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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D573F it is the complementary color #82A8C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D573F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D573F shade: #82573A, #93694D, #A47B60, #B58D73 and #C69F86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D573F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D573F shade: #7D573F, #6C452C, #5B3319, #4A2106 and #390F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D573F shade: #7D573F, #7D463F and #7D3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D573F shade: #7D573F, #7D683F, #7D783F, #717D3F and #607D3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D573F shade matches the following richer shades: #7D573F, #8C532F, #9C5020, #AB4C11 and #BA4902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D573F shade: #7D573F, #6E5A4E, #5E5E5D, #4F616D and #40657C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D573F shade: #7D3F48, #7D463F, #7D573F, #7D673F and #7D783F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D573F shade: #463123, #624431, #7D573F, #986A4D and #AF7E60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D573F shade: #7D573F, #597D3F and #3F407D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D573F shade: #7D573F, #3F7D57 and #573F7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D573F shade: #7D573F, #597D3F, #3F657D and #633F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D573F shade: #7D573F, #467D3F, #3F657D and #763F7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

Complementary color

CMYK 32 / 13 / 0 / 25

HEX #82A8C0

RGB 130 168 192

HSL 203.23, 0.33%, 0.63%

LAB 66.94, -7.08, -16.47

 

CMYK 0 / 33 / 55 / 49

HEX #82573A

RGB 130 87 58

HSL 24.17, 0.38%, 0.37%

LAB 41.01, 14.38, 23.96

 

CMYK 0 / 29 / 48 / 42

HEX #93694D

RGB 147 105 77

HSL 24, 0.31%, 0.44%

LAB 48.06, 13.25, 22.37

 

CMYK 0 / 25 / 41 / 36

HEX #A47B60

RGB 164 123 96

HSL 23.82, 0.27%, 0.51%

LAB 54.97, 12.31, 20.95

 

CMYK 0 / 22 / 36 / 29

HEX #B58D73

RGB 181 141 115

HSL 23.64, 0.31%, 0.58%

LAB 61.75, 11.53, 19.68

 

CMYK 0 / 20 / 32 / 22

HEX #C69F86

RGB 198 159 134

HSL 23.44, 0.36%, 0.65%

LAB 68.4, 10.85, 18.52

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 36 / 59 / 58

HEX #6C452C

RGB 108 69 44

HSL 23.44, 0.42%, 0.3%

LAB 33.19, 13.88, 21.88

 

CMYK 0 / 44 / 73 / 64

HEX #5B3319

RGB 91 51 25

HSL 23.64, 0.57%, 0.23%

LAB 25.75, 15.46, 23.82

 

CMYK 0 / 55 / 92 / 71

HEX #4A2106

RGB 74 33 6

HSL 23.82, 0.85%, 0.16%

LAB 18.17, 17.46, 24.37

 

CMYK 0 / 74 / 100 / 78

HEX #390F00

RGB 57 15 0

HSL 15.79, 1%, 0.11%

LAB 10.64, 19.86, 16.4

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 44 / 50 / 51

HEX #7D463F

RGB 125 70 63

HSL 6.77, 0.33%, 0.37%

LAB 36.17, 22.73, 14.49

 

CMYK 0 / 50 / 50 / 51

HEX #7D3F3F

RGB 125 63 63

HSL 0, 0.33%, 0.37%

LAB 34.55, 26.76, 12.28

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 17 / 50 / 51

HEX #7D683F

RGB 125 104 63

HSL 39.68, 0.33%, 0.37%

LAB 45.11, 2.56, 26.12

 

CMYK 0 / 4 / 50 / 51

HEX #7D783F

RGB 125 120 63

HSL 55.16, 0.33%, 0.37%

LAB 49.68, -6.62, 31.77

 

CMYK 10 / 0 / 50 / 51

HEX #717D3F

RGB 113 125 63

HSL 71.61, 0.33%, 0.37%

LAB 50.14, -14.64, 32.1

 

CMYK 23 / 0 / 50 / 51

HEX #607D3F

RGB 96 125 63

HSL 88.06, 0.33%, 0.37%

LAB 48.9, -21.76, 30.3

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 41 / 66 / 45

HEX #8C532F

RGB 140 83 47

HSL 23.23, 0.5%, 0.37%

LAB 41.16, 20.29, 30.77

 

CMYK 0 / 49 / 79 / 39

HEX #9C5020

RGB 156 80 32

HSL 23.23, 0.66%, 0.37%

LAB 42.63, 28.12, 40.87

 

CMYK 0 / 56 / 90 / 33

HEX #AB4C11

RGB 171 76 17

HSL 22.99, 0.82%, 0.37%

LAB 44.04, 35.99, 49.21

 

CMYK 0 / 61 / 99 / 27

HEX #BA4902

RGB 186 73 2

HSL 23.15, 0.98%, 0.37%

LAB 45.92, 43.07, 55.81

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 18 / 29 / 57

HEX #6E5A4E

RGB 110 90 78

HSL 22.5, 0.17%, 0.37%

LAB 39.88, 6.17, 10

 

CMYK 0 / 0 / 1 / 63

HEX #5E5E5D

RGB 94 94 93

HSL 60, 0.01%, 0.37%

LAB 39.87, -0.21, 0.57

 

CMYK 28 / 11 / 0 / 57

HEX #4F616D

RGB 79 97 109

HSL 204, 0.16%, 0.37%

LAB 40.11, -3.78, -9.05

 

CMYK 48 / 19 / 0 / 51

HEX #40657C

RGB 64 101 124

HSL 203, 0.32%, 0.37%

LAB 40.98, -6.41, -16.96

 

CMYK 0 / 50 / 42 / 51

HEX #7D3F48

RGB 125 63 72

HSL 351.29, 0.33%, 0.37%

LAB 34.77, 27.79, 6.85

 

CMYK 0 / 44 / 50 / 51

HEX #7D463F

RGB 125 70 63

HSL 6.77, 0.33%, 0.37%

LAB 36.17, 22.73, 14.49

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 18 / 50 / 51

HEX #7D673F

RGB 125 103 63

HSL 38.71, 0.33%, 0.37%

LAB 44.83, 3.15, 25.77

 

CMYK 0 / 4 / 50 / 51

HEX #7D783F

RGB 125 120 63

HSL 55.16, 0.33%, 0.37%

LAB 49.68, -6.62, 31.77

 

CMYK 0 / 30 / 50 / 73

HEX #463123

RGB 70 49 35

HSL 24, 0.33%, 0.21%

LAB 22.37, 7.46, 12.68

 

CMYK 0 / 31 / 50 / 62

HEX #624431

RGB 98 68 49

HSL 23.27, 0.33%, 0.29%

LAB 31.7, 10.36, 16.63

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 0 / 30 / 49 / 40

HEX #986A4D

RGB 152 106 77

HSL 23.2, 0.33%, 0.45%

LAB 48.91, 14.83, 23.59

 

CMYK 0 / 28 / 45 / 31

HEX #AF7E60

RGB 175 126 96

HSL 22.78, 0.33%, 0.53%

LAB 56.96, 15.22, 23.82

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 29 / 0 / 50 / 51

HEX #597D3F

RGB 89 125 63

HSL 94.84, 0.33%, 0.37%

LAB 48.45, -24.54, 29.64

 

CMYK 50 / 49 / 0 / 51

HEX #3F407D

RGB 63 64 125

HSL 239.03, 0.33%, 0.37%

LAB 29.92, 17.33, -34.89

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 50 / 0 / 30 / 51

HEX #3F7D57

RGB 63 125 87

HSL 143.23, 0.33%, 0.37%

LAB 47.51, -29.33, 14.69

 

CMYK 30 / 50 / 0 / 51

HEX #573F7D

RGB 87 63 125

HSL 263.23, 0.33%, 0.37%

LAB 31.95, 24.63, -31.53

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 29 / 0 / 50 / 51

HEX #597D3F

RGB 89 125 63

HSL 94.84, 0.33%, 0.37%

LAB 48.45, -24.54, 29.64

 

CMYK 50 / 19 / 0 / 51

HEX #3F657D

RGB 63 101 125

HSL 203.23, 0.33%, 0.37%

LAB 40.97, -6.36, -17.59

 

CMYK 21 / 50 / 0 / 51

HEX #633F7D

RGB 99 63 125

HSL 274.84, 0.33%, 0.37%

LAB 33.33, 28.25, -29.26

 

CMYK 0 / 30 / 50 / 51

HEX #7D573F

RGB 125 87 63

HSL 23.23, 0.33%, 0.37%

LAB 40.47, 12.64, 20.18

 

CMYK 44 / 0 / 50 / 51

HEX #467D3F

RGB 70 125 63

HSL 113.23, 0.33%, 0.37%

LAB 47.4, -31.43, 28.11

 

CMYK 50 / 19 / 0 / 51

HEX #3F657D

RGB 63 101 125

HSL 203.23, 0.33%, 0.37%

LAB 40.97, -6.36, -17.59

 

CMYK 6 / 50 / 0 / 51

HEX #763F7D

RGB 118 63 125

HSL 293.23, 0.33%, 0.37%

LAB 35.77, 34.16, -25.26

 

Description

Color code: HEX #7D573F | qconv.com Color code: HEX #7D573F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 87 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 87 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 50 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 50% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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