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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C8121 it is the complementary color #837EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C8121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C8121 shade: #81811C, #92932F, #A3A542, #B4B755 and #C5C968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C8121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C8121 shade: #7C8121, #6B6F0E, #5A5D00, #494B00 and #383900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C8121 shade: #7C8121, #816C21, #815221, #813821 and #812121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C8121 shade: #7C8121, #628121, #488121, #2E8121 and #21812E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C8121 shade matches the following richer shades: #7C8121, #888E14 and #949C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C8121 shade: #7C8121, #70742E, #65673B, #595A49 and #4D4C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C8121 shade: #815321, #816C21, #7C8121, #638121 and #498121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C8121 shade: #3D4010, #5D6018, #7C8121, #9CA229 and #BBC332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C8121 shade: #7C8121, #218139 and #602181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C8121 shade: #7C8121, #217C81 and #81217C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C8121 shade: #7C8121, #218139, #262181 and #812169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C8121 shade: #7C8121, #218156, #262181 and #81214C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

Complementary color

CMYK 41 / 43 / 0 / 13

HEX #837EDE

RGB 131 126 222

HSL 243.13, 0.59%, 0.68%

LAB 57.1, 25.39, -48.5

 

CMYK 0 / 0 / 78 / 49

HEX #81811C

RGB 129 129 28

HSL 60, 0.64%, 0.31%

LAB 52.34, -12.25, 50.56

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 1 / 0 / 60 / 35

HEX #A3A542

RGB 163 165 66

HSL 61.21, 0.43%, 0.45%

LAB 65.82, -13.97, 49.73

 

CMYK 2 / 0 / 54 / 28

HEX #B4B755

RGB 180 183 85

HSL 61.84, 0.4%, 0.53%

LAB 72.38, -14.57, 48.72

 

CMYK 2 / 0 / 48 / 21

HEX #C5C968

RGB 197 201 104

HSL 62.47, 0.47%, 0.6%

LAB 78.84, -15.04, 47.59

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 4 / 0 / 87 / 56

HEX #6B6F0E

RGB 107 111 14

HSL 62.47, 0.78%, 0.25%

LAB 44.98, -13.22, 47.57

 

CMYK 3 / 0 / 100 / 64

HEX #5A5D00

RGB 90 93 0

HSL 61.94, 1%, 0.18%

LAB 37.85, -11.79, 44.87

 

CMYK 3 / 0 / 100 / 71

HEX #494B00

RGB 73 75 0

HSL 61.6, 1%, 0.15%

LAB 30.52, -9.92, 38.78

 

CMYK 2 / 0 / 100 / 78

HEX #383900

RGB 56 57 0

HSL 61.05, 1%, 0.11%

LAB 22.89, -7.96, 31.39

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 0 / 16 / 74 / 49

HEX #816C21

RGB 129 108 33

HSL 46.88, 0.59%, 0.32%

LAB 46.31, -0.27, 42.91

 

CMYK 0 / 36 / 74 / 49

HEX #815221

RGB 129 82 33

HSL 30.63, 0.59%, 0.32%

LAB 39.26, 15.02, 35.72

 

CMYK 0 / 57 / 74 / 49

HEX #813821

RGB 129 56 33

HSL 14.38, 0.59%, 0.32%

LAB 33.15, 29.9, 29.13

 

CMYK 0 / 74 / 74 / 49

HEX #812121

RGB 129 33 33

HSL 0, 0.59%, 0.32%

LAB 29.07, 40.77, 24.49

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 24 / 0 / 74 / 49

HEX #628121

RGB 98 129 33

HSL 79.38, 0.59%, 0.32%

LAB 49.99, -25.74, 45.67

 

CMYK 44 / 0 / 74 / 49

HEX #488121

RGB 72 129 33

HSL 95.63, 0.59%, 0.32%

LAB 48.5, -35.84, 43.69

 

CMYK 64 / 0 / 74 / 49

HEX #2E8121

RGB 46 129 33

HSL 111.88, 0.59%, 0.32%

LAB 47.48, -43.64, 42.34

 

CMYK 74 / 0 / 64 / 49

HEX #21812E

RGB 33 129 46

HSL 128.13, 0.59%, 0.32%

LAB 47.26, -45.04, 36.31

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 4 / 0 / 86 / 44

HEX #888E14

RGB 136 142 20

HSL 62.95, 0.75%, 0.32%

LAB 56.71, -16.26, 56.92

 

CMYK 5 / 0 / 96 / 39

HEX #949C07

RGB 148 156 7

HSL 63.22, 0.91%, 0.32%

LAB 61.73, -18.4, 63.68

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 3 / 0 / 60 / 55

HEX #70742E

RGB 112 116 46

HSL 63.43, 0.43%, 0.32%

LAB 47.15, -11.83, 37.3

 

CMYK 2 / 0 / 43 / 60

HEX #65673B

RGB 101 103 59

HSL 62.73, 0.27%, 0.32%

LAB 42.43, -8.16, 24.54

 

CMYK 1 / 0 / 19 / 65

HEX #595A49

RGB 89 90 73

HSL 63.53, 0.1%, 0.32%

LAB 37.69, -3.72, 9.71

 

CMYK 10 / 12 / 0 / 66

HEX #4D4C56

RGB 77 76 86

HSL 246, 0.06%, 0.32%

LAB 32.74, 2.68, -5.74

 

CMYK 0 / 36 / 74 / 49

HEX #815321

RGB 129 83 33

HSL 31.25, 0.59%, 0.32%

LAB 39.52, 14.43, 35.99

 

CMYK 0 / 16 / 74 / 49

HEX #816C21

RGB 129 108 33

HSL 46.88, 0.59%, 0.32%

LAB 46.31, -0.27, 42.91

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 23 / 0 / 74 / 49

HEX #638121

RGB 99 129 33

HSL 78.75, 0.59%, 0.32%

LAB 50.05, -25.32, 45.76

 

CMYK 43 / 0 / 74 / 49

HEX #498121

RGB 73 129 33

HSL 95, 0.59%, 0.32%

LAB 48.54, -35.49, 43.76

 

CMYK 5 / 0 / 75 / 75

HEX #3D4010

RGB 61 64 16

HSL 63.75, 0.6%, 0.16%

LAB 25.85, -8.66, 27.73

 

CMYK 3 / 0 / 75 / 62

HEX #5D6018

RGB 93 96 24

HSL 62.5, 0.6%, 0.24%

LAB 39.17, -11.08, 38.48

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 4 / 0 / 75 / 36

HEX #9CA229

RGB 156 162 41

HSL 62.98, 0.6%, 0.4%

LAB 64.22, -16.95, 57.97

 

CMYK 4 / 0 / 74 / 24

HEX #BBC332

RGB 187 195 50

HSL 63.31, 0.59%, 0.48%

LAB 75.96, -19.88, 66.85

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 74 / 0 / 56 / 49

HEX #218139

RGB 33 129 57

HSL 135, 0.59%, 0.32%

LAB 47.39, -43.53, 30.99

 

CMYK 26 / 74 / 0 / 49

HEX #602181

RGB 96 33 129

HSL 279.38, 0.59%, 0.32%

LAB 27.18, 44.51, -41.6

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 74 / 4 / 0 / 49

HEX #217C81

RGB 33 124 129

HSL 183.13, 0.59%, 0.32%

LAB 47.4, -23.85, -10.32

 

CMYK 0 / 74 / 4 / 49

HEX #81217C

RGB 129 33 124

HSL 303.13, 0.59%, 0.32%

LAB 32.28, 51.05, -30

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 74 / 0 / 56 / 49

HEX #218139

RGB 33 129 57

HSL 135, 0.59%, 0.32%

LAB 47.39, -43.53, 30.99

 

CMYK 71 / 74 / 0 / 49

HEX #262181

RGB 38 33 129

HSL 243.13, 0.59%, 0.32%

LAB 20.38, 34.28, -52.98

 

CMYK 0 / 74 / 19 / 49

HEX #812169

RGB 129 33 105

HSL 315, 0.59%, 0.32%

LAB 31.29, 48.02, -19.49

 

CMYK 4 / 0 / 74 / 49

HEX #7C8121

RGB 124 129 33

HSL 63.13, 0.59%, 0.32%

LAB 51.94, -14.3, 48.25

 

CMYK 74 / 0 / 33 / 49

HEX #218156

RGB 33 129 86

HSL 153.13, 0.59%, 0.32%

LAB 47.87, -38.05, 15.61

 

CMYK 71 / 74 / 0 / 49

HEX #262181

RGB 38 33 129

HSL 243.13, 0.59%, 0.32%

LAB 20.38, 34.28, -52.98

 

CMYK 0 / 74 / 41 / 49

HEX #81214C

RGB 129 33 76

HSL 333.13, 0.59%, 0.32%

LAB 30.1, 44.23, -2.41

 

Description

Color code: HEX #7C8121 | qconv.com Color code: HEX #7C8121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 129 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 129 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 74 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 74% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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