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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D79B5 it is the complementary color #82864A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D79B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D79B5 shade: #8279B0, #938BC3, #A49DD6, #B5AFE9 and #C6C1FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D79B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D79B5 shade: #7D79B5, #6C67A2, #5B558F, #4A437C and #393169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D79B5 shade: #7C78B4, #8C78B4, #9C78B4, #AD78B4 and #B478AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D79B5 shade: #7C78B4 and #7878B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D79B5 shade matches the following richer shades: #7C78B4, #6D67C5, #5E56D6, #5045E7 and #4134F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D79B5 shade: #7C78B4, #8A89A3, #999992, #A8AA82 and #B6BB71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D79B5 shade: #7894B4, #7884B4, #7C78B4, #8C78B4 and #9C78B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D79B5 shade: #514D8C, #625DA6, #7C78B4, #9592C3 and #AFADD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D79B5 shade: #7D79B5, #B478A4 and #8CB478

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D79B5 shade: #7D79B5, #B47C78 and #78B47C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D79B5 shade: #7D79B5, #B478A4, #B0B478 and #78B488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D79B5 shade: #7D79B5, #B47892, #B0B478 and #78B49A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

Complementary color

CMYK 3 / 0 / 45 / 47

HEX #82864A

RGB 130 134 74

HSL 64, 0.29%, 0.41%

LAB 54.33, -10.98, 31.69

 

CMYK 26 / 31 / 0 / 31

HEX #8279B0

RGB 130 121 176

HSL 249.82, 0.26%, 0.58%

LAB 53.55, 15.71, -27.92

 

CMYK 25 / 29 / 0 / 24

HEX #938BC3

RGB 147 139 195

HSL 248.57, 0.32%, 0.65%

LAB 60.43, 15.14, -27.99

 

CMYK 23 / 27 / 0 / 16

HEX #A49DD6

RGB 164 157 214

HSL 247.37, 0.41%, 0.73%

LAB 67.17, 14.64, -28.1

 

CMYK 22 / 25 / 0 / 9

HEX #B5AFE9

RGB 181 175 233

HSL 246.21, 0.57%, 0.8%

LAB 73.78, 14.18, -28.23

 

CMYK 21 / 23 / 0 / 1

HEX #C6C1FC

RGB 198 193 252

HSL 245.08, 0.91%, 0.87%

LAB 80.28, 13.76, -28.39

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

CMYK 33 / 36 / 0 / 36

HEX #6C67A2

RGB 108 103 162

HSL 245.08, 0.24%, 0.52%

LAB 46.31, 16.18, -31.19

 

CMYK 36 / 41 / 0 / 44

HEX #5B558F

RGB 91 85 143

HSL 246.21, 0.25%, 0.45%

LAB 39.08, 17.01, -31.3

 

CMYK 40 / 46 / 0 / 51

HEX #4A437C

RGB 74 67 124

HSL 247.37, 0.3%, 0.37%

LAB 31.64, 18, -31.48

 

CMYK 46 / 53 / 0 / 59

HEX #393169

RGB 57 49 105

HSL 248.57, 0.36%, 0.3%

LAB 23.96, 19.23, -31.75

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 22 / 33 / 0 / 29

HEX #8C78B4

RGB 140 120 180

HSL 260, 0.29%, 0.59%

LAB 54.35, 20.39, -28.92

 

CMYK 13 / 33 / 0 / 29

HEX #9C78B4

RGB 156 120 180

HSL 276, 0.29%, 0.59%

LAB 55.88, 25.46, -26.42

 

CMYK 4 / 33 / 0 / 29

HEX #AD78B4

RGB 173 120 180

HSL 293, 0.29%, 0.59%

LAB 57.67, 30.98, -23.52

 

CMYK 0 / 33 / 5 / 29

HEX #B478AB

RGB 180 120 171

HSL 309, 0.29%, 0.59%

LAB 58.11, 31.59, -17.61

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 33 / 33 / 0 / 29

HEX #7878B4

RGB 120 120 180

HSL 240, 0.29%, 0.59%

LAB 52.64, 14.34, -31.7

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 45 / 48 / 0 / 23

HEX #6D67C5

RGB 109 103 197

HSL 243.83, 0.45%, 0.59%

LAB 48.24, 26.5, -48.51

 

CMYK 56 / 60 / 0 / 16

HEX #5E56D6

RGB 94 86 214

HSL 243.75, 0.61%, 0.59%

LAB 44.08, 38.85, -65.03

 

CMYK 65 / 70 / 0 / 9

HEX #5045E7

RGB 80 69 231

HSL 244.07, 0.77%, 0.59%

LAB 40.79, 51.93, -80.14

 

CMYK 74 / 79 / 0 / 3

HEX #4134F8

RGB 65 52 248

HSL 243.98, 0.93%, 0.59%

LAB 38.48, 64.32, -93.59

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 15 / 16 / 0 / 36

HEX #8A89A3

RGB 138 137 163

HSL 242.31, 0.12%, 0.59%

LAB 57.98, 5.86, -13.61

 

CMYK 0 / 0 / 5 / 40

HEX #999992

RGB 153 153 146

HSL 60, 0.03%, 0.59%

LAB 63.04, -1.32, 3.67

 

CMYK 1 / 0 / 24 / 33

HEX #A8AA82

RGB 168 170 130

HSL 63, 0.19%, 0.59%

LAB 68.52, -7.48, 20.44

 

CMYK 3 / 0 / 40 / 27

HEX #B6BB71

RGB 182 187 113

HSL 64.05, 0.35%, 0.59%

LAB 73.98, -13.03, 36.86

 

CMYK 33 / 18 / 0 / 29

HEX #7894B4

RGB 120 148 180

HSL 212, 0.29%, 0.59%

LAB 60.31, -1.97, -19.88

 

CMYK 33 / 27 / 0 / 29

HEX #7884B4

RGB 120 132 180

HSL 228, 0.29%, 0.59%

LAB 55.88, 7.24, -26.68

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 22 / 33 / 0 / 29

HEX #8C78B4

RGB 140 120 180

HSL 260, 0.29%, 0.59%

LAB 54.35, 20.39, -28.92

 

CMYK 13 / 33 / 0 / 29

HEX #9C78B4

RGB 156 120 180

HSL 276, 0.29%, 0.59%

LAB 55.88, 25.46, -26.42

 

CMYK 42 / 45 / 0 / 45

HEX #514D8C

RGB 81 77 140

HSL 243.81, 0.29%, 0.43%

LAB 35.89, 18.37, -34.57

 

CMYK 41 / 44 / 0 / 35

HEX #625DA6

RGB 98 93 166

HSL 244.11, 0.29%, 0.51%

LAB 43.03, 20.68, -38.77

 

CMYK 31 / 33 / 0 / 29

HEX #7C78B4

RGB 124 120 180

HSL 244, 0.29%, 0.59%

LAB 52.96, 15.52, -31.18

 

CMYK 24 / 25 / 0 / 24

HEX #9592C3

RGB 149 146 195

HSL 243.67, 0.29%, 0.67%

LAB 62.41, 11.74, -24.93

 

CMYK 17 / 18 / 0 / 18

HEX #AFADD2

RGB 175 173 210

HSL 243.24, 0.29%, 0.75%

LAB 72, 8.24, -18.45

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

CMYK 0 / 33 / 9 / 29

HEX #B478A4

RGB 180 120 164

HSL 316, 0.29%, 0.59%

LAB 57.86, 30.33, -13.96

 

CMYK 22 / 0 / 33 / 29

HEX #8CB478

RGB 140 180 120

HSL 100, 0.29%, 0.59%

LAB 69.17, -24.68, 26.36

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

CMYK 0 / 31 / 33 / 29

HEX #B47C78

RGB 180 124 120

HSL 4, 0.29%, 0.59%

LAB 57.54, 21.26, 10.98

 

CMYK 33 / 0 / 31 / 29

HEX #78B47C

RGB 120 180 124

HSL 124, 0.29%, 0.59%

LAB 68.09, -30.93, 22.57

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

CMYK 0 / 33 / 9 / 29

HEX #B478A4

RGB 180 120 164

HSL 316, 0.29%, 0.59%

LAB 57.86, 30.33, -13.96

 

CMYK 2 / 0 / 33 / 29

HEX #B0B478

RGB 176 180 120

HSL 64, 0.29%, 0.59%

LAB 71.71, -10.96, 30.19

 

CMYK 33 / 0 / 24 / 29

HEX #78B488

RGB 120 180 136

HSL 136, 0.29%, 0.59%

LAB 68.32, -28.76, 16.41

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B5

RGB 125 121 181

HSL 244, 0.29%, 0.59%

LAB 53.35, 15.48, -31.14

 

CMYK 0 / 33 / 19 / 29

HEX #B47892

RGB 180 120 146

HSL 334, 0.29%, 0.59%

LAB 57.28, 27.29, -4.43

 

CMYK 2 / 0 / 33 / 29

HEX #B0B478

RGB 176 180 120

HSL 64, 0.29%, 0.59%

LAB 71.71, -10.96, 30.19

 

CMYK 33 / 0 / 14 / 29

HEX #78B49A

RGB 120 180 154

HSL 154, 0.29%, 0.59%

LAB 68.73, -25.16, 7.13

 

Description

Color code: HEX #7D79B5 | qconv.com Color code: HEX #7D79B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 121 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 121 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 33 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 33% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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