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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D71B6 it is the complementary color #828E49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D71B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D71B6 shade: #8271B1, #9383C4, #A495D7, #B5A7EA and #C6B9FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D71B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D71B6 shade: #7D71B6, #6C5FA3, #5B4D90, #4A3B7D and #39296A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D71B6 shade: #7D71B6, #9071B6, #A271B6, #B471B6 and #B671A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D71B6 shade: #7D71B6 and #7171B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D71B6 shade matches the following richer shades: #7D71B6, #7260C7, #664ED8, #5B3DEA and #502CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D71B6 shade: #7D71B6, #8882A4, #949493, #9FA582 and #AAB670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D71B6 shade: #718AB6, #7178B6, #7D71B6, #8F71B6 and #A171B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D71B6 shade: #54488C, #6456A7, #7D71B6, #968CC4 and #AFA8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D71B6 shade: #7D71B6, #B6719D and #81B671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D71B6 shade: #7D71B6, #B67D71 and #71B67D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D71B6 shade: #7D71B6, #B6719D, #AAB671 and #71B68A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D71B6 shade: #7D71B6, #B67188, #AAB671 and #71B69F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

Complementary color

CMYK 8 / 0 / 49 / 44

HEX #828E49

RGB 130 142 73

HSL 70.43, 0.32%, 0.42%

LAB 56.66, -15.38, 35.07

 

CMYK 27 / 36 / 0 / 31

HEX #8271B1

RGB 130 113 177

HSL 255.94, 0.29%, 0.57%

LAB 51.53, 20.71, -31.64

 

CMYK 25 / 33 / 0 / 23

HEX #9383C4

RGB 147 131 196

HSL 254.77, 0.36%, 0.64%

LAB 58.43, 20.02, -31.65

 

CMYK 24 / 31 / 0 / 16

HEX #A495D7

RGB 164 149 215

HSL 253.64, 0.45%, 0.71%

LAB 65.2, 19.4, -31.7

 

CMYK 23 / 29 / 0 / 8

HEX #B5A7EA

RGB 181 167 234

HSL 252.54, 0.61%, 0.79%

LAB 71.83, 18.85, -31.79

 

CMYK 22 / 27 / 0 / 1

HEX #C6B9FD

RGB 198 185 253

HSL 251.47, 0.94%, 0.86%

LAB 78.34, 18.34, -31.9

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 34 / 42 / 0 / 36

HEX #6C5FA3

RGB 108 95 163

HSL 251.47, 0.27%, 0.51%

LAB 44.26, 21.36, -35

 

CMYK 37 / 47 / 0 / 44

HEX #5B4D90

RGB 91 77 144

HSL 252.54, 0.3%, 0.43%

LAB 37.01, 22.34, -35.16

 

CMYK 41 / 53 / 0 / 51

HEX #4A3B7D

RGB 74 59 125

HSL 253.64, 0.36%, 0.36%

LAB 29.57, 23.5, -35.39

 

CMYK 46 / 61 / 0 / 58

HEX #39296A

RGB 57 41 106

HSL 254.77, 0.44%, 0.29%

LAB 21.93, 24.87, -35.65

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 21 / 38 / 0 / 29

HEX #9071B6

RGB 144 113 182

HSL 266.96, 0.32%, 0.58%

LAB 53.08, 26.2, -32.02

 

CMYK 11 / 38 / 0 / 29

HEX #A271B6

RGB 162 113 182

HSL 282.61, 0.32%, 0.58%

LAB 54.94, 31.8, -28.98

 

CMYK 1 / 38 / 0 / 29

HEX #B471B6

RGB 180 113 182

HSL 298.26, 0.32%, 0.58%

LAB 56.97, 37.51, -25.68

 

CMYK 0 / 38 / 10 / 29

HEX #B671A4

RGB 182 113 164

HSL 315.65, 0.32%, 0.58%

LAB 56.52, 34.87, -15.97

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 38 / 38 / 0 / 29

HEX #7171B6

RGB 113 113 182

HSL 240, 0.32%, 0.58%

LAB 50.33, 17.12, -36.52

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 43 / 52 / 0 / 22

HEX #7260C7

RGB 114 96 199

HSL 250.49, 0.48%, 0.58%

LAB 47.06, 32.51, -51.52

 

CMYK 53 / 64 / 0 / 15

HEX #664ED8

RGB 102 78 216

HSL 250.43, 0.64%, 0.58%

LAB 43.11, 45.55, -67.72

 

CMYK 61 / 74 / 0 / 8

HEX #5B3DEA

RGB 91 61 234

HSL 250.4, 0.8%, 0.58%

LAB 40.41, 58.31, -82.42

 

CMYK 68 / 82 / 0 / 2

HEX #502CFB

RGB 80 44 251

HSL 250.43, 0.96%, 0.58%

LAB 38.68, 69.55, -94.91

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 17 / 21 / 0 / 36

HEX #8882A4

RGB 136 130 164

HSL 250.59, 0.16%, 0.58%

LAB 55.97, 9.46, -17.25

 

CMYK 0 / 0 / 1 / 42

HEX #949493

RGB 148 148 147

HSL 60, 0%, 0.58%

LAB 61.29, -0.19, 0.52

 

CMYK 4 / 0 / 21 / 35

HEX #9FA582

RGB 159 165 130

HSL 70.29, 0.16%, 0.58%

LAB 66.44, -8.29, 17.47

 

CMYK 7 / 0 / 38 / 29

HEX #AAB670

RGB 170 182 112

HSL 70.29, 0.32%, 0.58%

LAB 71.67, -15.36, 34.24

 

CMYK 38 / 24 / 0 / 29

HEX #718AB6

RGB 113 138 182

HSL 218.26, 0.32%, 0.58%

LAB 57.14, 2.27, -25.91

 

CMYK 38 / 34 / 0 / 29

HEX #7178B6

RGB 113 120 182

HSL 233.91, 0.32%, 0.58%

LAB 52.2, 12.9, -33.59

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 21 / 38 / 0 / 29

HEX #8F71B6

RGB 143 113 182

HSL 266.09, 0.32%, 0.58%

LAB 52.98, 25.9, -32.18

 

CMYK 12 / 38 / 0 / 29

HEX #A171B6

RGB 161 113 182

HSL 281.74, 0.32%, 0.58%

LAB 54.83, 31.49, -29.16

 

CMYK 40 / 49 / 0 / 45

HEX #54488C

RGB 84 72 140

HSL 250.59, 0.32%, 0.42%

LAB 34.83, 22.39, -36.24

 

CMYK 40 / 49 / 0 / 35

HEX #6456A7

RGB 100 86 167

HSL 250.37, 0.32%, 0.5%

LAB 41.46, 25.84, -41.85

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 23 / 29 / 0 / 23

HEX #968CC4

RGB 150 140 196

HSL 250.71, 0.32%, 0.66%

LAB 60.98, 15.73, -27.69

 

CMYK 17 / 20 / 0 / 18

HEX #AFA8D2

RGB 175 168 210

HSL 250, 0.32%, 0.74%

LAB 70.71, 11.01, -20.4

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 0 / 38 / 14 / 29

HEX #B6719D

RGB 182 113 157

HSL 321.74, 0.32%, 0.58%

LAB 56.28, 33.68, -12.28

 

CMYK 29 / 0 / 38 / 29

HEX #81B671

RGB 129 182 113

HSL 106.09, 0.32%, 0.58%

LAB 68.98, -30.61, 29.7

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 0 / 31 / 38 / 29

HEX #B67D71

RGB 182 125 113

HSL 10.43, 0.32%, 0.58%

LAB 57.85, 20.61, 15.48

 

CMYK 38 / 0 / 31 / 29

HEX #71B67D

RGB 113 182 125

HSL 130.43, 0.32%, 0.58%

LAB 68.35, -33.92, 22.33

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 0 / 38 / 14 / 29

HEX #B6719D

RGB 182 113 157

HSL 321.74, 0.32%, 0.58%

LAB 56.28, 33.68, -12.28

 

CMYK 7 / 0 / 38 / 29

HEX #AAB671

RGB 170 182 113

HSL 70.43, 0.32%, 0.58%

LAB 71.69, -15.24, 33.74

 

CMYK 38 / 0 / 24 / 29

HEX #71B68A

RGB 113 182 138

HSL 141.74, 0.32%, 0.58%

LAB 68.61, -31.5, 15.66

 

CMYK 31 / 38 / 0 / 29

HEX #7D71B6

RGB 125 113 182

HSL 250.43, 0.32%, 0.58%

LAB 51.32, 20.52, -34.89

 

CMYK 0 / 38 / 25 / 29

HEX #B67188

RGB 182 113 136

HSL 340, 0.32%, 0.58%

LAB 55.62, 30.37, -1.03

 

CMYK 7 / 0 / 38 / 29

HEX #AAB671

RGB 170 182 113

HSL 70.43, 0.32%, 0.58%

LAB 71.69, -15.24, 33.74

 

CMYK 38 / 0 / 13 / 29

HEX #71B69F

RGB 113 182 159

HSL 160, 0.32%, 0.58%

LAB 69.09, -27.11, 4.86

 

Description

Color code: HEX #7D71B6 | qconv.com Color code: HEX #7D71B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 113 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 113 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 38 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 38% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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