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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D2BB5 it is the complementary color #82D44A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D2BB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D2BB5 shade: #822BB0, #933DC3, #A44FD6, #B561E9 and #C673FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D2BB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D2BB5 shade: #7D2BB5, #6C19A2, #5B078F, #4A007C and #390069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D2BB5 shade: #7D2AB5, #A22AB5, #B52AA3, #B52A7D and #B52A58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D2BB5 shade: #7D2AB5, #572AB5, #322AB5 and #2A2AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D2BB5 shade matches the following richer shades: #7D2AB5, #8018C7 and #8406DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D2BB5 shade: #7D2AB5, #793CA3, #764E91, #73617F and #6F736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D2BB5 shade: #312AB5, #562AB5, #7B2AB5, #A02AB5 and #B52AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D2BB5 shade: #4F1A72, #662294, #7D2AB5, #9339D0 and #A55AD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D2BB5 shade: #7D2BB5, #B52A48 and #2AB544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D2BB5 shade: #7D2BB5, #B57B2A and #2AB57B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D2BB5 shade: #7D2BB5, #B52A48, #64B52A and #2AB597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D2BB5 shade: #7D2BB5, #B5362A, #64B52A and #2AAAB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

Complementary color

CMYK 39 / 0 / 65 / 17

HEX #82D44A

RGB 130 212 74

HSL 95.65, 0.62%, 0.56%

LAB 77.48, -48.03, 58.36

 

CMYK 26 / 76 / 0 / 31

HEX #822BB0

RGB 130 43 176

HSL 279.25, 0.61%, 0.43%

LAB 37.13, 57.62, -53.97

 

CMYK 25 / 69 / 0 / 24

HEX #933DC3

RGB 147 61 195

HSL 278.51, 0.53%, 0.5%

LAB 43.48, 57.68, -54.77

 

CMYK 23 / 63 / 0 / 16

HEX #A44FD6

RGB 164 79 214

HSL 277.78, 0.62%, 0.57%

LAB 49.91, 57.28, -55.26

 

CMYK 22 / 58 / 0 / 9

HEX #B561E9

RGB 181 97 233

HSL 277.06, 0.76%, 0.65%

LAB 56.34, 56.64, -55.57

 

CMYK 21 / 54 / 0 / 1

HEX #C673FC

RGB 198 115 252

HSL 276.35, 0.96%, 0.72%

LAB 62.76, 55.89, -55.76

 

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

CMYK 33 / 85 / 0 / 36

HEX #6C19A2

RGB 108 25 162

HSL 276.35, 0.73%, 0.37%

LAB 30.62, 57.01, -56.29

 

CMYK 36 / 95 / 0 / 44

HEX #5B078F

RGB 91 7 143

HSL 277.06, 0.91%, 0.29%

LAB 24.83, 54.83, -54.22

 

CMYK 40 / 100 / 0 / 51

HEX #4A007C

RGB 74 0 124

HSL 275.81, 1%, 0.24%

LAB 19.68, 50.26, -50.8

 

CMYK 46 / 100 / 0 / 59

HEX #390069

RGB 57 0 105

HSL 272.57, 1%, 0.21%

LAB 14.9, 44.11, -46.47

 

CMYK 31 / 77 / 0 / 29

HEX #7D2AB5

RGB 125 42 181

HSL 275.83, 0.62%, 0.44%

LAB 36.65, 58.17, -57.74

 

CMYK 10 / 77 / 0 / 29

HEX #A22AB5

RGB 162 42 181

HSL 291.8, 0.62%, 0.44%

LAB 42.27, 65.18, -48.4

 

CMYK 0 / 77 / 10 / 29

HEX #B52AA3

RGB 181 42 163

HSL 307.77, 0.62%, 0.44%

LAB 44.41, 66.23, -34.12

 

CMYK 0 / 77 / 31 / 29

HEX #B52A7D

RGB 181 42 125

HSL 324.17, 0.62%, 0.44%

LAB 42.7, 61.17, -13.71

 

CMYK 0 / 77 / 51 / 29

HEX #B52A58

RGB 181 42 88

HSL 340.14, 0.62%, 0.44%

LAB 41.51, 57.46, 7.6

 

CMYK 31 / 77 / 0 / 29

HEX #7D2AB5

RGB 125 42 181

HSL 275.83, 0.62%, 0.44%

LAB 36.65, 58.17, -57.74

 

CMYK 52 / 77 / 0 / 29

HEX #572AB5

RGB 87 42 181

HSL 259.42, 0.62%, 0.44%

LAB 31.85, 52.02, -65.79

 

CMYK 72 / 77 / 0 / 29

HEX #322AB5

RGB 50 42 181

HSL 243.45, 0.62%, 0.44%

LAB 28.56, 47.7, -71.32

 

CMYK 77 / 77 / 0 / 29

HEX #2A2AB5

RGB 42 42 181

HSL 240, 0.62%, 0.44%

LAB 28.07, 47.04, -72.15

 

CMYK 31 / 77 / 0 / 29

HEX #7D2AB5

RGB 125 42 181

HSL 275.83, 0.62%, 0.44%

LAB 36.65, 58.17, -57.74

 

CMYK 36 / 88 / 0 / 22

HEX #8018C7

RGB 128 24 199

HSL 275.66, 0.78%, 0.44%

LAB 36.68, 68.02, -68.27

 

CMYK 39 / 97 / 0 / 15

HEX #8406DA

RGB 132 6 218

HSL 275.66, 0.95%, 0.44%

LAB 38.02, 75.25, -77.07

 

CMYK 31 / 77 / 0 / 29

HEX #7D2AB5

RGB 125 42 181

HSL 275.83, 0.62%, 0.44%

LAB 36.65, 58.17, -57.74

 

CMYK 26 / 63 / 0 / 36

HEX #793CA3

RGB 121 60 163

HSL 275.53, 0.46%, 0.44%

LAB 37.74, 45.1, -45.29

 

CMYK 19 / 46 / 0 / 43

HEX #764E91

RGB 118 78 145

HSL 275.82, 0.3%, 0.44%

LAB 40.16, 29.98, -30.62

 

CMYK 9 / 24 / 0 / 50

HEX #73617F

RGB 115 97 127

HSL 276, 0.13%, 0.44%

LAB 43.84, 13.33, -14.06

 

CMYK 3 / 0 / 5 / 55

HEX #6F736D

RGB 111 115 109

HSL 100, 0.03%, 0.44%

LAB 47.94, -2.73, 2.78

 

CMYK 73 / 77 / 0 / 29

HEX #312AB5

RGB 49 42 181

HSL 243.02, 0.62%, 0.44%

LAB 28.5, 47.61, -71.43

 

CMYK 52 / 77 / 0 / 29

HEX #562AB5

RGB 86 42 181

HSL 258.99, 0.62%, 0.44%

LAB 31.74, 51.88, -65.97

 

CMYK 32 / 77 / 0 / 29

HEX #7B2AB5

RGB 123 42 181

HSL 274.96, 0.62%, 0.44%

LAB 36.37, 57.82, -58.21

 

CMYK 12 / 77 / 0 / 29

HEX #A02AB5

RGB 160 42 181

HSL 290.94, 0.62%, 0.44%

LAB 41.95, 64.78, -48.93

 

CMYK 0 / 77 / 9 / 29

HEX #B52AA5

RGB 181 42 165

HSL 306.91, 0.62%, 0.44%

LAB 44.51, 66.53, -35.15

 

CMYK 31 / 77 / 0 / 55

HEX #4F1A72

RGB 79 26 114

HSL 276.14, 0.63%, 0.27%

LAB 22.36, 40.5, -39.99

 

CMYK 31 / 77 / 0 / 42

HEX #662294

RGB 102 34 148

HSL 275.79, 0.63%, 0.36%

LAB 29.68, 49.66, -49.32

 

CMYK 31 / 77 / 0 / 29

HEX #7D2AB5

RGB 125 42 181

HSL 275.83, 0.62%, 0.44%

LAB 36.65, 58.17, -57.74

 

CMYK 29 / 73 / 0 / 18

HEX #9339D0

RGB 147 57 208

HSL 275.76, 0.62%, 0.52%

LAB 43.78, 62.2, -61.82

 

CMYK 24 / 58 / 0 / 15

HEX #A55AD8

RGB 165 90 216

HSL 275.71, 0.62%, 0.6%

LAB 52.14, 52.55, -52.81

 

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

CMYK 0 / 77 / 60 / 29

HEX #B52A48

RGB 181 42 72

HSL 347.05, 0.62%, 0.44%

LAB 41.13, 56.27, 17.15

 

CMYK 77 / 0 / 62 / 29

HEX #2AB544

RGB 42 181 68

HSL 131.22, 0.62%, 0.44%

LAB 64.93, -58.95, 46.25

 

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

CMYK 0 / 32 / 77 / 29

HEX #B57B2A

RGB 181 123 42

HSL 34.96, 0.62%, 0.44%

LAB 56.24, 15.48, 50.84

 

CMYK 77 / 0 / 32 / 29

HEX #2AB57B

RGB 42 181 123

HSL 154.96, 0.62%, 0.44%

LAB 65.73, -49.73, 19.46

 

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

CMYK 0 / 77 / 60 / 29

HEX #B52A48

RGB 181 42 72

HSL 347.05, 0.62%, 0.44%

LAB 41.13, 56.27, 17.15

 

CMYK 45 / 0 / 77 / 29

HEX #64B52A

RGB 100 181 42

HSL 94.96, 0.62%, 0.44%

LAB 66.46, -47.53, 58.57

 

CMYK 77 / 0 / 17 / 29

HEX #2AB597

RGB 42 181 151

HSL 167.05, 0.62%, 0.44%

LAB 66.35, -43.08, 5.02

 

CMYK 31 / 76 / 0 / 29

HEX #7D2BB5

RGB 125 43 181

HSL 275.65, 0.62%, 0.44%

LAB 36.79, 57.79, -57.52

 

CMYK 0 / 70 / 77 / 29

HEX #B5362A

RGB 181 54 42

HSL 5.18, 0.62%, 0.44%

LAB 42.2, 50.42, 36.56

 

CMYK 45 / 0 / 77 / 29

HEX #64B52A

RGB 100 181 42

HSL 94.96, 0.62%, 0.44%

LAB 66.46, -47.53, 58.57

 

CMYK 77 / 6 / 0 / 29

HEX #2AAAB5

RGB 42 170 181

HSL 184.75, 0.62%, 0.44%

LAB 63.82, -29.47, -15.39

 

Description

Color code: HEX #7D2BB5 | qconv.com Color code: HEX #7D2BB5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 43 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 43 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 76 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 76% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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