19

HEX #8162CF

RGB 129 98 207

HSL 257.06, 0.53%, 0.6%

LAB 49.38, 37.17, -52.31

 

CMYK 35 / 49 / 0 / 11

HEX #9274E2

RGB 146 116 226

HSL 256.36, 0.65%, 0.67%

LAB 56.18, 36.08, -52.12

 

CMYK 33 / 45 / 0 / 4

HEX #A386F5

RGB 163 134 245

HSL 255.68, 0.85%, 0.74%

LAB 62.87, 35.09, -51.95

 

CMYK 29 / 40 / 0 / 0

HEX #B498FF

RGB 180 152 255

HSL 256.31, 1%, 0.8%

LAB 69.03, 31.96, -47.6

 

CMYK 23 / 33 / 0 / 0

HEX #C5AAFF

RGB 197 170 255

HSL 259.06, 1%, 0.83%

LAB 74.72, 26.74, -38.58

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 45 / 59 / 0 / 24

HEX #6B50C1

RGB 107 80 193

HSL 254.34, 0.48%, 0.54%

LAB 42.33, 38.65, -55.69

 

CMYK 48 / 64 / 0 / 32

HEX #5A3EAE

RGB 90 62 174

HSL 255, 0.47%, 0.46%

LAB 35.35, 40.05, -55.89

 

CMYK 53 / 72 / 0 / 39

HEX #492C9B

RGB 73 44 155

HSL 255.68, 0.56%, 0.39%

LAB 28.34, 41.45, -55.95

 

CMYK 59 / 81 / 0 / 47

HEX #381A88

RGB 56 26 136

HSL 256.36, 0.68%, 0.32%

LAB 21.42, 42.59, -55.62

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 27 / 54 / 0 / 17

HEX #9B62D4

RGB 155 98 212

HSL 270, 0.57%, 0.61%

LAB 52.35, 44.94, -50.27

 

CMYK 13 / 54 / 0 / 17

HEX #B962D4

RGB 185 98 212

HSL 285.79, 0.57%, 0.61%

LAB 55.89, 52.76, -44.43

 

CMYK 0 / 54 / 2 / 17

HEX #D462D0

RGB 212 98 208

HSL 302.11, 0.57%, 0.61%

LAB 59.24, 59.25, -36.65

 

CMYK 0 / 54 / 17 / 17

HEX #D462B1

RGB 212 98 177

HSL 318.42, 0.57%, 0.61%

LAB 57.95, 54.24, -20.94

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 54 / 54 / 0 / 17

HEX #6262D4

RGB 98 98 212

HSL 240, 0.57%, 0.61%

LAB 47.09, 31.72, -59

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 50 / 64 / 0 / 11

HEX #7352E4

RGB 115 82 228

HSL 253.56, 0.73%, 0.61%

LAB 46.02, 49.12, -69.77

 

CMYK 56 / 73 / 0 / 4

HEX #6B42F4

RGB 107 66 244

HSL 253.82, 0.89%, 0.61%

LAB 43.59, 60.68, -82.8

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 32 / 42 / 0 / 23

HEX #8572C4

RGB 133 114 196

HSL 253.9, 0.41%, 0.61%

LAB 52.96, 25.9, -40.32

 

CMYK 21 / 27 / 0 / 29

HEX #8E83B4

RGB 142 131 180

HSL 253.47, 0.25%, 0.61%

LAB 57.35, 14.59, -24.27

 

CMYK 8 / 10 / 0 / 36

HEX #9693A3

RGB 150 147 163

HSL 251.25, 0.08%, 0.61%

LAB 61.65, 4.3, -8.01

 

CMYK 2 / 0 / 10 / 36

HEX #9FA393

RGB 159 163 147

HSL 75, 0.08%, 0.61%

LAB 66.27, -4.39, 7.82

 

CMYK 54 / 37 / 0 / 17

HEX #6286D4

RGB 98 134 212

HSL 221.05, 0.57%, 0.61%

LAB 56.49, 9.81, -43.99

 

CMYK 54 / 51 / 0 / 17

HEX #6268D4

RGB 98 104 212

HSL 236.84, 0.57%, 0.61%

LAB 48.57, 28.06, -56.6

 

CMYK 42 / 54 / 0 / 17

HEX #7B62D4

RGB 123 98 212

HSL 253.16, 0.57%, 0.61%

LAB 49.13, 37.13, -55.6

 

CMYK 28 / 54 / 0 / 17

HEX #9962D4

RGB 153 98 212

HSL 268.95, 0.57%, 0.61%

LAB 52.13, 44.43, -50.63

 

CMYK 14 / 54 / 0 / 17

HEX #B762D4

RGB 183 98 212

HSL 284.74, 0.57%, 0.61%

LAB 55.64, 52.23, -44.84

 

CMYK 56 / 73 / 0 / 30

HEX #4E31B3

RGB 78 49 179

HSL 253.38, 0.57%, 0.45%

LAB 31.97, 46.67, -64.44

 

CMYK 52 / 67 / 0 / 20

HEX #6142CB

RGB 97 66 203

HSL 253.58, 0.57%, 0.53%

LAB 39.16, 47.56, -66.7

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 32 / 41 / 0 / 13

HEX #9783DD

RGB 151 131 221

HSL 253.33, 0.57%, 0.69%

LAB 59.92, 27.46, -43.37

 

CMYK 22 / 29 / 0 / 10

HEX #B2A3E5

RGB 178 163 229

HSL 253.64, 0.56%, 0.77%

LAB 70.4, 19.02, -31.28

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 0 / 54 / 23 / 17

HEX #D462A4

RGB 212 98 164

HSL 325.26, 0.57%, 0.61%

LAB 57.48, 52.35, -14.15

 

CMYK 44 / 0 / 54 / 17

HEX #77D462

RGB 119 212 98

HSL 108.95, 0.57%, 0.61%

LAB 77.22, -49.11, 47.38

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 0 / 42 / 54 / 17

HEX #D47B62

RGB 212 123 98

HSL 13.16, 0.57%, 0.61%

LAB 60.82, 32.1, 28.61

 

CMYK 54 / 0 / 42 / 17

HEX #62D47B

RGB 98 212 123

HSL 133.16, 0.57%, 0.61%

LAB 76.75, -51.38, 34.4

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 0 / 54 / 23 / 17

HEX #D462A4

RGB 212 98 164

HSL 325.26, 0.57%, 0.61%

LAB 57.48, 52.35, -14.15

 

CMYK 12 / 0 / 54 / 17

HEX #BBD462

RGB 187 212 98

HSL 73.16, 0.57%, 0.61%

LAB 81.03, -25, 52.83

 

CMYK 54 / 0 / 31 / 17

HEX #62D492

RGB 98 212 146

HSL 145.26, 0.57%, 0.61%

LAB 77.14, -47.32, 23.05

 

CMYK 42 / 54 / 0 / 17

HEX #7C62D4

RGB 124 98 212

HSL 253.68, 0.57%, 0.61%

LAB 49.22, 37.36, -55.45

 

CMYK 0 / 54 / 39 / 17

HEX #D46282

RGB 212 98 130

HSL 343.16, 0.57%, 0.61%

LAB 56.43, 48.04, 4.16

 

CMYK 12 / 0 / 54 / 17

HEX #BBD462

RGB 187 212 98

HSL 73.16, 0.57%, 0.61%

LAB 81.03, -25, 52.83

 

CMYK 54 / 0 / 15 / 17

HEX #62D4B4

RGB 98 212 180

HSL 163.16, 0.57%, 0.61%

LAB 77.86, -40.09, 6.04

 

Description

Color code: HEX #7C62D4 | qconv.com Color code: HEX #7C62D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 98 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 98 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 54 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 54% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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