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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D207B it is the complementary color #82DF84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D207B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D207B shade: #822076, #933289, #A4449C, #B556AF and #C668C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D207B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D207B shade: #7D207B, #6C0E68, #5B0055, #4A0042 and #39002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D207B shade: #7D207B, #7D2062, #7D2049, #7D2030 and #7D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D207B shade: #7D207B, #66207D, #4D207D, #34207D and #20207D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D207B shade matches the following richer shades: #7D207B, #8A1387 and #970694

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D207B shade: #7D207B, #702D6F, #643963, #574656 and #4A534A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D207B shade: #4D207D, #66207D, #7D207C, #7D2063 and #7D204A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D207B shade: #3C0F3B, #5C175B, #7D207B, #9E289B and #BF31BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D207B shade: #7D207B, #7D3420 and #207D59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D207B shade: #7D207B, #7C7D20 and #207C7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D207B shade: #7D207B, #7D3420, #207D21 and #20697D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D207B shade: #7D207B, #7D5020, #207D21 and #204D7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

Complementary color

CMYK 42 / 0 / 41 / 13

HEX #82DF84

RGB 130 223 132

HSL 121.29, 0.59%, 0.69%

LAB 81.39, -45.86, 36.13

 

CMYK 0 / 75 / 9 / 49

HEX #822076

RGB 130 32 118

HSL 307.35, 0.6%, 0.32%

LAB 32, 50.65, -26.64

 

CMYK 0 / 66 / 7 / 42

HEX #933289

RGB 147 50 137

HSL 306.19, 0.49%, 0.39%

LAB 38.36, 51.16, -28.29

 

CMYK 0 / 59 / 5 / 36

HEX #A4449C

RGB 164 68 156

HSL 305, 0.41%, 0.45%

LAB 44.84, 51.04, -29.45

 

CMYK 0 / 52 / 3 / 29

HEX #B556AF

RGB 181 86 175

HSL 303.79, 0.39%, 0.52%

LAB 51.35, 50.58, -30.32

 

CMYK 0 / 47 / 2 / 22

HEX #C668C2

RGB 198 104 194

HSL 302.55, 0.45%, 0.59%

LAB 57.85, 49.96, -31

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 87 / 4 / 58

HEX #6C0E68

RGB 108 14 104

HSL 302.55, 0.77%, 0.24%

LAB 25.27, 48.67, -28.58

 

CMYK 0 / 100 / 7 / 64

HEX #5B0055

RGB 91 0 85

HSL 303.96, 1%, 0.18%

LAB 19.56, 45.31, -25.29

 

CMYK 0 / 100 / 11 / 71

HEX #4A0042

RGB 74 0 66

HSL 306.49, 1%, 0.15%

LAB 14.68, 38.86, -20.18

 

CMYK 0 / 100 / 18 / 78

HEX #39002F

RGB 57 0 47

HSL 310.53, 1%, 0.11%

LAB 9.6, 32.15, -14.76

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 74 / 22 / 51

HEX #7D2062

RGB 125 32 98

HSL 317.42, 0.59%, 0.31%

LAB 30.1, 46.29, -16.88

 

CMYK 0 / 74 / 42 / 51

HEX #7D2049

RGB 125 32 73

HSL 333.55, 0.59%, 0.31%

LAB 29.09, 43.06, -1.99

 

CMYK 0 / 74 / 62 / 51

HEX #7D2030

RGB 125 32 48

HSL 349.68, 0.59%, 0.31%

LAB 28.4, 40.74, 13.71

 

CMYK 0 / 74 / 74 / 51

HEX #7D2020

RGB 125 32 32

HSL 0, 0.59%, 0.31%

LAB 28.11, 39.74, 23.8

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 18 / 74 / 0 / 51

HEX #66207D

RGB 102 32 125

HSL 285.16, 0.59%, 0.31%

LAB 27.68, 45.37, -38.23

 

CMYK 38 / 74 / 0 / 51

HEX #4D207D

RGB 77 32 125

HSL 269.03, 0.59%, 0.31%

LAB 23.97, 40.04, -44.41

 

CMYK 58 / 74 / 0 / 51

HEX #34207D

RGB 52 32 125

HSL 252.9, 0.59%, 0.31%

LAB 20.99, 35.5, -49.39

 

CMYK 74 / 74 / 0 / 51

HEX #20207D

RGB 32 32 125

HSL 240, 0.59%, 0.31%

LAB 19.31, 32.79, -52.22

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 86 / 2 / 46

HEX #8A1387

RGB 138 19 135

HSL 301.51, 0.76%, 0.31%

LAB 33.17, 58.76, -35.35

 

CMYK 0 / 96 / 2 / 41

HEX #970694

RGB 151 6 148

HSL 301.24, 0.92%, 0.31%

LAB 35.69, 65.25, -39.21

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 60 / 1 / 56

HEX #702D6F

RGB 112 45 111

HSL 300.9, 0.43%, 0.31%

LAB 30.57, 39.12, -24.67

 

CMYK 0 / 43 / 1 / 61

HEX #643963

RGB 100 57 99

HSL 301.4, 0.27%, 0.31%

LAB 30.73, 26.24, -16.88

 

CMYK 0 / 20 / 1 / 66

HEX #574656

RGB 87 70 86

HSL 303.53, 0.11%, 0.31%

LAB 31.98, 10.45, -6.77

 

CMYK 11 / 0 / 11 / 67

HEX #4A534A

RGB 74 83 74

HSL 120, 0.06%, 0.31%

LAB 34.27, -5.56, 4.06

 

CMYK 38 / 74 / 0 / 51

HEX #4D207D

RGB 77 32 125

HSL 269.03, 0.59%, 0.31%

LAB 23.97, 40.04, -44.41

 

CMYK 18 / 74 / 0 / 51

HEX #66207D

RGB 102 32 125

HSL 285.16, 0.59%, 0.31%

LAB 27.68, 45.37, -38.23

 

CMYK 0 / 74 / 1 / 51

HEX #7D207C

RGB 125 32 124

HSL 300.65, 0.59%, 0.31%

LAB 31.46, 50.46, -31.34

 

CMYK 0 / 74 / 21 / 51

HEX #7D2063

RGB 125 32 99

HSL 316.77, 0.59%, 0.31%

LAB 30.14, 46.43, -17.46

 

CMYK 0 / 74 / 41 / 51

HEX #7D204A

RGB 125 32 74

HSL 332.9, 0.59%, 0.31%

LAB 29.13, 43.17, -2.61

 

CMYK 0 / 75 / 2 / 76

HEX #3C0F3B

RGB 60 15 59

HSL 301.33, 0.6%, 0.15%

LAB 13.34, 28.39, -17.53

 

CMYK 0 / 75 / 1 / 64

HEX #5C175B

RGB 92 23 91

HSL 300.87, 0.6%, 0.23%

LAB 22.46, 39.84, -24.69

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 75 / 2 / 38

HEX #9E289B

RGB 158 40 155

HSL 301.53, 0.6%, 0.39%

LAB 39.84, 60.51, -36.79

 

CMYK 0 / 74 / 2 / 25

HEX #BF31BC

RGB 191 49 188

HSL 301.27, 0.59%, 0.47%

LAB 48.14, 70.14, -42.86

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 58 / 74 / 51

HEX #7D3420

RGB 125 52 32

HSL 12.9, 0.59%, 0.31%

LAB 31.62, 30.34, 27.82

 

CMYK 74 / 0 / 29 / 51

HEX #207D59

RGB 32 125 89

HSL 156.77, 0.59%, 0.31%

LAB 46.57, -35.79, 12.08

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 1 / 0 / 74 / 51

HEX #7C7D20

RGB 124 125 32

HSL 60.65, 0.59%, 0.31%

LAB 50.75, -12.19, 47.48

 

CMYK 74 / 1 / 0 / 51

HEX #207C7D

RGB 32 124 125

HSL 180.65, 0.59%, 0.31%

LAB 47.24, -25.25, -8.19

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 58 / 74 / 51

HEX #7D3420

RGB 125 52 32

HSL 12.9, 0.59%, 0.31%

LAB 31.62, 30.34, 27.82

 

CMYK 74 / 0 / 74 / 51

HEX #207D21

RGB 32 125 33

HSL 120.65, 0.59%, 0.31%

LAB 45.75, -45.19, 40.44

 

CMYK 74 / 16 / 0 / 51

HEX #20697D

RGB 32 105 125

HSL 192.9, 0.59%, 0.31%

LAB 41.04, -15.07, -17.58

 

CMYK 0 / 74 / 2 / 51

HEX #7D207B

RGB 125 32 123

HSL 301.29, 0.59%, 0.31%

LAB 31.4, 50.29, -30.8

 

CMYK 0 / 36 / 74 / 51

HEX #7D5020

RGB 125 80 32

HSL 30.97, 0.59%, 0.31%

LAB 38.2, 14.29, 34.95

 

CMYK 74 / 0 / 74 / 51

HEX #207D21

RGB 32 125 33

HSL 120.65, 0.59%, 0.31%

LAB 45.75, -45.19, 40.44

 

CMYK 74 / 38 / 0 / 51

HEX #204D7D

RGB 32 77 125

HSL 210.97, 0.59%, 0.31%

LAB 32.02, 2.1, -31.65

 

Description

Color code: HEX #7D207B | qconv.com Color code: HEX #7D207B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 32 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 32 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 2 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 2% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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