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Color name
HEX #7D2B6A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D2B6A it is the complementary color #82D495. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D2B6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D2B6A shade: #822B65, #933D78, #A44F8B, #B5619E and #C673B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D2B6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D2B6A shade: #7D2B6A, #6C1957, #5B0744, #4A0031 and #39001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D2B6A shade: #7D2A6A, #7D2A54, #7D2A3D and #7D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D2B6A shade: #7D2A6A, #7A2A7D, #642A7D, #4D2A7D and #372A7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D2B6A shade matches the following richer shades: #7D2A6A, #8A1D71, #980F78 and #A60280

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D2B6A shade: #7D2A6A, #6F3862, #62465B, #545354 and #46614D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D2B6A shade: #632A7D, #792A7D, #7D2A6B, #7D2A55 and #7D2A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D2B6A shade: #3F1536, #5E2050, #7D2A6A, #9C3584 and #BA3F9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D2B6A shade: #7D2B6A, #7D4D2A and #2A7D6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D2B6A shade: #7D2B6A, #6B7D2A and #2A6B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D2B6A shade: #7D2B6A, #7D4D2A, #2A7D3C and #2A5B7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D2B6A shade: #7D2B6A, #7D662A, #2A7D3C and #2A427D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

Complementary color

CMYK 39 / 0 / 30 / 17

HEX #82D495

RGB 130 212 149

HSL 133.9, 0.49%, 0.67%

LAB 78.46, -38.27, 23.5

 

CMYK 0 / 67 / 22 / 49

HEX #822B65

RGB 130 43 101

HSL 320, 0.5%, 0.34%

LAB 32.73, 43.68, -14.69

 

CMYK 0 / 59 / 18 / 42

HEX #933D78

RGB 147 61 120

HSL 318.84, 0.41%, 0.41%

LAB 39.41, 43.4, -16.18

 

CMYK 0 / 52 / 15 / 36

HEX #A44F8B

RGB 164 79 139

HSL 317.65, 0.35%, 0.48%

LAB 46.11, 42.81, -17.3

 

CMYK 0 / 46 / 13 / 29

HEX #B5619E

RGB 181 97 158

HSL 316.43, 0.36%, 0.55%

LAB 52.78, 42.09, -18.18

 

CMYK 0 / 42 / 11 / 22

HEX #C673B1

RGB 198 115 177

HSL 315.18, 0.42%, 0.61%

LAB 59.38, 41.33, -18.92

 

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

CMYK 0 / 77 / 19 / 58

HEX #6C1957

RGB 108 25 87

HSL 315.18, 0.62%, 0.26%

LAB 25.48, 42.62, -17.08

 

CMYK 0 / 92 / 25 / 64

HEX #5B0744

RGB 91 7 68

HSL 316.43, 0.86%, 0.19%

LAB 19.2, 40.9, -14.23

 

CMYK 0 / 100 / 34 / 71

HEX #4A0031

RGB 74 0 49

HSL 320.27, 1%, 0.15%

LAB 13.7, 36.4, -9.55

 

CMYK 0 / 100 / 47 / 78

HEX #39001E

RGB 57 0 30

HSL 328.42, 1%, 0.11%

LAB 8.68, 29.81, -3.3

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 0 / 66 / 33 / 51

HEX #7D2A54

RGB 125 42 84

HSL 329.64, 0.5%, 0.33%

LAB 31.01, 40.18, -6.39

 

CMYK 0 / 66 / 51 / 51

HEX #7D2A3D

RGB 125 42 61

HSL 346.27, 0.5%, 0.33%

LAB 30.29, 37.54, 7.67

 

CMYK 0 / 66 / 66 / 51

HEX #7D2A2A

RGB 125 42 42

HSL 0, 0.5%, 0.33%

LAB 29.87, 35.97, 19.55

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 2 / 66 / 0 / 51

HEX #7A2A7D

RGB 122 42 125

HSL 297.83, 0.5%, 0.33%

LAB 32.42, 45.93, -30.47

 

CMYK 20 / 66 / 0 / 51

HEX #642A7D

RGB 100 42 125

HSL 281.93, 0.5%, 0.33%

LAB 29.02, 40.29, -36.1

 

CMYK 38 / 66 / 0 / 51

HEX #4D2A7D

RGB 77 42 125

HSL 265.3, 0.5%, 0.33%

LAB 25.91, 34.69, -41.27

 

CMYK 56 / 66 / 0 / 51

HEX #372A7D

RGB 55 42 125

HSL 249.4, 0.5%, 0.33%

LAB 23.5, 29.98, -45.28

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 0 / 79 / 18 / 46

HEX #8A1D71

RGB 138 29 113

HSL 313.76, 0.65%, 0.33%

LAB 32.86, 52.82, -22.02

 

CMYK 0 / 90 / 21 / 40

HEX #980F78

RGB 152 15 120

HSL 314.01, 0.82%, 0.33%

LAB 34.75, 60.24, -23.31

 

CMYK 0 / 99 / 23 / 35

HEX #A60280

RGB 166 2 128

HSL 313.9, 0.98%, 0.33%

LAB 37.31, 65.81, -24.11

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 0 / 50 / 12 / 56

HEX #6F3862

RGB 111 56 98

HSL 314.18, 0.33%, 0.33%

LAB 32.01, 30.47, -14.13

 

CMYK 0 / 29 / 7 / 62

HEX #62465B

RGB 98 70 91

HSL 315, 0.17%, 0.33%

LAB 33.42, 15.85, -7.69

 

CMYK 0 / 1 / 0 / 67

HEX #545354

RGB 84 83 84

HSL 300, 0.01%, 0.33%

LAB 35.42, 0.62, -0.45

 

CMYK 28 / 0 / 21 / 62

HEX #46614D

RGB 70 97 77

HSL 135.56, 0.16%, 0.33%

LAB 38.53, -14.64, 8.21

 

CMYK 21 / 66 / 0 / 51

HEX #632A7D

RGB 99 42 125

HSL 281.2, 0.5%, 0.33%

LAB 28.87, 40.04, -36.34

 

CMYK 3 / 66 / 0 / 51

HEX #792A7D

RGB 121 42 125

HSL 297.11, 0.5%, 0.33%

LAB 32.26, 45.67, -30.74

 

CMYK 0 / 66 / 14 / 51

HEX #7D2A6B

RGB 125 42 107

HSL 313.01, 0.5%, 0.33%

LAB 31.98, 43.59, -19.75

 

CMYK 0 / 66 / 32 / 51

HEX #7D2A55

RGB 125 42 85

HSL 328.92, 0.5%, 0.33%

LAB 31.05, 40.32, -6.98

 

CMYK 0 / 66 / 50 / 51

HEX #7D2A3F

RGB 125 42 63

HSL 344.82, 0.5%, 0.33%

LAB 30.34, 37.73, 6.43

 

CMYK 0 / 67 / 14 / 75

HEX #3F1536

RGB 63 21 54

HSL 312.86, 0.5%, 0.16%

LAB 14.73, 25.27, -11.75

 

CMYK 0 / 66 / 15 / 63

HEX #5E2050

RGB 94 32 80

HSL 313.55, 0.49%, 0.25%

LAB 23.64, 34.43, -15.46

 

CMYK 0 / 66 / 15 / 51

HEX #7D2A6A

RGB 125 42 106

HSL 313.73, 0.5%, 0.33%

LAB 31.94, 43.43, -19.18

 

CMYK 0 / 66 / 15 / 39

HEX #9C3584

RGB 156 53 132

HSL 313.98, 0.49%, 0.41%

LAB 40.05, 51.52, -22.47

 

CMYK 0 / 66 / 15 / 27

HEX #BA3F9E

RGB 186 63 158

HSL 313.66, 0.49%, 0.49%

LAB 47.58, 59.44, -26.12

 

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

CMYK 0 / 38 / 66 / 51

HEX #7D4D2A

RGB 125 77 42

HSL 25.3, 0.5%, 0.33%

LAB 37.54, 16.71, 28.84

 

CMYK 66 / 0 / 12 / 51

HEX #2A7D6E

RGB 42 125 110

HSL 169.16, 0.5%, 0.33%

LAB 47.35, -28.63, 0.87

 

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

CMYK 14 / 0 / 66 / 51

HEX #6B7D2A

RGB 107 125 42

HSL 73.01, 0.5%, 0.33%

LAB 49.45, -19.21, 41.56

 

CMYK 66 / 14 / 0 / 51

HEX #2A6B7D

RGB 42 107 125

HSL 193.01, 0.5%, 0.33%

LAB 41.98, -14.56, -16.11

 

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

CMYK 0 / 38 / 66 / 51

HEX #7D4D2A

RGB 125 77 42

HSL 25.3, 0.5%, 0.33%

LAB 37.54, 16.71, 28.84

 

CMYK 66 / 0 / 52 / 51

HEX #2A7D3C

RGB 42 125 60

HSL 133.01, 0.5%, 0.33%

LAB 46.29, -39.73, 28.11

 

CMYK 66 / 27 / 0 / 51

HEX #2A5B7D

RGB 42 91 125

HSL 204.58, 0.5%, 0.33%

LAB 36.85, -5.09, -24.04

 

CMYK 0 / 66 / 15 / 51

HEX #7D2B6A

RGB 125 43 106

HSL 313.9, 0.49%, 0.33%

LAB 32.1, 42.98, -18.93

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 66 / 0 / 52 / 51

HEX #2A7D3C

RGB 42 125 60

HSL 133.01, 0.5%, 0.33%

LAB 46.29, -39.73, 28.11

 

CMYK 66 / 47 / 0 / 51

HEX #2A427D

RGB 42 66 125

HSL 222.65, 0.5%, 0.33%

LAB 29.08, 11.25, -36.32

 

Description

Color code: HEX #7D2B6A | qconv.com Color code: HEX #7D2B6A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 43 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 43 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 15 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 15% 51% C M Y K

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Provide designers and agencies with accurate color values.

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