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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D7117 it is the complementary color #828EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D7117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D7117 shade: #827112, #938325, #A49538, #B5A74B and #C6B95E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D7117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D7117 shade: #7D7117, #6C5F04, #5B4D00, #4A3B00 and #392900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D7117 shade: #7C7016, #7C5516, #7C3916, #7C1E16 and #7C1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D7117 shade: #7C7016, #6D7C16, #517C16, #367C16 and #1A7C16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D7117 shade matches the following richer shades: #7C7016 and #887A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D7117 shade: #7C7016, #716722, #655E2E, #59553A and #4D4C46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D7117 shade: #7C3816, #7C5416, #7C6F16, #6F7C16 and #547C16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D7117 shade: #37310A, #5A5110, #7C7016, #9F901D and #C2AF23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D7117 shade: #7D7117, #167C1D and #46167C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D7117 shade: #7D7117, #167C6F and #6F167C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D7117 shade: #7D7117, #167C1D, #16247C and #7C1676

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D7117 shade: #7D7117, #167C3C, #16247C and #7C1657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

Complementary color

CMYK 44 / 39 / 0 / 9

HEX #828EE8

RGB 130 142 232

HSL 232.94, 0.69%, 0.71%

LAB 61.58, 18.58, -46.97

 

CMYK 0 / 13 / 86 / 49

HEX #827112

RGB 130 113 18

HSL 50.89, 0.76%, 0.29%

LAB 47.75, -3.27, 49.68

 

CMYK 0 / 11 / 75 / 42

HEX #938325

RGB 147 131 37

HSL 51.27, 0.6%, 0.36%

LAB 54.63, -4.65, 50.02

 

CMYK 0 / 9 / 66 / 36

HEX #A49538

RGB 164 149 56

HSL 51.67, 0.49%, 0.43%

LAB 61.37, -5.74, 49.43

 

CMYK 0 / 8 / 59 / 29

HEX #B5A74B

RGB 181 167 75

HSL 52.08, 0.42%, 0.5%

LAB 68, -6.62, 48.44

 

CMYK 0 / 7 / 53 / 22

HEX #C6B95E

RGB 198 185 94

HSL 52.5, 0.48%, 0.57%

LAB 74.52, -7.34, 47.3

 

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

CMYK 0 / 12 / 96 / 58

HEX #6C5F04

RGB 108 95 4

HSL 52.5, 0.93%, 0.22%

LAB 40.22, -3.94, 46.27

 

CMYK 0 / 15 / 100 / 64

HEX #5B4D00

RGB 91 77 0

HSL 50.77, 1%, 0.18%

LAB 32.99, -1.89, 41.4

 

CMYK 0 / 20 / 100 / 71

HEX #4A3B00

RGB 74 59 0

HSL 47.84, 1%, 0.15%

LAB 25.51, 0.43, 34.64

 

CMYK 0 / 28 / 100 / 78

HEX #392900

RGB 57 41 0

HSL 43.16, 1%, 0.11%

LAB 17.72, 2.97, 25.64

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 0 / 31 / 82 / 51

HEX #7C5516

RGB 124 85 22

HSL 37.06, 0.7%, 0.29%

LAB 39.31, 10.36, 40.61

 

CMYK 0 / 54 / 82 / 51

HEX #7C3916

RGB 124 57 22

HSL 20.59, 0.7%, 0.29%

LAB 32.41, 26.74, 34.08

 

CMYK 0 / 76 / 82 / 51

HEX #7C1E16

RGB 124 30 22

HSL 4.71, 0.7%, 0.29%

LAB 27.49, 39.75, 29.21

 

CMYK 0 / 82 / 82 / 51

HEX #7C1616

RGB 124 22 22

HSL 0, 0.7%, 0.29%

LAB 26.5, 42.54, 28.19

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 12 / 0 / 82 / 51

HEX #6D7C16

RGB 109 124 22

HSL 68.82, 0.7%, 0.29%

LAB 49.16, -18.97, 48.99

 

CMYK 35 / 0 / 82 / 51

HEX #517C16

RGB 81 124 22

HSL 85.29, 0.7%, 0.29%

LAB 47.27, -30.92, 46.57

 

CMYK 56 / 0 / 82 / 51

HEX #367C16

RGB 54 124 22

HSL 101.18, 0.7%, 0.29%

LAB 45.98, -40.35, 44.92

 

CMYK 79 / 0 / 82 / 51

HEX #1A7C16

RGB 26 124 22

HSL 117.65, 0.7%, 0.29%

LAB 45.21, -46.76, 43.91

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 0 / 10 / 93 / 47

HEX #887A0A

RGB 136 122 10

HSL 53.33, 0.86%, 0.29%

LAB 50.89, -5.69, 54.37

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 0 / 9 / 70 / 56

HEX #716722

RGB 113 103 34

HSL 52.41, 0.54%, 0.29%

LAB 43.25, -4.92, 38.83

 

CMYK 0 / 7 / 54 / 60

HEX #655E2E

RGB 101 94 46

HSL 52.36, 0.37%, 0.29%

LAB 39.53, -4.39, 28.26

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 0 / 1 / 9 / 70

HEX #4D4C46

RGB 77 76 70

HSL 51.43, 0.05%, 0.29%

LAB 32.23, -0.84, 3.71

 

CMYK 0 / 55 / 82 / 51

HEX #7C3816

RGB 124 56 22

HSL 20, 0.7%, 0.29%

LAB 32.19, 27.29, 33.87

 

CMYK 0 / 32 / 82 / 51

HEX #7C5416

RGB 124 84 22

HSL 36.47, 0.7%, 0.29%

LAB 39.04, 10.96, 40.36

 

CMYK 0 / 10 / 82 / 51

HEX #7C6F16

RGB 124 111 22

HSL 52.35, 0.7%, 0.29%

LAB 46.59, -4.86, 47.2

 

CMYK 10 / 0 / 82 / 51

HEX #6F7C16

RGB 111 124 22

HSL 67.65, 0.7%, 0.29%

LAB 49.32, -18.06, 49.19

 

CMYK 32 / 0 / 82 / 51

HEX #547C16

RGB 84 124 22

HSL 83.53, 0.7%, 0.29%

LAB 47.44, -29.73, 46.8

 

CMYK 0 / 11 / 82 / 78

HEX #37310A

RGB 55 49 10

HSL 52, 0.69%, 0.13%

LAB 20.17, -2.79, 24.35

 

CMYK 0 / 10 / 82 / 65

HEX #5A5110

RGB 90 81 16

HSL 52.7, 0.7%, 0.21%

LAB 34.18, -4.23, 36.82

 

CMYK 0 / 10 / 82 / 51

HEX #7C7016

RGB 124 112 22

HSL 52.94, 0.7%, 0.29%

LAB 46.88, -5.42, 47.46

 

CMYK 0 / 9 / 82 / 38

HEX #9F901D

RGB 159 144 29

HSL 53.08, 0.69%, 0.37%

LAB 59.35, -6.6, 57.53

 

CMYK 0 / 10 / 82 / 24

HEX #C2AF23

RGB 194 175 35

HSL 52.83, 0.69%, 0.45%

LAB 71.04, -7.23, 67.19

 

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

CMYK 82 / 0 / 77 / 51

HEX #167C1D

RGB 22 124 29

HSL 124.12, 0.7%, 0.29%

LAB 45.19, -46.82, 41.38

 

CMYK 44 / 82 / 0 / 51

HEX #46167C

RGB 70 22 124

HSL 268.24, 0.7%, 0.29%

LAB 21.32, 43.07, -48.13

 

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

CMYK 82 / 0 / 10 / 51

HEX #167C6F

RGB 22 124 111

HSL 172.35, 0.7%, 0.29%

LAB 46.62, -30.72, -0.83

 

CMYK 10 / 82 / 0 / 51

HEX #6F167C

RGB 111 22 124

HSL 292.35, 0.7%, 0.29%

LAB 27.87, 50.68, -37.21

 

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

CMYK 82 / 0 / 77 / 51

HEX #167C1D

RGB 22 124 29

HSL 124.12, 0.7%, 0.29%

LAB 45.19, -46.82, 41.38

 

CMYK 82 / 71 / 0 / 51

HEX #16247C

RGB 22 36 124

HSL 231.76, 0.7%, 0.29%

LAB 19.59, 28.81, -51.15

 

CMYK 0 / 82 / 5 / 51

HEX #7C1676

RGB 124 22 118

HSL 303.53, 0.7%, 0.29%

LAB 29.83, 52.38, -30.14

 

CMYK 0 / 10 / 82 / 51

HEX #7D7117

RGB 125 113 23

HSL 52.94, 0.69%, 0.29%

LAB 47.28, -5.48, 47.52

 

CMYK 82 / 0 / 52 / 51

HEX #167C3C

RGB 22 124 60

HSL 142.35, 0.7%, 0.29%

LAB 45.51, -42.84, 27.05

 

CMYK 82 / 71 / 0 / 51

HEX #16247C

RGB 22 36 124

HSL 231.76, 0.7%, 0.29%

LAB 19.59, 28.81, -51.15

 

CMYK 0 / 82 / 30 / 51

HEX #7C1657

RGB 124 22 87

HSL 321.76, 0.7%, 0.29%

LAB 28.24, 47.84, -12.57

 

Description

Color code: HEX #7D7117 | qconv.com Color code: HEX #7D7117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 113 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 113 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 82 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 82% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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