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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D6015 it is the complementary color #829FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D6015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D6015 shade: #826010, #937223, #A48436, #B59649 and #C6A85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D6015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D6015 shade: #7D6015, #6C4E02, #5B3C00, #4A2A00 and #391800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D6015 shade: #7E6115, #7E4415, #7E2815 and #7E1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D6015 shade: #7E6115, #7E7D15, #637E15, #467E15 and #2A7E15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D6015 shade matches the following richer shades: #7E6115 and #8A6609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D6015 shade: #7E6115, #725B21, #66562D, #5A5139 and #4E4C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D6015 shade: #7E2815, #7E4415, #7E6015, #7E7C15 and #647E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D6015 shade: #372A09, #5B460F, #7E6115, #A17C1B and #C59721

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D6015 shade: #7D6015, #1E7E15 and #36157E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D6015 shade: #7D6015, #157E60 and #60157E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D6015 shade: #7D6015, #1E7E15, #15337E and #75157E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D6015 shade: #7D6015, #157E2C, #15337E and #7E1567

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

Complementary color

CMYK 44 / 32 / 0 / 8

HEX #829FEA

RGB 130 159 234

HSL 223.27, 0.71%, 0.71%

LAB 66.12, 9.31, -40.94

 

CMYK 0 / 26 / 88 / 49

HEX #826010

RGB 130 96 16

HSL 42.11, 0.78%, 0.29%

LAB 42.99, 6.51, 46.27

 

CMYK 0 / 22 / 76 / 42

HEX #937223

RGB 147 114 35

HSL 42.32, 0.62%, 0.36%

LAB 49.93, 4.82, 46.27

 

CMYK 0 / 20 / 67 / 36

HEX #A48436

RGB 164 132 54

HSL 42.55, 0.5%, 0.43%

LAB 56.74, 3.47, 45.4

 

CMYK 0 / 17 / 60 / 29

HEX #B59649

RGB 181 150 73

HSL 42.78, 0.43%, 0.5%

LAB 63.44, 2.37, 44.21

 

CMYK 0 / 15 / 54 / 22

HEX #C6A85C

RGB 198 168 92

HSL 43.02, 0.48%, 0.57%

LAB 70.02, 1.46, 42.93

 

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

CMYK 0 / 28 / 98 / 58

HEX #6C4E02

RGB 108 78 2

HSL 43.02, 0.96%, 0.22%

LAB 35.28, 6.16, 43.24

 

CMYK 0 / 34 / 100 / 64

HEX #5B3C00

RGB 91 60 0

HSL 39.56, 1%, 0.18%

LAB 28, 8.67, 37.68

 

CMYK 0 / 43 / 100 / 71

HEX #4A2A00

RGB 74 42 0

HSL 34.05, 1%, 0.15%

LAB 20.49, 11.45, 29.48

 

CMYK 0 / 58 / 100 / 78

HEX #391800

RGB 57 24 0

HSL 25.26, 1%, 0.11%

LAB 12.75, 14.42, 19.3

 

CMYK 0 / 23 / 83 / 51

HEX #7E6115

RGB 126 97 21

HSL 43.43, 0.71%, 0.29%

LAB 42.82, 4.17, 44.27

 

CMYK 0 / 46 / 83 / 51

HEX #7E4415

RGB 126 68 21

HSL 26.86, 0.71%, 0.29%

LAB 35.25, 21.32, 37.37

 

CMYK 0 / 68 / 83 / 51

HEX #7E2815

RGB 126 40 21

HSL 10.86, 0.71%, 0.29%

LAB 29.43, 36.2, 31.83

 

CMYK 0 / 83 / 83 / 51

HEX #7E1515

RGB 126 21 21

HSL 0, 0.71%, 0.29%

LAB 26.81, 43.44, 29.24

 

CMYK 0 / 23 / 83 / 51

HEX #7E6115

RGB 126 97 21

HSL 43.43, 0.71%, 0.29%

LAB 42.82, 4.17, 44.27

 

CMYK 0 / 1 / 83 / 51

HEX #7E7D15

RGB 126 125 21

HSL 59.43, 0.71%, 0.29%

LAB 50.87, -11.74, 51.34

 

CMYK 21 / 0 / 83 / 51

HEX #637E15

RGB 99 126 21

HSL 75.43, 0.71%, 0.29%

LAB 49.04, -24.46, 48.91

 

CMYK 44 / 0 / 83 / 51

HEX #467E15

RGB 70 126 21

HSL 92, 0.71%, 0.29%

LAB 47.34, -36.01, 46.73

 

CMYK 67 / 0 / 83 / 51

HEX #2A7E15

RGB 42 126 21

HSL 108, 0.71%, 0.29%

LAB 46.27, -44.36, 45.36

 

CMYK 0 / 23 / 83 / 51

HEX #7E6115

RGB 126 97 21

HSL 43.43, 0.71%, 0.29%

LAB 42.82, 4.17, 44.27

 

CMYK 0 / 26 / 93 / 46

HEX #8A6609

RGB 138 102 9

HSL 43.26, 0.88%, 0.29%

LAB 45.53, 6.66, 50.53

 

CMYK 0 / 23 / 83 / 51

HEX #7E6115

RGB 126 97 21

HSL 43.43, 0.71%, 0.29%

LAB 42.82, 4.17, 44.27

 

CMYK 0 / 20 / 71 / 55

HEX #725B21

RGB 114 91 33

HSL 42.96, 0.55%, 0.29%

LAB 39.86, 2.54, 35.79

 

CMYK 0 / 16 / 56 / 60

HEX #66562D

RGB 102 86 45

HSL 43.16, 0.39%, 0.29%

LAB 37.24, 0.75, 26.1

 

CMYK 0 / 10 / 37 / 65

HEX #5A5139

RGB 90 81 57

HSL 43.64, 0.22%, 0.29%

LAB 34.71, -0.39, 15.49

 

CMYK 0 / 3 / 12 / 69

HEX #4E4C45

RGB 78 76 69

HSL 46.67, 0.06%, 0.29%

LAB 32.3, -0.61, 4.45

 

CMYK 0 / 68 / 83 / 51

HEX #7E2815

RGB 126 40 21

HSL 10.86, 0.71%, 0.29%

LAB 29.43, 36.2, 31.83

 

CMYK 0 / 46 / 83 / 51

HEX #7E4415

RGB 126 68 21

HSL 26.86, 0.71%, 0.29%

LAB 35.25, 21.32, 37.37

 

CMYK 0 / 24 / 83 / 51

HEX #7E6015

RGB 126 96 21

HSL 42.86, 0.71%, 0.29%

LAB 42.54, 4.75, 44.02

 

CMYK 0 / 2 / 83 / 51

HEX #7E7C15

RGB 126 124 21

HSL 58.86, 0.71%, 0.29%

LAB 50.58, -11.19, 51.09

 

CMYK 21 / 0 / 83 / 51

HEX #647E15

RGB 100 126 21

HSL 74.86, 0.71%, 0.29%

LAB 49.11, -24.02, 49

 

CMYK 0 / 24 / 84 / 78

HEX #372A09

RGB 55 42 9

HSL 43.04, 0.72%, 0.13%

LAB 17.86, 1.79, 22.08

 

CMYK 0 / 23 / 84 / 64

HEX #5B460F

RGB 91 70 15

HSL 43.42, 0.72%, 0.21%

LAB 30.97, 2.96, 34.29

 

CMYK 0 / 23 / 83 / 51

HEX #7E6115

RGB 126 97 21

HSL 43.43, 0.71%, 0.29%

LAB 42.82, 4.17, 44.27

 

CMYK 0 / 23 / 83 / 37

HEX #A17C1B

RGB 161 124 27

HSL 43.43, 0.71%, 0.37%

LAB 54.1, 5.31, 53.66

 

CMYK 0 / 23 / 83 / 23

HEX #C59721

RGB 197 151 33

HSL 43.17, 0.71%, 0.45%

LAB 65.05, 6.84, 62.75

 

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

CMYK 76 / 0 / 83 / 51

HEX #1E7E15

RGB 30 126 21

HSL 114.86, 0.71%, 0.29%

LAB 45.98, -46.83, 44.98

 

CMYK 57 / 83 / 0 / 51

HEX #36157E

RGB 54 21 126

HSL 258.86, 0.71%, 0.29%

LAB 19.34, 41.73, -52.75

 

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

CMYK 83 / 0 / 24 / 51

HEX #157E60

RGB 21 126 96

HSL 162.86, 0.71%, 0.29%

LAB 46.88, -35.91, 8.39

 

CMYK 24 / 83 / 0 / 51

HEX #60157E

RGB 96 21 126

HSL 282.86, 0.71%, 0.29%

LAB 25.35, 48.46, -42.67

 

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

CMYK 76 / 0 / 83 / 51

HEX #1E7E15

RGB 30 126 21

HSL 114.86, 0.71%, 0.29%

LAB 45.98, -46.83, 44.98

 

CMYK 83 / 60 / 0 / 51

HEX #15337E

RGB 21 51 126

HSL 222.86, 0.71%, 0.29%

LAB 23.78, 19.05, -45.55

 

CMYK 7 / 83 / 0 / 51

HEX #75157E

RGB 117 21 126

HSL 294.86, 0.71%, 0.29%

LAB 28.97, 52.55, -36.66

 

CMYK 0 / 23 / 83 / 51

HEX #7D6015

RGB 125 96 21

HSL 43.27, 0.71%, 0.29%

LAB 42.43, 4.27, 43.87

 

CMYK 83 / 0 / 65 / 51

HEX #157E2C

RGB 21 126 44

HSL 133.14, 0.71%, 0.29%

LAB 45.99, -46.05, 35.77

 

CMYK 83 / 60 / 0 / 51

HEX #15337E

RGB 21 51 126

HSL 222.86, 0.71%, 0.29%

LAB 23.78, 19.05, -45.55

 

CMYK 0 / 83 / 18 / 51

HEX #7E1567

RGB 126 21 103

HSL 313.14, 0.71%, 0.29%

LAB 29.29, 50.79, -21.36

 

Description

Color code: HEX #7D6015 | qconv.com Color code: HEX #7D6015 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 96 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 96 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 83 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 83% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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