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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5365 it is the complementary color #82AC9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5365. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5365 shade: #825360, #936573, #A47786, #B58999 and #C69BAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5365. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5365 shade: #7D5365, #6C4152, #5B2F3F, #4A1D2C and #390B19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5365 shade: #7D5365, #7D535A and #7D5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5365 shade: #7D5365, #7D5370, #7D537C, #73537D and #68537D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5365 shade matches the following richer shades: #7D5365, #8E4263, #9F3160, #B0205E and #C10F5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5365 shade: #7D5365, #6C6467, #5B756A, #4A866C and #39976F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5365 shade: #7D537C, #7D5370, #7D5365, #7D535A and #7D5753

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5365 shade: #4B323D, #644351, #7D5365, #966479 and #A77B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5365 shade: #7D5365, #7D7353 and #53767D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5365 shade: #7D5365, #657D53 and #53657D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5365 shade: #7D5365, #7D7353, #537D6B and #535D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5365 shade: #7D5365, #7A7D53, #537D6B and #56537D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

Complementary color

CMYK 24 / 0 / 10 / 33

HEX #82AC9A

RGB 130 172 154

HSL 154.29, 0.2%, 0.59%

LAB 66.96, -17.96, 4.66

 

CMYK 0 / 36 / 26 / 49

HEX #825360

RGB 130 83 96

HSL 343.4, 0.22%, 0.42%

LAB 40.86, 21.53, 0.62

 

CMYK 0 / 31 / 22 / 42

HEX #936573

RGB 147 101 115

HSL 341.74, 0.19%, 0.49%

LAB 47.94, 20.7, -0.35

 

CMYK 0 / 27 / 18 / 36

HEX #A47786

RGB 164 119 134

HSL 340, 0.2%, 0.55%

LAB 54.87, 19.96, -1.2

 

CMYK 0 / 24 / 15 / 29

HEX #B58999

RGB 181 137 153

HSL 338.18, 0.23%, 0.62%

LAB 61.67, 19.3, -1.98

 

CMYK 0 / 22 / 13 / 22

HEX #C69BAC

RGB 198 155 172

HSL 336.28, 0.27%, 0.69%

LAB 68.33, 18.7, -2.69

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 40 / 24 / 58

HEX #6C4152

RGB 108 65 82

HSL 336.28, 0.25%, 0.34%

LAB 33.09, 21.25, -2.29

 

CMYK 0 / 48 / 31 / 64

HEX #5B2F3F

RGB 91 47 63

HSL 338.18, 0.32%, 0.27%

LAB 25.61, 22.22, -1.12

 

CMYK 0 / 61 / 41 / 71

HEX #4A1D2C

RGB 74 29 44

HSL 340, 0.44%, 0.2%

LAB 17.99, 23.21, 0.48

 

CMYK 0 / 81 / 56 / 78

HEX #390B19

RGB 57 11 25

HSL 341.74, 0.68%, 0.13%

LAB 10.4, 23.82, 3.05

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 34 / 28 / 51

HEX #7D535A

RGB 125 83 90

HSL 350, 0.2%, 0.41%

LAB 40.06, 18.59, 3.09

 

CMYK 0 / 34 / 34 / 51

HEX #7D5353

RGB 125 83 83

HSL 0, 0.2%, 0.41%

LAB 39.87, 17.55, 7.16

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 34 / 10 / 51

HEX #7D5370

RGB 125 83 112

HSL 318.57, 0.2%, 0.41%

LAB 40.76, 22.35, -9.46

 

CMYK 0 / 34 / 1 / 51

HEX #7D537C

RGB 125 83 124

HSL 301.43, 0.2%, 0.41%

LAB 41.22, 24.7, -16.13

 

CMYK 8 / 34 / 0 / 51

HEX #73537D

RGB 115 83 125

HSL 285.71, 0.2%, 0.41%

LAB 40.1, 21.39, -18.56

 

CMYK 17 / 34 / 0 / 51

HEX #68537D

RGB 104 83 125

HSL 270, 0.2%, 0.41%

LAB 38.92, 17.59, -20.49

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 54 / 30 / 44

HEX #8E4263

RGB 142 66 99

HSL 333.95, 0.37%, 0.41%

LAB 38.81, 36.08, -4.06

 

CMYK 0 / 69 / 40 / 38

HEX #9F3160

RGB 159 49 96

HSL 334.36, 0.53%, 0.41%

LAB 38.57, 49.27, -2.21

 

CMYK 0 / 82 / 47 / 31

HEX #B0205E

RGB 176 32 94

HSL 334.17, 0.69%, 0.41%

LAB 39.7, 59.48, 1.09

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5B

RGB 193 15 91

HSL 334.38, 0.86%, 0.41%

LAB 41.9, 66.69, 6.59

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 7 / 5 / 58

HEX #6C6467

RGB 108 100 103

HSL 337.5, 0.04%, 0.41%

LAB 43.18, 3.76, -0.56

 

CMYK 22 / 0 / 9 / 54

HEX #5B756A

RGB 91 117 106

HSL 154.62, 0.13%, 0.41%

LAB 46.96, -11.94, 2.96

 

CMYK 45 / 0 / 19 / 47

HEX #4A866C

RGB 74 134 108

HSL 154, 0.29%, 0.41%

LAB 51.37, -25.97, 7.98

 

CMYK 62 / 0 / 26 / 41

HEX #39976F

RGB 57 151 111

HSL 154.47, 0.45%, 0.41%

LAB 56.24, -37.48, 13.03

 

CMYK 0 / 34 / 1 / 51

HEX #7D537C

RGB 125 83 124

HSL 301.43, 0.2%, 0.41%

LAB 41.22, 24.7, -16.13

 

CMYK 0 / 34 / 10 / 51

HEX #7D5370

RGB 125 83 112

HSL 318.57, 0.2%, 0.41%

LAB 40.76, 22.35, -9.46

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 34 / 28 / 51

HEX #7D535A

RGB 125 83 90

HSL 350, 0.2%, 0.41%

LAB 40.06, 18.59, 3.09

 

CMYK 0 / 30 / 34 / 51

HEX #7D5753

RGB 125 87 83

HSL 5.71, 0.2%, 0.41%

LAB 40.9, 15.16, 8.61

 

CMYK 0 / 33 / 19 / 71

HEX #4B323D

RGB 75 50 61

HSL 333.6, 0.2%, 0.25%

LAB 24.04, 13.29, -2.34

 

CMYK 0 / 33 / 19 / 61

HEX #644351

RGB 100 67 81

HSL 334.55, 0.2%, 0.33%

LAB 32.52, 16.61, -2.61

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 33 / 19 / 41

HEX #966479

RGB 150 100 121

HSL 334.8, 0.2%, 0.49%

LAB 48.23, 23.4, -3.47

 

CMYK 0 / 26 / 15 / 35

HEX #A77B8E

RGB 167 123 142

HSL 334.09, 0.2%, 0.57%

LAB 56.42, 20.14, -3.55

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 8 / 34 / 51

HEX #7D7353

RGB 125 115 83

HSL 45.71, 0.2%, 0.41%

LAB 48.57, -1.38, 19.14

 

CMYK 34 / 6 / 0 / 51

HEX #53767D

RGB 83 118 125

HSL 190, 0.2%, 0.41%

LAB 47.34, -10.54, -7.84

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 19 / 0 / 34 / 51

HEX #657D53

RGB 101 125 83

HSL 94.29, 0.2%, 0.41%

LAB 49.57, -16.92, 20.13

 

CMYK 34 / 19 / 0 / 51

HEX #53657D

RGB 83 101 125

HSL 214.29, 0.2%, 0.41%

LAB 42.2, -0.55, -15.6

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 8 / 34 / 51

HEX #7D7353

RGB 125 115 83

HSL 45.71, 0.2%, 0.41%

LAB 48.57, -1.38, 19.14

 

CMYK 34 / 0 / 14 / 51

HEX #537D6B

RGB 83 125 107

HSL 154.29, 0.2%, 0.41%

LAB 48.97, -18.8, 5.2

 

CMYK 34 / 26 / 0 / 51

HEX #535D7D

RGB 83 93 125

HSL 225.71, 0.2%, 0.41%

LAB 39.83, 4.36, -19.23

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 2 / 0 / 34 / 51

HEX #7A7D53

RGB 122 125 83

HSL 64.29, 0.2%, 0.41%

LAB 51.19, -8.32, 22.57

 

CMYK 34 / 0 / 14 / 51

HEX #537D6B

RGB 83 125 107

HSL 154.29, 0.2%, 0.41%

LAB 48.97, -18.8, 5.2

 

CMYK 31 / 34 / 0 / 51

HEX #56537D

RGB 86 83 125

HSL 244.29, 0.2%, 0.41%

LAB 37.2, 11.61, -23.28

 

Description

Color code: HEX #7D5365 | qconv.com Color code: HEX #7D5365 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 83 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 83 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 19 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 19% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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