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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D0DA9 it is the complementary color #82F256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D0DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D0DA9 shade: #820DA4, #931FB7, #A431CA, #B543DD and #C655F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D0DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D0DA9 shade: #7D0DA9, #6C0096, #5B0083, #4A0070 and #39005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D0DA9 shade: #7E0CAA, #A80CAA, #AA0C82, #AA0C57 and #AA0C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D0DA9 shade: #7E0CAA, #530CAA, #290CAA and #0C0CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D0DA9 shade matches the following richer shades: #7E0CAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D0DA9 shade: #7E0CAA, #771B9B, #712A8D, #6A397E and #64486F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D0DA9 shade: #290CAA, #530CAA, #7E0CAA, #A80CAA and #AA0C83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D0DA9 shade: #45075E, #610984, #7E0CAA, #9A0FD1 and #B21CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D0DA9 shade: #7D0DA9, #AA0C1A and #0CAA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D0DA9 shade: #7D0DA9, #AA7E0C and #0CAA7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D0DA9 shade: #7D0DA9, #AA0C1A, #39AA0C and #0CAA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D0DA9 shade: #7D0DA9, #AA2F0C, #39AA0C and #0C88AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

Complementary color

CMYK 46 / 0 / 64 / 5

HEX #82F256

RGB 130 242 86

HSL 103.08, 0.86%, 0.64%

LAB 86.47, -58.91, 63.24

 

CMYK 21 / 92 / 0 / 36

HEX #820DA4

RGB 130 13 164

HSL 286.49, 0.85%, 0.35%

LAB 33.38, 63.52, -52.86

 

CMYK 20 / 83 / 0 / 28

HEX #931FB7

RGB 147 31 183

HSL 285.79, 0.71%, 0.42%

LAB 38.9, 65.96, -55.12

 

CMYK 19 / 76 / 0 / 21

HEX #A431CA

RGB 164 49 202

HSL 285.1, 0.61%, 0.49%

LAB 44.74, 67.17, -56.68

 

CMYK 18 / 70 / 0 / 13

HEX #B543DD

RGB 181 67 221

HSL 284.42, 0.69%, 0.56%

LAB 50.76, 67.59, -57.75

 

CMYK 18 / 65 / 0 / 6

HEX #C655F0

RGB 198 85 240

HSL 283.74, 0.84%, 0.64%

LAB 56.87, 67.53, -58.51

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 28 / 100 / 0 / 41

HEX #6C0096

RGB 108 0 150

HSL 283.2, 1%, 0.29%

LAB 27.82, 59.78, -53.54

 

CMYK 31 / 100 / 0 / 49

HEX #5B0083

RGB 91 0 131

HSL 281.68, 1%, 0.26%

LAB 23.21, 53.79, -49.35

 

CMYK 34 / 100 / 0 / 56

HEX #4A0070

RGB 74 0 112

HSL 279.64, 1%, 0.22%

LAB 18.48, 47.66, -45.06

 

CMYK 39 / 100 / 0 / 64

HEX #39005D

RGB 57 0 93

HSL 276.77, 1%, 0.18%

LAB 13.59, 41.34, -40.65

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 1 / 93 / 0 / 33

HEX #A80CAA

RGB 168 12 170

HSL 299.24, 0.87%, 0.36%

LAB 40.39, 70.9, -44.81

 

CMYK 0 / 93 / 24 / 33

HEX #AA0C82

RGB 170 12 130

HSL 315.19, 0.87%, 0.36%

LAB 38.59, 65.72, -23.31

 

CMYK 0 / 93 / 49 / 33

HEX #AA0C57

RGB 170 12 87

HSL 331.52, 0.87%, 0.36%

LAB 36.92, 61.27, 1.38

 

CMYK 0 / 93 / 74 / 33

HEX #AA0C2C

RGB 170 12 44

HSL 347.85, 0.87%, 0.36%

LAB 35.97, 58.62, 27.79

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 51 / 93 / 0 / 33

HEX #530CAA

RGB 83 12 170

HSL 266.96, 0.87%, 0.36%

LAB 26.75, 59.07, -67.63

 

CMYK 76 / 93 / 0 / 33

HEX #290CAA

RGB 41 12 170

HSL 251.01, 0.87%, 0.36%

LAB 22.43, 56.19, -74.91

 

CMYK 93 / 93 / 0 / 33

HEX #0C0CAA

RGB 12 12 170

HSL 240, 0.87%, 0.36%

LAB 20.99, 55.37, -77.35

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 23 / 83 / 0 / 39

HEX #771B9B

RGB 119 27 155

HSL 283.13, 0.7%, 0.36%

LAB 31.97, 56.76, -49.77

 

CMYK 20 / 70 / 0 / 45

HEX #712A8D

RGB 113 42 141

HSL 283.03, 0.54%, 0.36%

LAB 32.01, 46.96, -41.16

 

CMYK 16 / 55 / 0 / 51

HEX #6A397E

RGB 106 57 126

HSL 282.61, 0.38%, 0.36%

LAB 32.91, 34.1, -30.48

 

CMYK 10 / 35 / 0 / 56

HEX #64486F

RGB 100 72 111

HSL 283.08, 0.21%, 0.36%

LAB 34.99, 19.7, -17.91

 

CMYK 76 / 93 / 0 / 33

HEX #290CAA

RGB 41 12 170

HSL 251.01, 0.87%, 0.36%

LAB 22.43, 56.19, -74.91

 

CMYK 51 / 93 / 0 / 33

HEX #530CAA

RGB 83 12 170

HSL 266.96, 0.87%, 0.36%

LAB 26.75, 59.07, -67.63

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 1 / 93 / 0 / 33

HEX #A80CAA

RGB 168 12 170

HSL 299.24, 0.87%, 0.36%

LAB 40.39, 70.9, -44.81

 

CMYK 0 / 93 / 23 / 33

HEX #AA0C83

RGB 170 12 131

HSL 314.81, 0.87%, 0.36%

LAB 38.63, 65.84, -23.86

 

CMYK 27 / 93 / 0 / 63

HEX #45075E

RGB 69 7 94

HSL 282.76, 0.86%, 0.2%

LAB 16.63, 40.92, -36.27

 

CMYK 27 / 93 / 0 / 48

HEX #610984

RGB 97 9 132

HSL 282.93, 0.87%, 0.28%

LAB 24.96, 52.95, -47.08

 

CMYK 26 / 93 / 0 / 33

HEX #7E0CAA

RGB 126 12 170

HSL 283.29, 0.87%, 0.36%

LAB 33.14, 64.23, -56.9

 

CMYK 26 / 93 / 0 / 18

HEX #9A0FD1

RGB 154 15 209

HSL 282.99, 0.87%, 0.44%

LAB 40.92, 75.04, -66.99

 

CMYK 25 / 88 / 0 / 7

HEX #B21CED

RGB 178 28 237

HSL 283.06, 0.85%, 0.52%

LAB 47.51, 81.41, -72.09

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 0 / 93 / 85 / 33

HEX #AA0C1A

RGB 170 12 26

HSL 354.68, 0.87%, 0.36%

LAB 35.76, 58.03, 38.28

 

CMYK 93 / 0 / 64 / 33

HEX #0CAA3E

RGB 12 170 62

HSL 138.99, 0.87%, 0.36%

LAB 60.94, -59.06, 44.33

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 0 / 26 / 93 / 33

HEX #AA7E0C

RGB 170 126 12

HSL 43.29, 0.87%, 0.36%

LAB 55.58, 7.96, 59.15

 

CMYK 93 / 0 / 26 / 33

HEX #0CAA7E

RGB 12 170 126

HSL 163.29, 0.87%, 0.36%

LAB 61.94, -47.28, 12.52

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 0 / 93 / 85 / 33

HEX #AA0C1A

RGB 170 12 26

HSL 354.68, 0.87%, 0.36%

LAB 35.76, 58.03, 38.28

 

CMYK 66 / 0 / 93 / 33

HEX #39AA0C

RGB 57 170 12

HSL 102.91, 0.87%, 0.36%

LAB 61.35, -56.58, 60.7

 

CMYK 93 / 0 / 8 / 33

HEX #0CAA9D

RGB 12 170 157

HSL 175.06, 0.87%, 0.36%

LAB 62.73, -38.95, -3.63

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 0 / 72 / 93 / 33

HEX #AA2F0C

RGB 170 47 12

HSL 13.29, 0.87%, 0.36%

LAB 38.91, 48.64, 47.11

 

CMYK 66 / 0 / 93 / 33

HEX #39AA0C

RGB 57 170 12

HSL 102.91, 0.87%, 0.36%

LAB 61.35, -56.58, 60.7

 

CMYK 93 / 20 / 0 / 33

HEX #0C88AA

RGB 12 136 170

HSL 192.91, 0.87%, 0.36%

LAB 52.5, -17.96, -26.5

 

Description

Color code: HEX #7D0DA9 | qconv.com Color code: HEX #7D0DA9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 13 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 13 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 92 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 92% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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