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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D43F8 it is the complementary color #82BC07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D43F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D43F8 shade: #8243F3, #9355FF, #A467FF, #B579FF and #C68BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D43F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D43F8 shade: #7D43F8, #6C31E5, #5B1FD2, #4A0DBF and #3900AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D43F8 shade: #7D43F8, #AE43F8, #DE43F8, #F843E0 and #F843B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D43F8 shade: #7D43F8, #4D43F8 and #4343F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D43F8 shade matches the following richer shades: #7D43F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D43F8 shade: #7D43F8, #8353E8, #8963D8, #8E73C9 and #9482B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D43F8 shade: #436BF8, #4C43F8, #7D43F8, #AD43F8 and #DD43F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D43F8 shade: #4D08E1, #621CF6, #7D43F8, #996BF9 and #B493FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D43F8 shade: #7D43F8, #F8439B and #53F843

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D43F8 shade: #7D43F8, #F87D43 and #43F87D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D43F8 shade: #7D43F8, #F8439B, #BFF843 and #43F8A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D43F8 shade: #7D43F8, #F84365, #BFF843 and #43F8D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

Complementary color

CMYK 31 / 0 / 96 / 26

HEX #82BC07

RGB 130 188 7

HSL 79.23, 0.93%, 0.38%

LAB 69.98, -41.02, 69.58

 

CMYK 47 / 72 / 0 / 5

HEX #8243F3

RGB 130 67 243

HSL 261.48, 0.88%, 0.61%

LAB 45.95, 63.24, -78.27

 

CMYK 42 / 67 / 0 / 0

HEX #9355FF

RGB 147 85 255

HSL 261.88, 1%, 0.67%

LAB 51.75, 60.58, -75.44

 

CMYK 36 / 60 / 0 / 0

HEX #A467FF

RGB 164 103 255

HSL 264.08, 1%, 0.7%

LAB 56.89, 54.83, -67.02

 

CMYK 29 / 53 / 0 / 0

HEX #B579FF

RGB 181 121 255

HSL 266.87, 1%, 0.74%

LAB 62.27, 49.26, -58.3

 

CMYK 22 / 45 / 0 / 0

HEX #C68BFF

RGB 198 139 255

HSL 270.52, 1%, 0.77%

LAB 67.79, 43.99, -49.43

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 53 / 79 / 0 / 10

HEX #6C31E5

RGB 108 49 229

HSL 259.67, 0.78%, 0.55%

LAB 39.65, 64.42, -80.78

 

CMYK 57 / 85 / 0 / 18

HEX #5B1FD2

RGB 91 31 210

HSL 260.11, 0.74%, 0.47%

LAB 33.68, 64.41, -79.77

 

CMYK 61 / 93 / 0 / 25

HEX #4A0DBF

RGB 74 13 191

HSL 260.56, 0.87%, 0.4%

LAB 28.13, 63.19, -77.91

 

CMYK 67 / 100 / 0 / 33

HEX #3900AC

RGB 57 0 172

HSL 259.88, 1%, 0.34%

LAB 23.16, 60.21, -74.86

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 30 / 73 / 0 / 3

HEX #AE43F8

RGB 174 67 248

HSL 275.47, 0.93%, 0.62%

LAB 51.6, 71.74, -71.64

 

CMYK 10 / 73 / 0 / 3

HEX #DE43F8

RGB 222 67 248

HSL 291.38, 0.93%, 0.62%

LAB 58.34, 80.69, -60.42

 

CMYK 0 / 73 / 10 / 3

HEX #F843E0

RGB 248 67 224

HSL 307.96, 0.93%, 0.62%

LAB 61.09, 82.27, -42.39

 

CMYK 0 / 73 / 29 / 3

HEX #F843B0

RGB 248 67 176

HSL 323.87, 0.93%, 0.62%

LAB 59.07, 76.12, -18.15

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 69 / 73 / 0 / 3

HEX #4D43F8

RGB 77 67 248

HSL 243.31, 0.93%, 0.62%

LAB 41.8, 57.92, -88.07

 

CMYK 73 / 73 / 0 / 3

HEX #4343F8

RGB 67 67 248

HSL 240, 0.93%, 0.62%

LAB 41.19, 57.02, -89.09

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 44 / 64 / 0 / 9

HEX #8353E8

RGB 131 83 232

HSL 259.33, 0.76%, 0.62%

LAB 48.06, 52.66, -68.64

 

CMYK 37 / 54 / 0 / 15

HEX #8963D8

RGB 137 99 216

HSL 259.49, 0.6%, 0.62%

LAB 50.92, 40.94, -54.93

 

CMYK 29 / 43 / 0 / 21

HEX #8E73C9

RGB 142 115 201

HSL 258.84, 0.44%, 0.62%

LAB 54.27, 29.13, -41.05

 

CMYK 20 / 30 / 0 / 27

HEX #9482B9

RGB 148 130 185

HSL 259.64, 0.28%, 0.62%

LAB 57.81, 18.27, -26.36

 

CMYK 73 / 57 / 0 / 3

HEX #436BF8

RGB 67 107 248

HSL 226.74, 0.93%, 0.62%

LAB 50.08, 33.45, -74.52

 

CMYK 69 / 73 / 0 / 3

HEX #4C43F8

RGB 76 67 248

HSL 242.98, 0.93%, 0.62%

LAB 41.73, 57.82, -88.18

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 30 / 73 / 0 / 3

HEX #AD43F8

RGB 173 67 248

HSL 275.14, 0.93%, 0.62%

LAB 51.47, 71.57, -71.86

 

CMYK 11 / 73 / 0 / 3

HEX #DD43F8

RGB 221 67 248

HSL 291.05, 0.93%, 0.62%

LAB 58.19, 80.49, -60.67

 

CMYK 66 / 96 / 0 / 12

HEX #4D08E1

RGB 77 8 225

HSL 259.08, 0.93%, 0.46%

LAB 32.23, 72.37, -90.88

 

CMYK 60 / 89 / 0 / 4

HEX #621CF6

RGB 98 28 246

HSL 259.27, 0.92%, 0.54%

LAB 37.99, 74.69, -93.19

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 39 / 57 / 0 / 2

HEX #996BF9

RGB 153 107 249

HSL 259.44, 0.92%, 0.7%

LAB 56.21, 48.79, -64.85

 

CMYK 28 / 41 / 0 / 2

HEX #B493FB

RGB 180 147 251

HSL 259.04, 0.93%, 0.78%

LAB 67.68, 33.78, -47.54

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 0 / 73 / 38 / 3

HEX #F8439B

RGB 248 67 155

HSL 330.83, 0.93%, 0.62%

LAB 58.36, 73.86, -7

 

CMYK 67 / 0 / 73 / 3

HEX #53F843

RGB 83 248 67

HSL 114.7, 0.93%, 0.62%

LAB 86.69, -73.82, 70.02

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 0 / 50 / 73 / 3

HEX #F87D43

RGB 248 125 67

HSL 19.23, 0.93%, 0.62%

LAB 65.77, 43.09, 52

 

CMYK 73 / 0 / 50 / 3

HEX #43F87D

RGB 67 248 125

HSL 139.23, 0.93%, 0.62%

LAB 86.9, -70.16, 46.14

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 0 / 73 / 38 / 3

HEX #F8439B

RGB 248 67 155

HSL 330.83, 0.93%, 0.62%

LAB 58.36, 73.86, -7

 

CMYK 23 / 0 / 73 / 3

HEX #BFF843

RGB 191 248 67

HSL 78.9, 0.93%, 0.62%

LAB 91.06, -42.14, 75.79

 

CMYK 73 / 0 / 35 / 3

HEX #43F8A1

RGB 67 248 161

HSL 151.16, 0.93%, 0.62%

LAB 87.44, -64.06, 29.17

 

CMYK 50 / 73 / 0 / 3

HEX #7D43F8

RGB 125 67 248

HSL 259.23, 0.93%, 0.62%

LAB 45.84, 63.77, -81.27

 

CMYK 0 / 73 / 59 / 3

HEX #F84365

RGB 248 67 101

HSL 348.73, 0.93%, 0.62%

LAB 56.99, 69.43, 22.89

 

CMYK 23 / 0 / 73 / 3

HEX #BFF843

RGB 191 248 67

HSL 78.9, 0.93%, 0.62%

LAB 91.06, -42.14, 75.79

 

CMYK 73 / 0 / 13 / 3

HEX #43F8D7

RGB 67 248 215

HSL 169.06, 0.93%, 0.62%

LAB 88.56, -52.11, 2.95

 

Description

Color code: HEX #7D43F8 | qconv.com Color code: HEX #7D43F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 67 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 67 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 73 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 73% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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