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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C80B5 it is the complementary color #837F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C80B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C80B5 shade: #8180B0, #9292C3, #A3A4D6, #B4B6E9 and #C5C8FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C80B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C80B5 shade: #7C80B5, #6B6EA2, #5A5C8F, #494A7C and #383869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C80B5 shade: #7C80B5, #877CB5, #977CB5, #A67CB5 and #B57CB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C80B5 shade: #7C80B5 and #7C7CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C80B5 shade matches the following richer shades: #7C80B5, #6B72C6, #5B64D6, #4A55E7 and #3A47F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C80B5 shade: #7C80B5, #8C8EA5, #9D9C94, #ADAB84 and #BEB973

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C80B5 shade: #7C9FB5, #7C90B5, #7C81B5, #867CB5 and #967CB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C80B5 shade: #50548F, #6266A6, #7C80B5, #969AC4 and #B1B3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C80B5 shade: #7C80B5, #B57CAE and #98B57C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C80B5 shade: #7C80B5, #B57C81 and #81B57C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C80B5 shade: #7C80B5, #B57CAE, #B5B07C and #7CB583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C80B5 shade: #7C80B5, #B57C9D, #B5B07C and #7CB594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

Complementary color

CMYK 0 / 3 / 44 / 49

HEX #837F4A

RGB 131 127 74

HSL 55.79, 0.28%, 0.4%

LAB 52.4, -6.7, 29.29

 

CMYK 27 / 27 / 0 / 31

HEX #8180B0

RGB 129 128 176

HSL 241.25, 0.23%, 0.6%

LAB 55.32, 11.27, -25.19

 

CMYK 25 / 25 / 0 / 24

HEX #9292C3

RGB 146 146 195

HSL 240, 0.29%, 0.67%

LAB 62.18, 10.81, -25.31

 

CMYK 24 / 23 / 0 / 16

HEX #A3A4D6

RGB 163 164 214

HSL 238.82, 0.38%, 0.74%

LAB 68.89, 10.4, -25.46

 

CMYK 23 / 22 / 0 / 9

HEX #B4B6E9

RGB 180 182 233

HSL 237.74, 0.55%, 0.81%

LAB 75.48, 10.02, -25.64

 

CMYK 22 / 21 / 0 / 1

HEX #C5C8FC

RGB 197 200 252

HSL 236.73, 0.9%, 0.88%

LAB 81.95, 9.68, -25.84

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 34 / 32 / 0 / 36

HEX #6B6EA2

RGB 107 110 162

HSL 236.73, 0.23%, 0.53%

LAB 48.12, 11.62, -28.37

 

CMYK 37 / 36 / 0 / 44

HEX #5A5C8F

RGB 90 92 143

HSL 237.74, 0.23%, 0.46%

LAB 40.91, 12.3, -28.42

 

CMYK 41 / 40 / 0 / 51

HEX #494A7C

RGB 73 74 124

HSL 238.82, 0.26%, 0.39%

LAB 33.5, 13.14, -28.54

 

CMYK 47 / 47 / 0 / 59

HEX #383869

RGB 56 56 105

HSL 240, 0.3%, 0.32%

LAB 25.83, 14.2, -28.76

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 25 / 31 / 0 / 29

HEX #877CB5

RGB 135 124 181

HSL 251.58, 0.28%, 0.6%

LAB 54.97, 16.74, -28.56

 

CMYK 17 / 31 / 0 / 29

HEX #977CB5

RGB 151 124 181

HSL 268.42, 0.28%, 0.6%

LAB 56.42, 21.77, -26.21

 

CMYK 8 / 31 / 0 / 29

HEX #A67CB5

RGB 166 124 181

HSL 284.21, 0.28%, 0.6%

LAB 57.9, 26.64, -23.8

 

CMYK 0 / 31 / 0 / 29

HEX #B57CB5

RGB 181 124 181

HSL 300, 0.28%, 0.6%

LAB 59.5, 31.58, -21.2

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 31 / 31 / 0 / 29

HEX #7C7CB5

RGB 124 124 181

HSL 240, 0.28%, 0.6%

LAB 54.07, 13.41, -30.04

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 46 / 42 / 0 / 22

HEX #6B72C6

RGB 107 114 198

HSL 235.38, 0.44%, 0.6%

LAB 50.96, 19.62, -44.75

 

CMYK 57 / 53 / 0 / 16

HEX #5B64D6

RGB 91 100 214

HSL 235.61, 0.6%, 0.6%

LAB 47.23, 29.78, -59.94

 

CMYK 68 / 63 / 0 / 9

HEX #4A55E7

RGB 74 85 231

HSL 235.8, 0.77%, 0.6%

LAB 43.83, 41.94, -75.16

 

CMYK 77 / 71 / 0 / 3

HEX #3A47F7

RGB 58 71 247

HSL 235.87, 0.92%, 0.6%

LAB 41.41, 53.79, -88.19

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 15 / 14 / 0 / 35

HEX #8C8EA5

RGB 140 142 165

HSL 235.2, 0.12%, 0.6%

LAB 59.56, 4.12, -12.36

 

CMYK 0 / 1 / 6 / 38

HEX #9D9C94

RGB 157 156 148

HSL 53.33, 0.04%, 0.6%

LAB 64.23, -1.13, 4.31

 

CMYK 0 / 1 / 24 / 32

HEX #ADAB84

RGB 173 171 132

HSL 57.07, 0.2%, 0.6%

LAB 69.24, -5.77, 20.4

 

CMYK 0 / 3 / 39 / 25

HEX #BEB973

RGB 190 185 115

HSL 56, 0.37%, 0.6%

LAB 74.11, -8.56, 36.13

 

CMYK 31 / 12 / 0 / 29

HEX #7C9FB5

RGB 124 159 181

HSL 203.16, 0.28%, 0.6%

LAB 63.69, -6.67, -15.29

 

CMYK 31 / 20 / 0 / 29

HEX #7C90B5

RGB 124 144 181

HSL 218.95, 0.28%, 0.6%

LAB 59.5, 1.74, -21.66

 

CMYK 31 / 29 / 0 / 29

HEX #7C81B5

RGB 124 129 181

HSL 234.74, 0.28%, 0.6%

LAB 55.4, 10.45, -27.96

 

CMYK 26 / 31 / 0 / 29

HEX #867CB5

RGB 134 124 181

HSL 250.53, 0.28%, 0.6%

LAB 54.89, 16.43, -28.7

 

CMYK 17 / 31 / 0 / 29

HEX #967CB5

RGB 150 124 181

HSL 267.37, 0.28%, 0.6%

LAB 56.32, 21.45, -26.36

 

CMYK 44 / 41 / 0 / 44

HEX #50548F

RGB 80 84 143

HSL 236.19, 0.28%, 0.44%

LAB 37.89, 14.54, -33.22

 

CMYK 41 / 39 / 0 / 35

HEX #6266A6

RGB 98 102 166

HSL 236.47, 0.28%, 0.52%

LAB 45.43, 15.09, -34.97

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 23 / 21 / 0 / 23

HEX #969AC4

RGB 150 154 196

HSL 234.78, 0.28%, 0.68%

LAB 64.63, 7.74, -22.09

 

CMYK 16 / 15 / 0 / 17

HEX #B1B3D3

RGB 177 179 211

HSL 236.47, 0.28%, 0.76%

LAB 73.73, 5.81, -16.36

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 0 / 31 / 4 / 29

HEX #B57CAE

RGB 181 124 174

HSL 307.37, 0.28%, 0.6%

LAB 59.25, 30.26, -17.6

 

CMYK 16 / 0 / 31 / 29

HEX #98B57C

RGB 152 181 124

HSL 90.53, 0.28%, 0.6%

LAB 70.3, -20.17, 25.88

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 0 / 31 / 29 / 29

HEX #B57C81

RGB 181 124 129

HSL 354.74, 0.28%, 0.6%

LAB 57.87, 22.88, 6.28

 

CMYK 29 / 0 / 31 / 29

HEX #81B57C

RGB 129 181 124

HSL 114.74, 0.28%, 0.6%

LAB 68.87, -28.4, 23.72

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 0 / 31 / 4 / 29

HEX #B57CAE

RGB 181 124 174

HSL 307.37, 0.28%, 0.6%

LAB 59.25, 30.26, -17.6

 

CMYK 0 / 3 / 31 / 29

HEX #B5B07C

RGB 181 176 124

HSL 54.74, 0.28%, 0.6%

LAB 71.1, -6.37, 27.33

 

CMYK 31 / 0 / 28 / 29

HEX #7CB583

RGB 124 181 131

HSL 127.37, 0.28%, 0.6%

LAB 68.73, -28.87, 19.71

 

CMYK 31 / 29 / 0 / 29

HEX #7C80B5

RGB 124 128 181

HSL 235.79, 0.28%, 0.6%

LAB 55.13, 11.04, -28.38

 

CMYK 0 / 31 / 13 / 29

HEX #B57C9D

RGB 181 124 157

HSL 325.26, 0.28%, 0.6%

LAB 58.67, 27.24, -8.71

 

CMYK 0 / 3 / 31 / 29

HEX #B5B07C

RGB 181 176 124

HSL 54.74, 0.28%, 0.6%

LAB 71.1, -6.37, 27.33

 

CMYK 31 / 0 / 18 / 29

HEX #7CB594

RGB 124 181 148

HSL 145.26, 0.28%, 0.6%

LAB 69.09, -25.65, 10.96

 

Description

Color code: HEX #7C80B5 | qconv.com Color code: HEX #7C80B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 128 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 128 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 29% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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