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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D29A3 it is the complementary color #82D65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D29A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D29A3 shade: #82299E, #933BB1, #A44DC4, #B55FD7 and #C671EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D29A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D29A3 shade: #7D29A3, #6C1790, #5B057D, #4A006A and #390057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D29A3 shade: #7D28A3, #9E28A3, #A32887, #A32866 and #A32845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D29A3 shade: #7D28A3, #5C28A3, #3B28A3 and #2828A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D29A3 shade matches the following richer shades: #7D28A3, #8318B3 and #8907C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D29A3 shade: #7D28A3, #763992, #704982, #6A5A71 and #646A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D29A3 shade: #3B28A3, #5B28A3, #7C28A3, #9D28A3 and #A32888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D29A3 shade: #4A1861, #632082, #7D28A3, #9631C4 and #A84CD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D29A3 shade: #7D29A3, #A32837 and #28A34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D29A3 shade: #7D29A3, #A37C28 and #28A37C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D29A3 shade: #7D29A3, #A32837, #4FA328 and #28A394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D29A3 shade: #7D29A3, #A33F28, #4FA328 and #288CA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

Complementary color

CMYK 39 / 0 / 57 / 16

HEX #82D65C

RGB 130 214 92

HSL 101.31, 0.6%, 0.6%

LAB 78.23, -47.17, 51.46

 

CMYK 18 / 74 / 0 / 38

HEX #82299E

RGB 130 41 158

HSL 285.64, 0.59%, 0.39%

LAB 35.6, 54.65, -45.65

 

CMYK 17 / 67 / 0 / 31

HEX #933BB1

RGB 147 59 177

HSL 284.75, 0.5%, 0.46%

LAB 42.01, 54.77, -46.58

 

CMYK 16 / 61 / 0 / 23

HEX #A44DC4

RGB 164 77 196

HSL 283.87, 0.5%, 0.54%

LAB 48.49, 54.42, -47.18

 

CMYK 16 / 56 / 0 / 16

HEX #B55FD7

RGB 181 95 215

HSL 283, 0.6%, 0.61%

LAB 54.98, 53.82, -47.6

 

CMYK 15 / 52 / 0 / 8

HEX #C671EA

RGB 198 113 234

HSL 282.15, 0.74%, 0.68%

LAB 61.44, 53.11, -47.89

 

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

CMYK 25 / 84 / 0 / 44

HEX #6C1790

RGB 108 23 144

HSL 282.15, 0.72%, 0.33%

LAB 28.94, 53.77, -48.01

 

CMYK 27 / 96 / 0 / 51

HEX #5B057D

RGB 91 5 125

HSL 283, 0.92%, 0.25%

LAB 23.04, 51.47, -45.82

 

CMYK 30 / 100 / 0 / 58

HEX #4A006A

RGB 74 0 106

HSL 281.89, 1%, 0.21%

LAB 17.9, 46.39, -42.09

 

CMYK 34 / 100 / 0 / 66

HEX #390057

RGB 57 0 87

HSL 279.31, 1%, 0.17%

LAB 12.97, 39.99, -37.61

 

CMYK 23 / 75 / 0 / 36

HEX #7D28A3

RGB 125 40 163

HSL 281.46, 0.61%, 0.4%

LAB 35.05, 55.05, -49.59

 

CMYK 3 / 75 / 0 / 36

HEX #9E28A3

RGB 158 40 163

HSL 297.56, 0.61%, 0.4%

LAB 40.3, 61.85, -40.88

 

CMYK 0 / 75 / 17 / 36

HEX #A32887

RGB 163 40 135

HSL 313.66, 0.61%, 0.4%

LAB 39.67, 58.6, -24.81

 

CMYK 0 / 75 / 37 / 36

HEX #A32866

RGB 163 40 102

HSL 329.76, 0.61%, 0.4%

LAB 38.31, 54.42, -6.31

 

CMYK 0 / 75 / 58 / 36

HEX #A32845

RGB 163 40 69

HSL 345.85, 0.61%, 0.4%

LAB 37.36, 51.36, 13.37

 

CMYK 23 / 75 / 0 / 36

HEX #7D28A3

RGB 125 40 163

HSL 281.46, 0.61%, 0.4%

LAB 35.05, 55.05, -49.59

 

CMYK 44 / 75 / 0 / 36

HEX #5C28A3

RGB 92 40 163

HSL 265.37, 0.61%, 0.4%

LAB 30.49, 48.93, -57.2

 

CMYK 64 / 75 / 0 / 36

HEX #3B28A3

RGB 59 40 163

HSL 249.27, 0.61%, 0.4%

LAB 26.99, 44.03, -63.07

 

CMYK 75 / 75 / 0 / 36

HEX #2828A3

RGB 40 40 163

HSL 240, 0.61%, 0.4%

LAB 25.6, 42.01, -65.41

 

CMYK 23 / 75 / 0 / 36

HEX #7D28A3

RGB 125 40 163

HSL 281.46, 0.61%, 0.4%

LAB 35.05, 55.05, -49.59

 

CMYK 27 / 87 / 0 / 30

HEX #8318B3

RGB 131 24 179

HSL 281.42, 0.76%, 0.4%

LAB 35.47, 64.36, -58.45

 

CMYK 30 / 96 / 0 / 23

HEX #8907C4

RGB 137 7 196

HSL 281.27, 0.93%, 0.4%

LAB 36.85, 71.36, -66.19

 

CMYK 23 / 75 / 0 / 36

HEX #7D28A3

RGB 125 40 163

HSL 281.46, 0.61%, 0.4%

LAB 35.05, 55.05, -49.59

 

CMYK 19 / 61 / 0 / 43

HEX #763992

RGB 118 57 146

HSL 281.12, 0.44%, 0.4%

LAB 35.7, 41.98, -38.28

 

CMYK 14 / 44 / 0 / 49

HEX #704982

RGB 112 73 130

HSL 281.05, 0.28%, 0.4%

LAB 37.52, 27.54, -25.66

 

CMYK 6 / 20 / 0 / 56

HEX #6A5A71

RGB 106 90 113

HSL 281.74, 0.11%, 0.4%

LAB 40.52, 11.18, -10.65

 

CMYK 6 / 0 / 8 / 58

HEX #646A61

RGB 100 106 97

HSL 100, 0.04%, 0.4%

LAB 44.06, -4.16, 4.25

 

CMYK 64 / 75 / 0 / 36

HEX #3B28A3

RGB 59 40 163

HSL 249.27, 0.61%, 0.4%

LAB 26.99, 44.03, -63.07

 

CMYK 44 / 75 / 0 / 36

HEX #5B28A3

RGB 91 40 163

HSL 264.88, 0.61%, 0.4%

LAB 30.37, 48.76, -57.41

 

CMYK 24 / 75 / 0 / 36

HEX #7C28A3

RGB 124 40 163

HSL 280.98, 0.61%, 0.4%

LAB 34.9, 54.85, -49.84

 

CMYK 4 / 75 / 0 / 36

HEX #9D28A3

RGB 157 40 163

HSL 297.07, 0.61%, 0.4%

LAB 40.13, 61.64, -41.15

 

CMYK 0 / 75 / 17 / 36

HEX #A32888

RGB 163 40 136

HSL 313.17, 0.61%, 0.4%

LAB 39.72, 58.75, -25.35

 

CMYK 24 / 75 / 0 / 62

HEX #4A1861

RGB 74 24 97

HSL 281.1, 0.6%, 0.24%

LAB 19.93, 36.24, -32.87

 

CMYK 24 / 75 / 0 / 49

HEX #632082

RGB 99 32 130

HSL 281.02, 0.6%, 0.32%

LAB 27.57, 45.81, -41.59

 

CMYK 23 / 75 / 0 / 36

HEX #7D28A3

RGB 125 40 163

HSL 281.46, 0.61%, 0.4%

LAB 35.05, 55.05, -49.59

 

CMYK 23 / 75 / 0 / 23

HEX #9631C4

RGB 150 49 196

HSL 281.22, 0.6%, 0.48%

LAB 42.26, 63.34, -57.3

 

CMYK 20 / 64 / 0 / 18

HEX #A84CD2

RGB 168 76 210

HSL 281.19, 0.6%, 0.56%

LAB 49.67, 58.73, -53.32

 

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

CMYK 0 / 75 / 66 / 36

HEX #A32837

RGB 163 40 55

HSL 352.68, 0.61%, 0.4%

LAB 37.08, 50.44, 21.9

 

CMYK 75 / 0 / 54 / 36

HEX #28A34B

RGB 40 163 75

HSL 137.07, 0.61%, 0.4%

LAB 59.12, -52.13, 36.1

 

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

CMYK 0 / 24 / 75 / 36

HEX #A37C28

RGB 163 124 40

HSL 40.98, 0.61%, 0.4%

LAB 54.4, 6.74, 49.16

 

CMYK 75 / 0 / 24 / 36

HEX #28A37C

RGB 40 163 124

HSL 160.98, 0.61%, 0.4%

LAB 59.98, -42.45, 10.92

 

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

CMYK 0 / 75 / 66 / 36

HEX #A32837

RGB 163 40 55

HSL 352.68, 0.61%, 0.4%

LAB 37.08, 50.44, 21.9

 

CMYK 52 / 0 / 75 / 36

HEX #4FA328

RGB 79 163 40

HSL 100.98, 0.61%, 0.4%

LAB 59.9, -47.07, 52.56

 

CMYK 75 / 0 / 9 / 36

HEX #28A394

RGB 40 163 148

HSL 172.68, 0.61%, 0.4%

LAB 60.59, -36.16, -1.68

 

CMYK 23 / 75 / 0 / 36

HEX #7D29A3

RGB 125 41 163

HSL 281.31, 0.6%, 0.4%

LAB 35.18, 54.66, -49.37

 

CMYK 0 / 61 / 75 / 36

HEX #A33F28

RGB 163 63 40

HSL 11.22, 0.61%, 0.4%

LAB 40.4, 40.06, 34.79

 

CMYK 52 / 0 / 75 / 36

HEX #4FA328

RGB 79 163 40

HSL 100.98, 0.61%, 0.4%

LAB 59.9, -47.07, 52.56

 

CMYK 75 / 14 / 0 / 36

HEX #288CA3

RGB 40 140 163

HSL 191.22, 0.61%, 0.4%

LAB 53.87, -20.2, -20.32

 

Description

Color code: HEX #7D29A3 | qconv.com Color code: HEX #7D29A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 41 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 41 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 75 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 75% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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