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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C9115 it is the complementary color #836EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C9115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C9115 shade: #819110, #92A323, #A3B536, #B4C749 and #C5D95C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C9115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C9115 shade: #7C9115, #6B7F02, #5A6D00, #495B00 and #384900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C9115 shade: #7D9315, #938615, #936415, #934215 and #932015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C9115 shade: #7D9315, #5B9315, #399315, #179315 and #159334

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C9115 shade matches the following richer shades: #7D9315 and #86A007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C9115 shade: #7D9315, #748522, #6B7830, #626A3D and #595C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C9115 shade: #936415, #938615, #7E9315, #5C9315 and #3A9315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C9115 shade: #404B0A, #5F6F0F, #7D9315, #9CB71A and #BBDB1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C9115 shade: #7C9115, #159343 and #751593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C9115 shade: #7C9115, #157E93 and #93157E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C9115 shade: #7C9115, #159343, #2A1593 and #931564

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C9115 shade: #7C9115, #159369, #2A1593 and #93153F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

Complementary color

CMYK 44 / 53 / 0 / 8

HEX #836EEA

RGB 131 110 234

HSL 250.16, 0.75%, 0.67%

LAB 53.94, 38.16, -60.26

 

CMYK 11 / 0 / 89 / 43

HEX #819110

RGB 129 145 16

HSL 67.44, 0.8%, 0.32%

LAB 57.03, -21.05, 57.85

 

CMYK 10 / 0 / 79 / 36

HEX #92A323

RGB 146 163 35

HSL 67.97, 0.65%, 0.39%

LAB 63.69, -22.07, 59.17

 

CMYK 10 / 0 / 70 / 29

HEX #A3B536

RGB 163 181 54

HSL 68.5, 0.54%, 0.46%

LAB 70.25, -22.85, 59.31

 

CMYK 10 / 0 / 63 / 22

HEX #B4C749

RGB 180 199 73

HSL 69.05, 0.53%, 0.53%

LAB 76.7, -23.47, 58.83

 

CMYK 9 / 0 / 58 / 15

HEX #C5D95C

RGB 197 217 92

HSL 69.6, 0.62%, 0.61%

LAB 83.06, -23.96, 58.01

 

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

CMYK 16 / 0 / 98 / 50

HEX #6B7F02

RGB 107 127 2

HSL 69.6, 0.97%, 0.25%

LAB 49.87, -21.99, 54.04

 

CMYK 17 / 0 / 100 / 57

HEX #5A6D00

RGB 90 109 0

HSL 70.46, 1%, 0.21%

LAB 42.93, -20.47, 48.66

 

CMYK 20 / 0 / 100 / 64

HEX #495B00

RGB 73 91 0

HSL 71.87, 1%, 0.18%

LAB 35.79, -18.87, 42.71

 

CMYK 23 / 0 / 100 / 71

HEX #384900

RGB 56 73 0

HSL 73.97, 1%, 0.14%

LAB 28.4, -17.25, 36.51

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 0 / 9 / 86 / 42

HEX #938615

RGB 147 134 21

HSL 53.81, 0.75%, 0.33%

LAB 55.39, -6.91, 55.95

 

CMYK 0 / 32 / 86 / 42

HEX #936415

RGB 147 100 21

HSL 37.62, 0.75%, 0.33%

LAB 46.14, 12.35, 48.14

 

CMYK 0 / 55 / 86 / 42

HEX #934215

RGB 147 66 21

HSL 21.43, 0.75%, 0.33%

LAB 38.12, 31.53, 41.2

 

CMYK 0 / 78 / 86 / 42

HEX #932015

RGB 147 32 21

HSL 5.24, 0.75%, 0.33%

LAB 32.46, 46.64, 36.16

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 38 / 0 / 86 / 42

HEX #5B9315

RGB 91 147 21

HSL 86.67, 0.75%, 0.33%

LAB 55.22, -37.49, 54.2

 

CMYK 61 / 0 / 86 / 42

HEX #399315

RGB 57 147 21

HSL 102.86, 0.75%, 0.33%

LAB 53.81, -48.28, 52.41

 

CMYK 84 / 0 / 86 / 42

HEX #179315

RGB 23 147 21

HSL 119.05, 0.75%, 0.33%

LAB 53.06, -54.6, 51.46

 

CMYK 86 / 0 / 65 / 42

HEX #159334

RGB 21 147 52

HSL 134.76, 0.75%, 0.33%

LAB 53.25, -52.17, 40.21

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 16 / 0 / 96 / 37

HEX #86A007

RGB 134 160 7

HSL 70.2, 0.92%, 0.33%

LAB 61.85, -26.52, 63.31

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 13 / 0 / 74 / 48

HEX #748522

RGB 116 133 34

HSL 70.3, 0.59%, 0.33%

LAB 52.51, -19.94, 48.2

 

CMYK 11 / 0 / 60 / 53

HEX #6B7830

RGB 107 120 48

HSL 70.83, 0.43%, 0.33%

LAB 47.97, -16.07, 37.12

 

CMYK 8 / 0 / 42 / 58

HEX #626A3D

RGB 98 106 61

HSL 70.67, 0.27%, 0.33%

LAB 43.13, -10.94, 24.22

 

CMYK 3 / 0 / 18 / 64

HEX #595C4B

RGB 89 92 75

HSL 70.59, 0.1%, 0.33%

LAB 38.35, -4.56, 9.4

 

CMYK 0 / 32 / 86 / 42

HEX #936415

RGB 147 100 21

HSL 37.62, 0.75%, 0.33%

LAB 46.14, 12.35, 48.14

 

CMYK 0 / 9 / 86 / 42

HEX #938615

RGB 147 134 21

HSL 53.81, 0.75%, 0.33%

LAB 55.39, -6.91, 55.95

 

CMYK 14 / 0 / 86 / 42

HEX #7E9315

RGB 126 147 21

HSL 70, 0.75%, 0.33%

LAB 57.42, -23.23, 56.97

 

CMYK 37 / 0 / 86 / 42

HEX #5C9315

RGB 92 147 21

HSL 86.19, 0.75%, 0.33%

LAB 55.27, -37.12, 54.27

 

CMYK 61 / 0 / 86 / 42

HEX #3A9315

RGB 58 147 21

HSL 102.38, 0.75%, 0.33%

LAB 53.84, -48.02, 52.45

 

CMYK 15 / 0 / 87 / 71

HEX #404B0A

RGB 64 75 10

HSL 70.15, 0.76%, 0.17%

LAB 29.77, -13.97, 34.09

 

CMYK 14 / 0 / 86 / 56

HEX #5F6F0F

RGB 95 111 15

HSL 70, 0.76%, 0.25%

LAB 44, -18.77, 46.08

 

CMYK 15 / 0 / 86 / 42

HEX #7D9315

RGB 125 147 21

HSL 70.48, 0.75%, 0.33%

LAB 57.35, -23.67, 56.87

 

CMYK 15 / 0 / 86 / 28

HEX #9CB71A

RGB 156 183 26

HSL 70.32, 0.75%, 0.41%

LAB 70.18, -27.93, 67.46

 

CMYK 15 / 0 / 86 / 14

HEX #BBDB1F

RGB 187 219 31

HSL 70.21, 0.75%, 0.49%

LAB 82.55, -32.03, 77.61

 

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

CMYK 86 / 0 / 54 / 42

HEX #159343

RGB 21 147 67

HSL 141.9, 0.75%, 0.33%

LAB 53.42, -50.1, 33.13

 

CMYK 20 / 86 / 0 / 42

HEX #751593

RGB 117 21 147

HSL 285.71, 0.75%, 0.33%

LAB 30.46, 56.5, -47.33

 

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

CMYK 86 / 14 / 0 / 42

HEX #157E93

RGB 21 126 147

HSL 190, 0.75%, 0.33%

LAB 48.5, -20.14, -19.28

 

CMYK 0 / 86 / 14 / 42

HEX #93157E

RGB 147 21 126

HSL 310, 0.75%, 0.33%

LAB 34.49, 58.83, -27.55

 

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

CMYK 86 / 0 / 54 / 42

HEX #159343

RGB 21 147 67

HSL 141.9, 0.75%, 0.33%

LAB 53.42, -50.1, 33.13

 

CMYK 71 / 86 / 0 / 42

HEX #2A1593

RGB 42 21 147

HSL 250, 0.75%, 0.33%

LAB 20.58, 46.7, -63.92

 

CMYK 0 / 86 / 32 / 42

HEX #931564

RGB 147 21 100

HSL 322.38, 0.75%, 0.33%

LAB 33.26, 55.44, -12.95

 

CMYK 14 / 0 / 86 / 43

HEX #7C9115

RGB 124 145 21

HSL 70.16, 0.75%, 0.33%

LAB 56.67, -23.1, 56.27

 

CMYK 86 / 0 / 29 / 42

HEX #159369

RGB 21 147 105

HSL 160, 0.75%, 0.33%

LAB 54.08, -42.52, 13.3

 

CMYK 71 / 86 / 0 / 42

HEX #2A1593

RGB 42 21 147

HSL 250, 0.75%, 0.33%

LAB 20.58, 46.7, -63.92

 

CMYK 0 / 86 / 57 / 42

HEX #93153F

RGB 147 21 63

HSL 340, 0.75%, 0.33%

LAB 32.03, 51.89, 9.43

 

Description

Color code: HEX #7C9115 | qconv.com Color code: HEX #7C9115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 145 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 145 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 86% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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