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Color name
HEX #7D1FAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1FAC it is the complementary color #82E053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1FAC shade: #821FA7, #9331BA, #A443CD, #B555E0 and #C667F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1FAC shade: #7D1FAC, #6C0D99, #5B0086, #4A0073 and #390060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1FAC shade: #7D1FAC, #A31FAC, #AC1F8F, #AC1F69 and #AC1F43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1FAC shade: #7D1FAC, #571FAC, #311FAC and #1F1FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1FAC shade matches the following richer shades: #7D1FAC and #820FBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1FAC shade: #7D1FAC, #77309B, #72408B, #6C517A and #67616A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1FAC shade: #321FAC, #571FAC, #7D1FAC, #A21FAC and #AC1F90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1FAC shade: #4A1266, #641989, #7D1FAC, #9626CF and #A842DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1FAC shade: #7D1FAC, #AC1F32 and #1FAC45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1FAC shade: #7D1FAC, #AC7D1F and #1FAC7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1FAC shade: #7D1FAC, #AC1F32, #4EAC1F and #1FAC99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1FAC shade: #7D1FAC, #AC371F, #4EAC1F and #1F94AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

Complementary color

CMYK 42 / 0 / 63 / 12

HEX #82E053

RGB 130 224 83

HSL 100, 0.69%, 0.6%

LAB 81.12, -52.14, 58.62

 

CMYK 22 / 81 / 0 / 35

HEX #821FA7

RGB 130 31 167

HSL 283.68, 0.69%, 0.39%

LAB 35.03, 59.91, -51.98

 

CMYK 21 / 74 / 0 / 27

HEX #9331BA

RGB 147 49 186

HSL 282.92, 0.58%, 0.46%

LAB 41.13, 60.72, -53.29

 

CMYK 20 / 67 / 0 / 20

HEX #A443CD

RGB 164 67 205

HSL 282.17, 0.58%, 0.53%

LAB 47.38, 60.81, -54.15

 

CMYK 19 / 62 / 0 / 12

HEX #B555E0

RGB 181 85 224

HSL 281.44, 0.69%, 0.61%

LAB 53.71, 60.48, -54.72

 

CMYK 19 / 58 / 0 / 5

HEX #C667F3

RGB 198 103 243

HSL 280.71, 0.85%, 0.68%

LAB 60.05, 59.92, -55.11

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 29 / 92 / 0 / 40

HEX #6C0D99

RGB 108 13 153

HSL 280.71, 0.84%, 0.33%

LAB 28.84, 58.1, -53.72

 

CMYK 32 / 100 / 0 / 47

HEX #5B0086

RGB 91 0 134

HSL 280.75, 1%, 0.26%

LAB 23.49, 54.41, -50.79

 

CMYK 36 / 100 / 0 / 55

HEX #4A0073

RGB 74 0 115

HSL 278.61, 1%, 0.23%

LAB 18.77, 48.3, -46.52

 

CMYK 41 / 100 / 0 / 62

HEX #390060

RGB 57 0 96

HSL 275.63, 1%, 0.19%

LAB 13.91, 42.02, -42.13

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 5 / 82 / 0 / 33

HEX #A31FAC

RGB 163 31 172

HSL 296.17, 0.69%, 0.4%

LAB 40.81, 66.9, -45.39

 

CMYK 0 / 82 / 17 / 33

HEX #AC1F8F

RGB 172 31 143

HSL 312.34, 0.69%, 0.4%

LAB 40.79, 64.34, -27.84

 

CMYK 0 / 82 / 39 / 33

HEX #AC1F69

RGB 172 31 105

HSL 328.51, 0.69%, 0.4%

LAB 39.19, 59.76, -6.71

 

CMYK 0 / 82 / 61 / 33

HEX #AC1F43

RGB 172 31 67

HSL 344.68, 0.69%, 0.4%

LAB 38.12, 56.57, 15.98

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 49 / 82 / 0 / 33

HEX #571FAC

RGB 87 31 172

HSL 263.83, 0.69%, 0.4%

LAB 29.37, 54.32, -64.48

 

CMYK 72 / 82 / 0 / 33

HEX #311FAC

RGB 49 31 172

HSL 247.66, 0.69%, 0.4%

LAB 25.6, 50.3, -70.84

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 31 / 92 / 0 / 26

HEX #820FBC

RGB 130 15 188

HSL 279.88, 0.85%, 0.4%

LAB 35.44, 67.82, -63.83

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 23 / 69 / 0 / 39

HEX #77309B

RGB 119 48 155

HSL 279.81, 0.53%, 0.4%

LAB 34.81, 48.67, -45.18

 

CMYK 18 / 54 / 0 / 45

HEX #72408B

RGB 114 64 139

HSL 280, 0.37%, 0.4%

LAB 36.19, 35.48, -33.25

 

CMYK 11 / 34 / 0 / 52

HEX #6C517A

RGB 108 81 122

HSL 279.51, 0.2%, 0.4%

LAB 38.69, 19.49, -18.96

 

CMYK 3 / 8 / 0 / 58

HEX #67616A

RGB 103 97 106

HSL 280, 0.04%, 0.4%

LAB 41.96, 4.24, -4.24

 

CMYK 71 / 82 / 0 / 33

HEX #321FAC

RGB 50 31 172

HSL 248.09, 0.69%, 0.4%

LAB 25.67, 50.38, -70.71

 

CMYK 49 / 82 / 0 / 33

HEX #571FAC

RGB 87 31 172

HSL 263.83, 0.69%, 0.4%

LAB 29.37, 54.32, -64.48

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 6 / 82 / 0 / 33

HEX #A21FAC

RGB 162 31 172

HSL 295.74, 0.69%, 0.4%

LAB 40.64, 66.71, -45.67

 

CMYK 0 / 82 / 16 / 33

HEX #AC1F90

RGB 172 31 144

HSL 311.91, 0.69%, 0.4%

LAB 40.84, 64.48, -28.37

 

CMYK 27 / 82 / 0 / 60

HEX #4A1266

RGB 74 18 102

HSL 280, 0.7%, 0.24%

LAB 19.42, 39.98, -36.98

 

CMYK 27 / 82 / 0 / 46

HEX #641989

RGB 100 25 137

HSL 280.18, 0.69%, 0.32%

LAB 27.33, 50.22, -46.34

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 28 / 82 / 0 / 19

HEX #9626CF

RGB 150 38 207

HSL 279.76, 0.69%, 0.48%

LAB 41.81, 69.19, -64.42

 

CMYK 24 / 70 / 0 / 14

HEX #A842DC

RGB 168 66 220

HSL 279.74, 0.69%, 0.56%

LAB 48.75, 65.15, -60.51

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 0 / 82 / 71 / 33

HEX #AC1F32

RGB 172 31 50

HSL 351.91, 0.69%, 0.4%

LAB 37.81, 55.62, 26.34

 

CMYK 82 / 0 / 60 / 33

HEX #1FAC45

RGB 31 172 69

HSL 136.17, 0.69%, 0.4%

LAB 61.85, -57.24, 42.22

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 0 / 27 / 82 / 33

HEX #AC7D1F

RGB 172 125 31

HSL 40, 0.69%, 0.4%

LAB 55.62, 9.91, 54.12

 

CMYK 82 / 0 / 27 / 33

HEX #1FAC7D

RGB 31 172 125

HSL 160, 0.69%, 0.4%

LAB 62.74, -46.95, 14.22

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 0 / 82 / 71 / 33

HEX #AC1F32

RGB 172 31 50

HSL 351.91, 0.69%, 0.4%

LAB 37.81, 55.62, 26.34

 

CMYK 55 / 0 / 82 / 33

HEX #4EAC1F

RGB 78 172 31

HSL 100, 0.69%, 0.4%

LAB 62.7, -51.32, 58.05

 

CMYK 82 / 0 / 11 / 33

HEX #1FAC99

RGB 31 172 153

HSL 171.91, 0.69%, 0.4%

LAB 63.42, -39.74, -0.36

 

CMYK 27 / 82 / 0 / 33

HEX #7D1FAC

RGB 125 31 172

HSL 280, 0.69%, 0.4%

LAB 34.64, 60.06, -55.66

 

CMYK 0 / 68 / 82 / 33

HEX #AC371F

RGB 172 55 31

HSL 10.21, 0.69%, 0.4%

LAB 40.58, 46.56, 40.29

 

CMYK 55 / 0 / 82 / 33

HEX #4EAC1F

RGB 78 172 31

HSL 100, 0.69%, 0.4%

LAB 62.7, -51.32, 58.05

 

CMYK 82 / 14 / 0 / 33

HEX #1F94AC

RGB 31 148 172

HSL 190.21, 0.69%, 0.4%

LAB 56.54, -22.36, -21.41

 

Description

Color code: HEX #7D1FAC | qconv.com Color code: HEX #7D1FAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 31 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 31 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 82 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 82% 0% 33% C M Y K

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Provide designers and agencies with accurate color values.

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