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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D4E5F it is the complementary color #82B1A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D4E5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D4E5F shade: #824E5A, #93606D, #A47280, #B58493 and #C696A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D4E5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D4E5F shade: #7D4E5F, #6C3C4C, #5B2A39, #4A1826 and #390613

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D4E5F shade: #7D4E5F, #7D4E52 and #7D4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D4E5F shade: #7D4E5F, #7D4E6C, #7D4E78, #754E7D and #684E7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D4E5F shade matches the following richer shades: #7D4E5F, #8D3E5A, #9E2D56, #AE1D51 and #BF0C4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D4E5F shade: #7D4E5F, #6C5F64, #5C6F68, #4B806D and #3B9071

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D4E5F shade: #7D4E78, #7D4E6C, #7D4E5F, #7D4E53 and #7D564E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D4E5F shade: #4A2E38, #643E4C, #7D4E5F, #965E72 and #A87588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D4E5F shade: #7D4E5F, #7D754E and #4E727D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D4E5F shade: #7D4E5F, #5F7D4E and #4E5F7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D4E5F shade: #7D4E5F, #7D754E, #4E7D6C and #4E567D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D4E5F shade: #7D4E5F, #777D4E, #4E7D6C and #544E7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

Complementary color

CMYK 27 / 0 / 10 / 31

HEX #82B1A0

RGB 130 177 160

HSL 158.3, 0.23%, 0.6%

LAB 68.55, -19.27, 3.64

 

CMYK 0 / 40 / 31 / 49

HEX #824E5A

RGB 130 78 90

HSL 346.15, 0.25%, 0.41%

LAB 39.47, 23.56, 2.32

 

CMYK 0 / 35 / 26 / 42

HEX #93606D

RGB 147 96 109

HSL 344.71, 0.21%, 0.48%

LAB 46.54, 22.65, 1.22

 

CMYK 0 / 30 / 22 / 36

HEX #A47280

RGB 164 114 128

HSL 343.2, 0.22%, 0.55%

LAB 53.48, 21.84, 0.26

 

CMYK 0 / 27 / 19 / 29

HEX #B58493

RGB 181 132 147

HSL 341.63, 0.25%, 0.61%

LAB 60.28, 21.12, -0.59

 

CMYK 0 / 24 / 16 / 22

HEX #C696A6

RGB 198 150 166

HSL 340, 0.3%, 0.68%

LAB 66.95, 20.47, -1.36

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 44 / 30 / 58

HEX #6C3C4C

RGB 108 60 76

HSL 340, 0.29%, 0.33%

LAB 31.67, 23.29, -0.5

 

CMYK 0 / 54 / 37 / 64

HEX #5B2A39

RGB 91 42 57

HSL 341.63, 0.37%, 0.26%

LAB 24.24, 24.3, 0.93

 

CMYK 0 / 68 / 49 / 71

HEX #4A1826

RGB 74 24 38

HSL 343.2, 0.51%, 0.19%

LAB 16.74, 25.22, 2.96

 

CMYK 0 / 89 / 67 / 78

HEX #390613

RGB 57 6 19

HSL 344.71, 0.81%, 0.12%

LAB 9.38, 25.59, 5.88

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 38 / 34 / 51

HEX #7D4E52

RGB 125 78 82

HSL 354.89, 0.23%, 0.4%

LAB 38.58, 20.38, 5.95

 

CMYK 0 / 38 / 38 / 51

HEX #7D4E4E

RGB 125 78 78

HSL 0, 0.23%, 0.4%

LAB 38.48, 19.83, 8.3

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 38 / 14 / 51

HEX #7D4E6C

RGB 125 78 108

HSL 321.7, 0.23%, 0.4%

LAB 39.4, 24.58, -9.05

 

CMYK 0 / 38 / 4 / 51

HEX #7D4E78

RGB 125 78 120

HSL 306.38, 0.23%, 0.4%

LAB 39.86, 26.85, -15.76

 

CMYK 6 / 38 / 0 / 51

HEX #754E7D

RGB 117 78 125

HSL 289.79, 0.23%, 0.4%

LAB 39.09, 25.1, -20.1

 

CMYK 17 / 38 / 0 / 51

HEX #684E7D

RGB 104 78 125

HSL 273.19, 0.23%, 0.4%

LAB 37.61, 20.68, -22.51

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 56 / 36 / 45

HEX #8D3E5A

RGB 141 62 90

HSL 338.73, 0.39%, 0.4%

LAB 37.56, 36.6, -0.25

 

CMYK 0 / 72 / 46 / 38

HEX #9E2D56

RGB 158 45 86

HSL 338.23, 0.56%, 0.4%

LAB 37.51, 49.49, 2.58

 

CMYK 0 / 83 / 53 / 32

HEX #AE1D51

RGB 174 29 81

HSL 338.48, 0.71%, 0.4%

LAB 38.68, 58.62, 7.85

 

CMYK 0 / 94 / 60 / 25

HEX #BF0C4D

RGB 191 12 77

HSL 338.21, 0.88%, 0.4%

LAB 41.02, 65.62, 14.18

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 12 / 7 / 58

HEX #6C5F64

RGB 108 95 100

HSL 336.92, 0.06%, 0.4%

LAB 41.68, 6.18, -0.94

 

CMYK 17 / 0 / 6 / 56

HEX #5C6F68

RGB 92 111 104

HSL 157.89, 0.09%, 0.4%

LAB 45.14, -8.62, 1.53

 

CMYK 41 / 0 / 15 / 50

HEX #4B806D

RGB 75 128 109

HSL 158.49, 0.26%, 0.4%

LAB 49.54, -22.4, 4.8

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 0 / 38 / 4 / 51

HEX #7D4E78

RGB 125 78 120

HSL 306.38, 0.23%, 0.4%

LAB 39.86, 26.85, -15.76

 

CMYK 0 / 38 / 14 / 51

HEX #7D4E6C

RGB 125 78 108

HSL 321.7, 0.23%, 0.4%

LAB 39.4, 24.58, -9.05

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 38 / 34 / 51

HEX #7D4E53

RGB 125 78 83

HSL 353.62, 0.23%, 0.4%

LAB 38.61, 20.52, 5.37

 

CMYK 0 / 31 / 38 / 51

HEX #7D564E

RGB 125 86 78

HSL 10.21, 0.23%, 0.4%

LAB 40.52, 15.06, 11.15

 

CMYK 0 / 38 / 24 / 71

HEX #4A2E38

RGB 74 46 56

HSL 338.57, 0.23%, 0.24%

LAB 22.64, 14.54, -1.05

 

CMYK 0 / 38 / 24 / 61

HEX #643E4C

RGB 100 62 76

HSL 337.89, 0.23%, 0.32%

LAB 31.06, 18.84, -1.53

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 37 / 24 / 41

HEX #965E72

RGB 150 94 114

HSL 338.57, 0.23%, 0.48%

LAB 46.58, 25.73, -1.69

 

CMYK 0 / 30 / 19 / 34

HEX #A87588

RGB 168 117 136

HSL 337.65, 0.23%, 0.56%

LAB 54.89, 22.93, -2.29

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 6 / 38 / 51

HEX #7D754E

RGB 125 117 78

HSL 49.79, 0.23%, 0.4%

LAB 49.05, -3.19, 22.65

 

CMYK 38 / 9 / 0 / 51

HEX #4E727D

RGB 78 114 125

HSL 194.04, 0.23%, 0.4%

LAB 45.82, -9.77, -10.14

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 24 / 0 / 38 / 51

HEX #5F7D4E

RGB 95 125 78

HSL 98.3, 0.23%, 0.4%

LAB 49.07, -20.06, 22.23

 

CMYK 38 / 24 / 0 / 51

HEX #4E5F7D

RGB 78 95 125

HSL 218.3, 0.23%, 0.4%

LAB 40.06, 1.57, -18.91

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 0 / 6 / 38 / 51

HEX #7D754E

RGB 125 117 78

HSL 49.79, 0.23%, 0.4%

LAB 49.05, -3.19, 22.65

 

CMYK 38 / 0 / 14 / 51

HEX #4E7D6C

RGB 78 125 108

HSL 158.3, 0.23%, 0.4%

LAB 48.72, -20.16, 4.22

 

CMYK 38 / 31 / 0 / 51

HEX #4E567D

RGB 78 86 125

HSL 229.79, 0.23%, 0.4%

LAB 37.4, 7.21, -23.02

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 5 / 0 / 38 / 51

HEX #777D4E

RGB 119 125 78

HSL 67.66, 0.23%, 0.4%

LAB 50.85, -10.26, 24.9

 

CMYK 38 / 0 / 14 / 51

HEX #4E7D6C

RGB 78 125 108

HSL 158.3, 0.23%, 0.4%

LAB 48.72, -20.16, 4.22

 

CMYK 33 / 38 / 0 / 51

HEX #544E7D

RGB 84 78 125

HSL 247.66, 0.23%, 0.4%

LAB 35.62, 14.17, -25.76

 

Description

Color code: HEX #7D4E5F | qconv.com Color code: HEX #7D4E5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 78 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 78 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 24 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 24% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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