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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C982E it is the complementary color #8367D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C982E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C982E shade: #819829, #92AA3C, #A3BC4F, #B4CE62 and #C5E075

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C982E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C982E shade: #7C982E, #6B861B, #5A7408, #496200 and #385000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C982E shade: #7C992D, #99982D, #997B2D, #995E2D and #99412D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C982E shade: #7C992D, #5F992D, #42992D, #2D9935 and #2D9952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C982E shade matches the following richer shades: #7C992D, #84A91D and #8BB90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C982E shade: #7C992D, #75893D, #6D784D, #66685E and #5E586E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C982E shade: #997A2D, #99972D, #7E992D, #61992D and #45992D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C982E shade: #49591A, #627924, #7C992D, #96B837 and #A9CA4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C982E shade: #7C982E, #2D995E and #892D99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C982E shade: #7C982E, #2D7E99 and #992D7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C982E shade: #7C982E, #2D995E, #482D99 and #992D68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C982E shade: #7C982E, #2D997E, #482D99 and #992D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

Complementary color

CMYK 37 / 51 / 0 / 18

HEX #8367D1

RGB 131 103 209

HSL 255.85, 0.54%, 0.61%

LAB 50.84, 35.31, -51.12

 

CMYK 15 / 0 / 73 / 40

HEX #819829

RGB 129 152 41

HSL 72.43, 0.58%, 0.38%

LAB 59.24, -23.56, 52.47

 

CMYK 14 / 0 / 65 / 33

HEX #92AA3C

RGB 146 170 60

HSL 73.09, 0.48%, 0.45%

LAB 65.89, -24.13, 52.05

 

CMYK 13 / 0 / 58 / 26

HEX #A3BC4F

RGB 163 188 79

HSL 73.76, 0.45%, 0.52%

LAB 72.44, -24.54, 51.22

 

CMYK 13 / 0 / 52 / 19

HEX #B4CE62

RGB 180 206 98

HSL 74.44, 0.52%, 0.6%

LAB 78.88, -24.85, 50.19

 

CMYK 12 / 0 / 48 / 12

HEX #C5E075

RGB 197 224 117

HSL 75.14, 0.63%, 0.67%

LAB 85.23, -25.09, 49.09

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 20 / 0 / 80 / 47

HEX #6B861B

RGB 107 134 27

HSL 75.14, 0.66%, 0.32%

LAB 52.12, -24.73, 50.06

 

CMYK 22 / 0 / 93 / 55

HEX #5A7408

RGB 90 116 8

HSL 74.44, 0.87%, 0.24%

LAB 45.2, -23.82, 48.59

 

CMYK 26 / 0 / 100 / 62

HEX #496200

RGB 73 98 0

HSL 75.31, 1%, 0.19%

LAB 38.11, -22.52, 44.47

 

CMYK 30 / 0 / 100 / 69

HEX #385000

RGB 56 80 0

HSL 78, 1%, 0.16%

LAB 30.83, -20.96, 38.4

 

CMYK 19 / 0 / 71 / 40

HEX #7C992D

RGB 124 153 45

HSL 76.11, 0.55%, 0.39%

LAB 59.21, -25.92, 50.79

 

CMYK 0 / 1 / 71 / 40

HEX #99982D

RGB 153 152 45

HSL 59.44, 0.55%, 0.39%

LAB 61.15, -12.87, 53.46

 

CMYK 0 / 20 / 71 / 40

HEX #997B2D

RGB 153 123 45

HSL 43.33, 0.55%, 0.39%

LAB 53.09, 3, 45.32

 

CMYK 0 / 39 / 71 / 40

HEX #995E2D

RGB 153 94 45

HSL 27.22, 0.55%, 0.39%

LAB 45.59, 19.59, 37.33

 

CMYK 0 / 58 / 71 / 40

HEX #99412D

RGB 153 65 45

HSL 11.11, 0.55%, 0.39%

LAB 39.14, 35.49, 30.07

 

CMYK 19 / 0 / 71 / 40

HEX #7C992D

RGB 124 153 45

HSL 76.11, 0.55%, 0.39%

LAB 59.21, -25.92, 50.79

 

CMYK 38 / 0 / 71 / 40

HEX #5F992D

RGB 95 153 45

HSL 92.22, 0.55%, 0.39%

LAB 57.47, -37.27, 48.45

 

CMYK 57 / 0 / 71 / 40

HEX #42992D

RGB 66 153 45

HSL 108.33, 0.55%, 0.39%

LAB 56.22, -46.53, 46.77

 

CMYK 71 / 0 / 65 / 40

HEX #2D9935

RGB 45 153 53

HSL 124.44, 0.55%, 0.39%

LAB 55.68, -50.6, 42.6

 

CMYK 71 / 0 / 46 / 40

HEX #2D9952

RGB 45 153 82

HSL 140.56, 0.55%, 0.39%

LAB 56.04, -46.47, 28.67

 

CMYK 19 / 0 / 71 / 40

HEX #7C992D

RGB 124 153 45

HSL 76.11, 0.55%, 0.39%

LAB 59.21, -25.92, 50.79

 

CMYK 22 / 0 / 83 / 34

HEX #84A91D

RGB 132 169 29

HSL 75.86, 0.71%, 0.39%

LAB 64.46, -31.11, 61.19

 

CMYK 25 / 0 / 93 / 27

HEX #8BB90D

RGB 139 185 13

HSL 76.05, 0.87%, 0.39%

LAB 69.62, -36.1, 68.81

 

CMYK 19 / 0 / 71 / 40

HEX #7C992D

RGB 124 153 45

HSL 76.11, 0.55%, 0.39%

LAB 59.21, -25.92, 50.79

 

CMYK 15 / 0 / 55 / 46

HEX #75893D

RGB 117 137 61

HSL 75.79, 0.38%, 0.39%

LAB 54.04, -19.49, 37.83

 

CMYK 9 / 0 / 36 / 53

HEX #6D784D

RGB 109 120 77

HSL 75.35, 0.22%, 0.39%

LAB 48.54, -11.85, 22.29

 

CMYK 2 / 0 / 10 / 59

HEX #66685E

RGB 102 104 94

HSL 72, 0.05%, 0.39%

LAB 43.56, -2.78, 5.36

 

CMYK 15 / 20 / 0 / 57

HEX #5E586E

RGB 94 88 110

HSL 256.36, 0.11%, 0.39%

LAB 38.7, 7.3, -11.67

 

CMYK 0 / 20 / 71 / 40

HEX #997A2D

RGB 153 122 45

HSL 42.78, 0.55%, 0.39%

LAB 52.82, 3.56, 45.04

 

CMYK 0 / 1 / 71 / 40

HEX #99972D

RGB 153 151 45

HSL 58.89, 0.55%, 0.39%

LAB 60.87, -12.34, 53.18

 

CMYK 18 / 0 / 71 / 40

HEX #7E992D

RGB 126 153 45

HSL 75, 0.55%, 0.39%

LAB 59.35, -25.08, 50.98

 

CMYK 37 / 0 / 71 / 40

HEX #61992D

RGB 97 153 45

HSL 91.11, 0.55%, 0.39%

LAB 57.57, -36.55, 48.6

 

CMYK 55 / 0 / 71 / 40

HEX #45992D

RGB 69 153 45

HSL 106.67, 0.55%, 0.39%

LAB 56.32, -45.69, 46.91

 

CMYK 18 / 0 / 71 / 65

HEX #49591A

RGB 73 89 26

HSL 75.24, 0.55%, 0.23%

LAB 35.27, -16.47, 33.11

 

CMYK 19 / 0 / 70 / 53

HEX #627924

RGB 98 121 36

HSL 76.24, 0.54%, 0.31%

LAB 47.49, -21.51, 41.94

 

CMYK 19 / 0 / 71 / 40

HEX #7C992D

RGB 124 153 45

HSL 76.11, 0.55%, 0.39%

LAB 59.21, -25.92, 50.79

 

CMYK 18 / 0 / 70 / 28

HEX #96B837

RGB 150 184 55

HSL 75.81, 0.54%, 0.47%

LAB 70.2, -29.6, 58.59

 

CMYK 16 / 0 / 61 / 21

HEX #A9CA4E

RGB 169 202 78

HSL 75.97, 0.54%, 0.55%

LAB 76.82, -28.97, 56.63

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 71 / 0 / 39 / 40

HEX #2D995E

RGB 45 153 94

HSL 147.22, 0.55%, 0.39%

LAB 56.24, -44.24, 22.44

 

CMYK 10 / 71 / 0 / 40

HEX #892D99

RGB 137 45 153

HSL 291.11, 0.55%, 0.39%

LAB 36.92, 53.63, -40.43

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 71 / 18 / 0 / 40

HEX #2D7E99

RGB 45 126 153

HSL 195, 0.55%, 0.39%

LAB 49.23, -15.27, -21.63

 

CMYK 0 / 71 / 18 / 40

HEX #992D7E

RGB 153 45 126

HSL 315, 0.55%, 0.39%

LAB 38.12, 53.01, -21.8

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 71 / 0 / 39 / 40

HEX #2D995E

RGB 45 153 94

HSL 147.22, 0.55%, 0.39%

LAB 56.24, -44.24, 22.44

 

CMYK 53 / 71 / 0 / 40

HEX #482D99

RGB 72 45 153

HSL 255, 0.55%, 0.39%

LAB 28.26, 40.13, -54.86

 

CMYK 0 / 71 / 32 / 40

HEX #992D68

RGB 153 45 104

HSL 327.22, 0.55%, 0.39%

LAB 37.2, 50.01, -9.42

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 71 / 0 / 18 / 40

HEX #2D997E

RGB 45 153 126

HSL 165, 0.55%, 0.39%

LAB 56.93, -36.89, 5.46

 

CMYK 53 / 71 / 0 / 40

HEX #482D99

RGB 72 45 153

HSL 255, 0.55%, 0.39%

LAB 28.26, 40.13, -54.86

 

CMYK 0 / 71 / 53 / 40

HEX #992D48

RGB 153 45 72

HSL 345, 0.55%, 0.39%

LAB 36.21, 46.63, 9.56

 

Description

Color code: HEX #7C982E | qconv.com Color code: HEX #7C982E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 152 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 152 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 70 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 70% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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